Hailed as “a masterpiece” and “the scariest film of the past two decades” (UK Horror Scene) as well as receiving more glowing reviews from throughout the media world then we can possibly dig up and list here, DIGGING UP THE MARROW has now surpassed FROZEN as ArieScope’s best reviewed and highest praised film of all time.  Starring Ray Wise (TWIN PEAKS, ROBOCOP), Adam Green (HOLLISTON), and Will Barratt (HATCHET III) and featuring appearances from genre favorites like Kane Hodder, Tom Holland, Mick Garris, Don Coscarelli, Tony Todd, Lloyd Kaufman, Sarah Elbert, Josh Ethier, and the late Dave Brockie/“Oderus Urungus”, DIGGING UP THE MARROW is a creature feature that blends reality and fantasy into a unique cinematic experience like no other.  Inspired by the art of Alex Pardee and featuring a cast of creatures unlike any you have seen on film before, THE MARROW “will change the way you view the world” (Harry Knowles, AIN’T IT COOL NEWS). 

Written and directed by Adam Green.

Theatrical and VOD release: 2.20.15
DVD/Blu-Ray release: 3.24.15

“With almost every possible detail shrouded in mystery, Adam Green’s latest effort is able to achieve almost the impossible in presenting something genuinely unseen before. Almost indefinable in its style, whenever you think you get a grasp on where the film is going, it violently turns your expectations inside out and creates a perfect capture of the pure essence of fear of the unknown.  It is a film that demands to be experienced rather than read about as this would lessen the effect of what can be called one of the scariest films of the past two decades.” – Oliver Ryder, UK Horror Scene (December 31, 2014)

Danielle Harris (HALLOWEEN IV & V) and Kane Hodder (FRIDAY THE 13TH VII – X) return for the epic conclusion in the now bona fide worldwide franchise which finds a heavily armed search and recovery team heading into the haunted Louisiana swamp and “Marybeth” (Harris) seeking out an end to the horrific voodoo curse that has kept the paranormal entity of “Victor Crowley” (Hodder) terrorizing Honey Island Swamp for decades. Also starring Zach Galligan (GREMLINS), Derek Mears (FRIDAY THE 13th 2009), Caroline Williams (THE TEXAS CHAINSAW MASSACRE PART 2), Parry Shen (HATCHET I & II), and Sid Haig (THE DEVIL’S REJECTS).

Written and Produced by Adam Green
Directed by BJ McDonnell

Theatrical and VOD release 6.14.13
DVD/BLU-RAY release 8.13.2013

“HATCHET III is an expressive and visually gritty conclusion to the fan favorite horror comedy HATCHET trilogy, as it offers a terrifyingly emotional conclusion to Crowley and Marybeth’s drive for vengeance.  In the sequences where the two warring characters come face-to-face, Hodder and Harris brazeningly lost their inhibitions, and let their characters’ anger over being targeted lead them to take drastic measures in defending themselves.” – Karen Bernadello, Shock Ya (June 13, 2013)

It’s the closing night at the last drive-in theater in America and owner Cecil B. Kaufman has planned the ultimate marathon of four rare and outrageous film prints to unleash upon his faithful cinephile patrons.  Starring Richard Riehle (OFFICE SPACE), Joel David Moore (AVATAR), Lin Shaye (INSIDIOUS), Ray Wise (TWIN PEAKS), Kane Hodder (HATCHET), and more cameos than you can count, CHILLERAMA is the ultimate midnight anthology movie that critics call “a late night classic for the new millennium” (Killer Film), and “the most offensively nostalgic fun time I’ve experienced in theaters in I don’t know how long.” (Dread Central).

Written and Directed by Adam Rifkin (DETROIT ROCK CITY), Tim Sullivan (2001 MANIACS), Adam Green (FROZEN), and Joe Lynch (WRONG TURN 2).

DRIVE-IN THEATER TOUR  – September/October 2011
DVD/BLU-RAY release 11.29.11

“Of all the horror anthologies I’ve seen, CHILLERAMA is unquestionably the silliest, the goriest, the wildest and the most endearing.  The most entertaining of the shorts is THE DIARY OF ANNE FRANKENSTEIN directed by Adam Green and starring Joel David Moore as a particularly goofy Adolf Hitler. The film plays like a crude collage of several Mel Brooks films, with particularly strong shades of YOUNG FRANKENSTEIN, TO BE OR NOT TO BE, and THE PRODUCERS. The cinematic anarchy that THE DIARY OF ANNE FRANKENSTEIN offers is more consistently entertaining than any other short.” – Clark Douglas, DVD Verdict (December 9, 2011)

Starting on the very frame that the original HATCHET ended on, “Marybeth” escapes from the clutches of “Victor Crowley” and learns the horrific truth about her family’s link to the deformed hatchet-wielding madman. She returns to the swamp with an arsenal of hunters in an effort to recover the bodies of her family and seek revenge against “Crowley” in what becomes one of the most in-your-face and gore soaked slasher films ever made. Starring Danielle Harris (HALLOWEEN IV & V), Kane Hodder (FRIDAY THE 13TH VII-X), Tony Todd (CANDYMAN), and Tom Holland (CHILD’S PLAY), critics hailed the film as “One of the greatest slasher films ever” (Bloody-Disgusting) and having “Twice the gore, twice the intensity” (Dread Central). Unable to obtain an “R” rating by the Motion Picture Association of America without enormous censorship and changes, Adam Green’s HATCHET II made a groundbreaking achievement by being the first theatrical horror film to circumvent the MPAA and be released UNRATED and UNCUT in major U.S. cinemas since George Romero’s DAWN OF THE DEAD in 1978.  The film made history again merely 72 hours later when it became the first film to ever be pulled from theaters in its opening weekend, causing controversy in the media internationally.

Written and Directed by Adam Green

Theatrical release 10.1.2010
DVD/BLU-RAY release 2.1.2011

“Man, Adam Green must have run up a bill at the local butcher. Hundreds of dollars worth of sweetmeats, livers, gizzards, hearts, lungs and other organs of animals (none of them human, I trust) are seemingly ripped out of Crowley’s victims, while blood helpfully obscures our view of the details of these eviscerations.” – Roger Ebert (September 29, 2010)

When a tragic accident leaves “Madeline’s” unborn baby “Grace” dead inside of her, she insists on carrying the baby’s corpse to term. Weeks later when she delivers, the baby miraculously returns to life. Jordan Ladd (CABIN FEVER) stars in this deeply disturbing thriller that critics hailed as “Downright chilling” (Variety), “A truly horrifying film” (CHUD.com), “An emotional and psychological journey into terror” (Nikki Finke, Deadline Hollywood), and warned viewers to “watch at your own risk” (E! Online). After it’s controversial world premiere at the Sundance Film Festival (where two men fainted in the audience), GRACE completed a worldwide award winning festival tour and was released in US theaters on August 14, 2009.

Written and Directed by Paul Solet

Theatrical release 8.14.2009
DVD/BLU-RAY release 9.15.2009

“Here’s a new kind of chick flick: a sunny contemplation of motherhood (breast-feeding especially) presented in a setting of creepy, blood-gushing perversity. GRACE isn’t really a horror movie, but it’s gruesome and unsettling.  First-time feature director Paul Solet maintains iron control of the wild material. Clearly, this is a guy to keep an eye on.” – Kurt Loader, MTV (August 14, 2009)

A reclusive artist finds life in the eyes of his latest subject, but the past that haunts him may come to haunt her as well.  Joel David Moore (AVATAR), Amber Tamblyn (SISTERHOOD OF THE TRAVELING PANTS), Zachary Levi (TANGLED), and Tricia Helfer (BATTLESTAR GALLACTICA) star in this acclaimed and award winning psychodrama described by critics as “the closest thing you’ll get to Hitchcock in our day and age.”

Directed by Adam Green and Joel David Moore
Written by Joel David Moore and Jeremy Danial Boring

Theatrical release 2.8.2008
DVD release 2.19.2008

“SPIRAL is nothing short of brilliant as it explores a rare theme in horror: the image of the monster as victim. A very cerebral film, SPIRAL leaves much to the imagination, but it’s no blank canvas. Fantastic use of color, it is beautifully shot, primarily in reds. The opening shot sets the tone with a gorgeous red, blue, and green reflection in a puddle of a diner window. Visually, this is a masterpiece, and the live acoustic jazz score fits perfectly. I could just listen to this movie and still have a good time.” – Ain’t It Cool News (September 22, 2007)