Green’s Blog


In celebration of HATCHET’s 10th Anniversary and the latest film in the franchise VICTOR CROWLEY, this year Adam Green is embarking on his biggest tour yet:  The DISMEMBER AMERICA TOUR 2017!



March 10th-12th: Cherry Hill, NJ – MONSTER MANIA *3 day convention appearance.

April 3rd: Burbank, CA – DARK DELICACIES *HATCHET comic book signing.

April 7th – 9th: Chattanooga, TN – CHATTANOOGA FILM FESTIVAL * 3 day film festival appearance.  Includes screening of HATCHET (2007) and MOVIE CRYPT LIVE.


August 22nd: Hollywood, CA – ARCLIGHT HOLLYWOOD * Surprise Unveiling!

August 24th – 28th: London, UK – FRIGHTFEST * 5 day festival appearance with Kane Hodder.  Film plays on Saturday night 8/26.  Also includes MOVIE CRYPT LIVE on 8/26.

September 12th – Munich – Hamburg – Stuttgart, Germany   *  Film only

September 17th: Burbank, CA – MONSTERPALOOZA  *Panel Presentation only.  With Dave Sheridan, Felissa Rose, Laura Ortiz, Tiffany Shepis, and FX artist Robert Pendergraft.

September 21st: Frankfurt, Germany   * Film only

October 1st: Cologne – Nurenberg, Germany   * Film only

October 1st: Dallas, TX- Alamo Drafthouse

October 2nd: Houston, TX – Alamo Drafthouse Mason Park

October 3rd: San Francisco, CA – Roxie Theater  *Film only

October 4th: El Paso, TX – Alamo Drafthouse

October 5th: Chandler, AZ – Alamo Drathouse

October 6th: Santa Ana, CA – Frida Cinema *Laura Ortiz, Dave Sheridan, and Tezz Yancey joining Adam Green.  

October 7th: Gardena, CA – Gardena Cinema   *Film only

October 8th: Monterey, CA – Osio Theater   *Actress Tiffany Shepis appearing.

October 9th: Pittsburgh, PA – Hollywood Theater

October 10th: Philadelphia, PA – PhilaMOCA *7:30pm show SOLD OUT!  A second 10:15pm show added!

October 12th: Salem, MA – Cinema Salem - SOLD OUT!  *Presented by Rock And Shock.  Tezz Yancey joining Adam Green.

October 13th: Huntington, NY – Cinema Arts Center  *Film only

October 13th: Toronto, Canada – Toronto After Dark Film Festival  * Film only

October 14th: Yonkers, NY – Alamo Drafthouse * Film only

October 15th: Brooklyn, NY – Brooklyn Horror Fest * Film only

October 15th: Telluride, CO * Film only.  Part of the Telluride Horror Show.

October 13th – 15th: Worcester, MA – ROCK AND SHOCK* 3 day convention appearance with MANY HATCHET family guests TBA.  Panel presentation only.  Also performing with HADDONFIELD on Saturday night 10/14 at the Worcester Palladium.

October 16th: Seymour, CT – The Strand Theater *Film only

October 17th: Syracuse, NY – Palace Theater

October 18th: Cleveland, OH – Capitol Theater

October 19th: Columbus, OH – Gateway Film Center  * Nightmares Film Festival opening night film

October 20th: Grand Rapids, MI – UICA * Kane Hodder will be joining Adam for Q&A!

October 21st: Rosemont, IL – AMC Rosemont

October 22nd: Indianapolis, IN – Indianapolis State Museum IMAX

October 22nd: Edmonton, Canada – DEDfest 2017  * Film only

October 24th: Omaha, NE – Alamo Drafthouse

October 25th: Kansas City, MO – Screenland Armour

October 26th: Burlington, IA – Burlington Capitol Theater  * Film only

October 26th: St. Louis, MO – Moolah Theater  * Film only

October 27th – Chattanooga, TN – Palace Picture House * Film only. 

October 27-29th: Nashville, TN – Full Moon Cineplex * 3 day convention appearance (Fri/Sat/Sun) with TWO screenings of VICTOR CROWLEY on Saturday night 10/28!  A second midnight screening has been added as the 9:30 screening has SOLD OUT!  Kane Hodder and Felissa Rose will be joining Adam Green for these Q&A’s. 

October 28th: Asheville, NC – Fine Arts Theater  * Film only

October 30th: New Orleans, LAPrytania Theater [NIGHT 1] * Kane Hodder and Brian Quinn will be joining Adam Green for the Q&A.

October 31st: New Orleans, LA – Prytania Theater [NIGHT 2] * Kane Hodder and Brian Quinn will be joining Adam Green for the Q&A.  The special after-show “Hunt For Victor Crowley” haunted swamp tour event hosted by Adam Green and Kane Hodder is sold out.

November 1st – 5th: Costa Maya, Mexico – IMPRACTICAL JOKERS’ CRUISE  *4 day appearance.  Q&A after the film on 11/1 with Adam Green, Kane Hodder and Brian Quinn.

November 1st: Atlanta, GA – Plaza Theater   * Film only

November 1st: Jacksonville, FL - Sunday Cinema    * Film only

November 1st: Ottawa, Canada – Mayfaire Theater   * Film only

November 2nd: Ottawa, Canada – Mayfaire Theater   * Film only

November 3rd: Howell, MI – Historic Howell Theater  * Film only

GDOB-30H3-007 3.5mm spineSee HADDONFIELD live on 10/14/17 at “Rock And Shock” in Worcester, MA!


ArieScope is excited to announce the exclusive tour merchandise for Adam Green’s DISMEMBER AMERICA 2017 tour with the 4th HATCHET film: VICTOR CROWLEY.  Please read all descriptions thoroughly.

These items will be sold exclusively at the US tour stops for Adam Green’s DISMEMBER AMERICA 2017 TOUR.  [UPDATE: As of 3/16/18 all tour merchandise has been shipped.]

Q: “I’m attending a tour date that Adam Green will not be attending in person, can I still order the exclusive tour merchandise by sending in a photo of my ticket stub?”   A:  [UPDATE 12/13/17] We are not accepting any more on-line orders for tour merchandise.

Q: “The tour isn’t coming to a theater near me!  Can I still get any of the tour exclusives?”  A: We suggest reaching out to your fellow fans on social networking who will be attending a tour date as perhaps you can find someone willing to get you the tour exclusives you’re looking for.  With our 2015 “TOURING THROUGH THE MARROW” tour many fans connected with each other on-line to help each other out with getting the exclusives they were hoping for.  Some of the items you see below may be offered after the tour in our on-line store in a slightly different version but if we were to offer the exact same things on-line then the items wouldn’t be “tour exclusives” anymore would they?  For collectors, the fact that only a limited amount of these specific items will ever be made means everything.

Q: “But I want that stuff, too- just take my money!”  A: It’s not about trying to sell as many things as possible.  Far from it as each item is expensive and extremely time consuming to make per order.  It’s about creating a special opportunity for the fans that asked their theaters to book the film and for those who traveled far and wide to attend a tour date and see Adam in person and watch VICTOR CROWLEY on the big screen the way it was meant to be seen.

Q: “I want to leave the theater with all of my stuff!  Why won’t you have the tour exclusives physically there at the theater?”   A: Not only would it be physically impossible to travel from city to city every night with enough merchandise for every screening, but even more importantly- every item is custom made to order by hand.  Only the DISMEMBER AMERICA TOUR 2017 posters will be physically there at the theater.  The other items will just have a prototype there on display so that you can see exactly what it looks like.  No, display items will not be for sale.

Here are the tour exclusives!!!

1. VIP EXPERIENCE.  This is the most popular thing on every tour and it always sells out fast.  PLEASE READ THIS INFO THOROUGHLY.

The VIP EXPERIENCE is completely separate from your actual movie ticket.  It does not include admission to the screening.  You must purchase your actual movie ticket through the theater as we have nothing to do with the theater’s side of things.  VIP EXPERIENCES are extremely limited (usually only about 15 or less per event depending on the size of the theater) so don’t delay.  VIP EXPERIENCES ARE NOT OFFERED FOR SCREENINGS THAT ADAM GREEN WILL NOT BE ATTENDING.  If something changes and Adam is added to your tour city at a later date we will add VIP options for that stop if enough time permits.  Here’s how it works:

With the purchase of a VIP EXPERIENCE for your city’s screening you will be admitted into the theater (or another special area) 60 minutes before the general audience.  VIP’s will have their names on a list at the front of the line and will be able to meet Adam Green, get autographs, take photos, and buy tour merchandise before anyone else attending the event that night even gets into the theater.  The limited edition exclusive tour poster (seen below) will also be included with your VIP EXPERIENCE and you will be handed your poster there at the VIP meet and greet so that Adam can sign it for you if you wish.  It is up to you to make your way to the front of any line that has formed and let our staff member know that you are VIP.  Show your movie ticket and then give your name to our staff member.  He will check your name off the VIP list and let you into the theater.  Most fans who get the VIP EXPERIENCE love it because it means you can go straight home after the Q&A.  You don’t need to line up with everyone else for merchandise or for a chance to meet Adam and get autographs/photos.  Some of these screenings will let out very late so being able to get in first and then leave right afterwords sure is nice!   WE HIGHLY SUGGEST THAT YOU PRINT OUT YOUR E-MAIL RECEIPT FOR YOUR VIP EXPERIENCE AND BRING IT WITH YOU.  That will serve as your proof should there be any confusion with the list.  Important: if someone else tries to use your name or show a copy of your receipt a second time you will both be thrown out without a refund so be careful with your receipt.  VIP EXPERIENCES will not be sold at the event.  It is up to you to be on time.  We are not responsible if you are late and miss your VIP EXPERIENCE.  Price = $60 each.  (Includes the $45 tour poster art print so if you were already planning on getting the print- it’s really only $15 for the early, more private meet and greet!)

To order a VIP EXPERIENCE for YOUR city, visit our “BUY STUFF” store here, read all of the details in the item description, and select the screening you will be attending.  [UPDATE:  VIP experiences are no longer listed in the store now that the tour is over.]

CrowleyVIPLook for THIS image in the “Buy Stuff” store to purchase your VIP EXPERIENCE.

2. VICTOR CROWLEY’S SKULL.  This one is f**king amazing, Hatchet Army!  Molded from the exact same screen-used mold used for Victor Crowley’s exposed skeleton in HATCHET 3, these extremely limited sculptures are made of polyurethane foam and urethane plastic and are individually handmade and painted by the HATCHET series’ FX team at Aunt Dolly’s Garage.  The tour exclusive versions are each discretely labeled “Tour 2017 / Series 1″ and come autographed by HATCHET series’ FX artist Robert Pendergraft and creator Adam Green on the back.  (Should a limited run of these sculptures ever be made available to the general public on-line at a later date they will not be inscribed as “Tour 2017/ Series 1″ and will have other differences made to the sculpture/paint job itself.  These are a one of a kind run!)   Because each skull is handmade to order (each one takes several days to make) and because there is absolutely no way to travel from city to city every night with these high-end props, you will need to order yours at the screening and it will be shipped to you when it is ready.  This is easily the greatest HATCHET item we’ve ever made available so do not miss out!  Price = $150 each.  Credit cards or cash only.  Limit of 3 per customer on tour.  

Skull sculptA look at the work-in-progress Crowley Skull sculpture.

IMG_1229The finished fully painted prototype.



Crowley Skull H3As seen on screen in HATCHET 3.

3. BLOODY PROP HATCHET.  Back by popular demand, these incredible prop hatchets are each handmade from the original mold that was used to create every one of Victor Crowley’s hatchets used on-screen in all four HATCHET films.  These are exactly what you see Kane Hodder using in each of the films!  Custom made to order by the HATCHET series’ FX team at Aunt Dolly’s Garage, each hatchet has a unique blood splatter on the blade and no two are exactly alike.  Because each hatchet is handmade to order (each one takes several days to make) and because there is absolutely no way to travel from city to city every night with these high-end props, you will need to order yours at the screening and it will be shipped to you when ready.  WARNING: Though these props are made of polyurethane foam they should never be used to strike another person or an animal!  Keep out of reach of children!  Price = $125 each.  Credit cards or cash only.  Limit of 3 per customer on tour.

HatchetsTwo different hatchets are pictured to show the differences in unique blood splatters.

4. VICTOR CROWLEY DOLL. Exactly as seen in the new film VICTOR CROWLEY!  Victor Crowley has never been more adorably sinister!  Each cloth doll is handmade to order by series’ producer Sarah Elbert (who personally deigned and created the prop dolls seen on-screen in the film) and comes with yarn for hair and holding a miniature hand-painted plastic hatchet in his hand.  While these soft dolls may seem suitable for children, please note that they are delicate and that the plastic hatchet can easily be pulled off and possibly swallowed so we advise that any interaction with children be carefully supervised (or that you pull off the hatchet before letting a child anywhere near it).  Because each doll is handmade to order by producer Sarah Elbert herself, you will need to order yours at the screening and it will be shipped to you when ready.  (An extremely limited amount of these will eventually be made available to the general public on-line at a later date.)  Price = $60 each.  Credit cards or cash only.  Limit of 3 per customer on tour.

Screen Shot 2017-09-21 at 6.03.39 AMAs seen in the film VICTOR CROWLEY!  Handmade per order!

5. “I, SURVIVOR” NOVEL.  Own the actual book seen in the film!  That’s right, “Andrew Yong’s” autobiography that he is promoting in VICTOR CROWLEY is actually a real novel written by Adam Green and Joe Knetter!  Now you can read “Andrew’s” life story and his firsthand account of surviving the 2007 massacre in Honey Island Swamp- including the turmoil of his 2008 trial when he was blamed for the murders of over 40 people.  It’s a movie prop come to life!  (How many movies have ever done this before?)  The tour exclusive version is a limited first-edition hardcover copy exactly as seen in the movie and comes autographed by writers Adam Green and Joe Knetter.  When the book is made available to the general public it will be in softcover form – so order yours on the tour!  You will need to pre-order your tour exclusive copy at your screening.  Price = $45 each. (The tour hardcover copy arrives autographed by Green and Knetter).  Credit cards or cash only.  Limit of 3 books per customer.  NOTE: According to the publisher, please plan on an early Spring delivery and that way you can be pleasantly surprised if it shows up much earlier.  Though not formatted for the printer at the time of the tour, the total page count is projected to be around 225-250 pages.

IMG_1221“I SURVIVOR” by Andrew Yong.  (Written by Adam Green & Joe Knetter)

6. EXCLUSIVE TOUR POSTER.  Created by artist Cody Schibi these high quality 16″ X 20″ full color lithograph prints are printed on 100lb cover weight paper stock using archival inks (museum display quality) and are only available on the tour.  (Unless you are attending a tour date where Adam Green and the merchandise table will not be there in which case you will be able to order a print when you email us a photo of your ticket stub/receipt as explained above.  Posters will arrive signed by Adam Green.)   Commemorate the fact that you were among the very first in the world to see VICTOR CROWLEY and display your gory memories of the night on your wall for years to come with this gorgeous print.  Adam Green will be happy to sign all prints at the theater that night.  (VIP EXPERIENCE fans will be handed their print when they meet Adam before the rest of the fans in line.)  Price = $45 each.  Credit card or cash only.  Limit of 2 per customer.

tour watermarkThe official tour poster print for Adam Green’s DISMEMBER AMERICA TOUR 2017 by artist Cody Shibi. (Image watermarked for display only.)

7. VICTOR CROWLEY HALLOWEEN SWAMP TOUR!  ***SPECIAL EVENT***  October 31st.  10pm – 2:00am.  To celebrate the Halloween night screening of VICTOR CROWLEY, director Adam Green and star Kane Hodder (“Victor Crowley” himself) will be taking a small group of fans on a late night haunted swamp tour to hunt for the real Victor Crowley after the screening at the Prytania Theater in New Orleans, LA!  If you’re a fan of the HATCHET series this is the opportunity of a lifetime!

At 10:15pm we’ll leave on the “Scare Bus” (a bus that is privately chartered just for us)!  The bus will transport our group of victims… er, tourists… directly from the Prytania Theater to Victor Crowley’s swamp where we will climb aboard our own private “Scare Boat!”  Once we cast off, Adam Green and Kane Hodder will serve as your haunted swamp tour guides as they share stories from the making of all four HATCHET films, answer your questions, take photos with fans, and bring you an up close and eerie glimpse at Victor Crowley’s real-life domain on Halloween night!  (The very night that Victor Crowley first died!)  Hold on tight, stick closely together, and get ready for every HATCHET fan’s nightmare come true!  Fans are encouraged to bring their own Jack-O-Lanterns as we hope to lure the ghost of Victor Crowley as close to our boat as possible.The bus will return whatever pieces are left of our tour group to the Prytania Theater around 1:30/2am.  It will be a night to dismember!   $100 per victim.  Tickets go on sale here on Friday October 13th at 2pm.  More details are available in the item description.

WeldSwamp“Ya’ll gonna die.”  - Jack Cracker 


Order forms for these tour exclusives will be available at each tour stop where Adam is appearing.  You will order and pay there.  Once payment has been accepted our Los Angeles crew will begin the process of creating your items.  AS OF DECEMBER 2017 WE ARE NO LONGER ACCEPTING ANY MORE ORDERS.  While poster prints will be physically available on site, all other items will be custom made and shipped out in the order they are completed. (The novel however will likely have an early Spring arrival as noted above.)  Please remember that the skulls, hatchets, and dolls are all unique, handmade items!  Each one takes several days to make and is custom made by hand with loving care.  Our crew will be working around the clock fulfilling orders and shipping them out- so be patient.  As of 3/16/18 all skulls, hatchets, and dolls have been completed and shipped.



UPDATED: For VICTOR CROWLEY tour dates keep checking here.  Dates will be updated as they continue to come in!IMG_0558

Last night in Hollywood, CA we surprised a theater full of diehard HATCHET fans by unveiling VICTOR CROWLEY – the brand new, 4th installment in the HATCHET franchise.  Billed as a “10th Anniversary Event”, it was a star-studded night with cast from all 4 films walking the red carpet and a theater full of fans that were overjoyed with excitement when I stood before them and announced what movie they were really about to watch.  (Surprise!!!)  Produced in complete secrecy over the last 2 years, this film was a true labor of love if ever there was one.  Unveiled just in time for the 10th anniversary of the original film that started it all, VICTOR CROWLEY (or “HATCHET IV” as some will inevitably refer to it since, after all, it is the fourth film in the HATCHET series) is our gift to the fans who have carried the torch for this series of films further than I ever could have dreamed and who have turned “Victor Crowley” into a bona fide modern slasher icon.

I’m not going to spoil a single detail about the film here and I hope that no one who saw the movie last night or who will be seeing it soon on this upcoming tour spoils anything about it on-line either.  I realize that is a fairly unrealistic wish since a lot of genre sites are going to race to have a full review posted as soon as possible, but the best I can do is ask you not to read them.  It’s not the opinions I want you to avoid (cause, man- if the way the film played last night is any indication it seems like we certainly pulled off something very special with this one), it’s the people that feel the need to write blow by blow descriptions of the plot, spoil every possible surprise, and remove the fun of discovering this experiencing for yourself.  I’ll never understand why some movie goers actually seem to want to have their movie watching experiences spoiled for them beforehand as you only get to see a film for the first time once in your lifetime.  Why would anyone want to know everything that’s going to happen?  In the case of VICTOR CROWLEY… I mean, you just found out it even existed and now it’s already touring and coming to select theaters over these next 2-3 months… which is exactly how we wanted to do this for you.  We didn’t want there to be the typical year of announcements, various set visits, plot descriptions, set photos galore, a handful of clips from the film, many different posters, several trailers, and dozens of reviews all made available a year or more in advance.  We’re trying as hard as we can to make this experience be just about you and the movie we made for you.  Like I did with DIGGING UP THE MARROW I’ll be asking every audience that sees the film on tour in advance of its full-on release to please respect and protect their fellow fans and not spoil the film.  At every screening of MARROW I had said “go ahead and say whatever you thought about it- that you loved it or that you hated it- but please don’t spoil it for everyone else with beat by beat recaps of what happens in the film.”  So please… resist temptation, don’t look at anything posted on-line, and just see it for yourself when you get the chance!

IMG_0556The audience gave the film two standing ovations last night.  Unreal.

I made this movie for all of the right reasons.  My cast and crew worked so hard to keep everything under wraps and to keep this pure and exciting for the people out there who love HATCHET.  We had pulled off keeping a movie under the radar with DIGGING UP THE MARROW but making a new HATCHET movie in secret was a completely different and incredibly difficult feat to attempt.  I’m so eternally grateful to every cast and crew member involved with this film who kept their lips sealed for the last two years.  I know just how hard it was to not spill the beans and I love you all for honoring the spirit of what we were trying to pull off for the fans that care about these movies so passionately.

camera-slateOur first day of principal photography in September 2016.  The screenplay was called ARWEN’S FANCY DINNER but the title was changed to ARWEN’S REVENGE once filming began. It was just a shorter, easier title to fit on our camera slates.

No, we don’t think that this is like some secret new STAR WARS movie or a surprise HARRY POTTER film that is going to change the world.  It’s a new HATCHET film.  None of us think that the entire world woke up this morning, heard the news about what happened last night in LA, and had their lives changed forever over it.  But for the fans that we made this for… the Hatchet Army… yes, the surprise of a new HATCHET film suddenly screening (that they never even knew was being made) sure does mean a hell of a lot and it is incredibly exciting news for them.  Thats what the secrecy was all about.  Them.  YOU.

56930006With Producer Sarah Elbert on our 4th tour of Honey Island Swamp.  Each time we come back we’re missing more and more pieces of our sanity.

So why return to the swamp?  Why put ourselves through all of this crazy shit once again?  How many times did I say that HATCHET III was the end?  How clearly did I state that HATCHET was always meant to be a trilogy and that I was done with “Victor Crowley” forever?  Well, that was most certainly always the case and by the time HATCHET III made it across the finish line I was thrilled to see it come to an end and to know that we had finished what we set out to accomplish.  Since 2013, rarely did a day go by where someone didn’t ask me for a fourth HATCHET movie.  On any of the various social networking platforms I take part in, at conventions or other appearances I’ve done… “Will there ever be a HATCHET IV?” was always the most common question.  My answer was always a very honest and legitimate “no.”   But life works in mysterious ways and if I’ve learned anything since finishing HATCHET III in 2013, it’s that no matter how meticulously you try and plan life out- life’s plan for you will always change.  

71FB18F8-A9DB-499F-AB28-B404311009D8Dave Foy has been part of the HATCHET family since long before the first film was ever shot.  From playing a local fisherman in one of the earliest mock trailers on the original website, to acting in some of the films, to being a production assistant… Foy graduated up to 2nd Assistant Camera (and more) on VICTOR CROWLEY.

Believe me when I say that making a HATCHET film is never a walk in the park.  It isn’t all fun and games like what you see in the various “making of” features that Producer Sarah Elbert so lovingly put together for each of the DVD/Blu-Ray releases we’ve had so far.  In real life it’s hard.  It physically and mentally hurts.  And it damn sure isn’t about the money.  It’s all about one thing… the fans.  And no matter how hard the process is each time or how scarred up and beaten down we always are by the time we crawl across the premiere carpet… when we get to experience an audience watching what we worked so hard to create… when we hear your laughs, your screams, your applause… when we see the giant smiles on your faces leaving the theater… that is why we do it.  That is everything.  However, the decision to make another HATCHET film wasn’t only about the “10th Anniversary” or about making the “Hatchet Army” happy.  There was a lot more to it.

wes-craven ep 120Wes Craven (August 2, 1939 – August 30, 2015)

On August 30, 2015 Wes Craven passed away.  (Almost two years ago to the very day that we unveiled this film.)  Wes was one of my biggest idols.  He was an absolute master of his craft and an artist that everyone in my generation of filmmakers worshipped.  So very many of us became the horror fans that we are today and picked up our first camera to try and express our own nightmarish ideas because of Wes’ inspiration.  When Wes died I was already at my lowest and feeling like I had lost my way so his passing hurt deeply.  (If you’re new here- see any of my blogs below from 2014-2015 to understand why I was in such a bad place.)  Phone calls, texts, and emails immediately started happening between my generation of genre filmmakers and suddenly the mortality of every artist we collectively look to as our mentors became a terrifying reality.  A common thought was, “What have we accomplished so far?”  ”Does anything we’ve contributed even matter?”  At Wes’ memorial service the same fear that someday our idols and true masters would all be gone was omnipresent.  The reality that no one lives forever was a common, tragic, and painful life lesson that I was personally taught in very hard ways in 2014.  Sadly, the three years that followed seemed to find even more ways to remind me about that harsh reality.  Our world has lost so very many more incredible artists since Wes Craven passed away.

photoWith Wes in 2010.

After all I had gone through in 2014, by the time Wes passed away my head was anything but on straight.  In my dark depression I had very much started to resent “Victor Crowley” for some reason.  To be totally honest, I had actually started to hate him.  During my lowest moments in 2014 I would find myself here in the ArieScope studio, staring at our life-size “Victor Crowley” display, and literally cursing him out.  I know what you’re thinking. “HUH?”  Yes, I am well aware that HATCHET is what put me on the map and launched my career.  I am well aware that if it were not for “Victor Crowley” I may have never gotten to go on and accomplish all of the other things I’ve done since.  I’m eternally grateful that the movie ever even got made and that fans around the world have embraced it the way that they have.  But for all of the success the HATCHET series has had- those of us who actually made the films have never seen the financial fruits of our blood, sweat, and tears.  It’s nothing new in the movie business whatsoever, but the millions that HATCHET generated all went… well, not to any of us.  So when my floor fell out from under me in 2014 it became very hard to feel joy whenever I’d see “Victor Crowley” tattoos on people or see the Halloween mask right alongside the much larger, longer running icons that came before him like “Jason,” “Freddy,” “Leatherface,” or “Michael.”  In my own opinion, “Victor Crowley” will always exist in their enormous shadows (much like how they will always exist in the even larger shadows of the classic Universal monsters that came before them), but to walk by a convention booth and see a “Victor Crowley” Halloween mask for sale alongside masks of the iconic monsters that I grew up adoring… it’s a very weird and bittersweet feeling to try and explain.  Am I grateful?  You can’t even begin to imagine just how grateful I am.  If not for the success of HATCHET I could be digging ditches right now for all I know.  But am I conflicted over the fact that my creation has generated a lot of money of which I will never see?  Yes.  And you most certainly would be, too.

Will's pics 1472April 2005: The original Hatchet Army was just 5 people.  This photo was taken the night before production on the first film would begin and change our lives forever.

Right out of the gate HATCHET generated well over 7 million just on US home video alone.  And that’s an old, old number from just its first few weeks on video.  The last time we heard how well our film had done from its original domestic distributor profits were supposedly well over 11 million and rising in the USA- and that was maybe 6 years ago now and only what they told us. (2010′s FROZEN would apparently go on to beat HATCHET’s record but we’ll never know the accurate numbers.)  Throw in the more recent years’ streaming revenues or how much money the HATCHET series has generated around the entire rest of the world since it first came out in 2007 and whatever the exact dollar amount generated actually is it is fair to say that our scrappy little indie slasher film was a financial success for somebody.  In the grand scheme of Hollywood’s studio tent poles, A-list star driven titles, billion dollar super hero franchises, or widely released (and fully marketed) genre films- is HATCHET’s success really all that significant?  No- there is no comparison.  But for a little indie movie made by a group of friends, released by a small distributor, and mainly promoted by myself alone… it was an impressive feat to pull off and if we had personally seen those millions it would have been life changing.  But that’s just not how things work on the business side and nobody likes to talk about that.  We were not the first to make others rich and we will most certainly not be the last.  And no- we weren’t maliciously “ripped off” by anyone – it’s really just how it goes most of the time and it is how the deal went for us.  I’ve written and re-written this section of the blog over and over again going into great detail about the specifics for how it all went down- but in the end I scrapped it as honestly, who cares?  Truth is, I’ll never really know how much money HATCHET has made exactly, it’s nothing new, anyone interested can learn about how messed up the financial side of this business is by reading up on the business of indie filmmaking or watch documentaries about other franchises, and HATCHET is in no way the greatest example of financial injustice in Hollywood. It all just is what it is.  The only reason I’m even mentioning this in this blog is so that you can understand where my head was at by the time the original trilogy was finished.

Among the many, many indie releases that barely break even or that actually wind up losing money for the distributor, HATCHET happened to have a filmmaker (me)  behind it who would stop at nothing to get the word out about the movie that he and his friends had made.  From 2005 to 2007 I maxed out every credit card that I could apply for by traveling around the world promoting HATCHET at any and every festival and convention that would have me.  I believed in what we had accomplished together and I didn’t want to let my beloved cast and crew down after the enormous trust that they had bestowed upon me.  All I wanted was for “Victor Crowley” to have a chance and no one was going to make that chance happen for him if I didn’t do it myself.  Did I ever think I’d have to self-promote my film to such great lengths?  Did I really even know what I was doing?  Not at all.  But I did whatever I could possibly do.  At the end of the day, a movie like HATCHET never had the kind of promotional money behind it that could buy a shot at success.  Success had to be earned one fan at a time starting by just letting them know that the movie even existed.  So in the very beginning I would stand up before half-filled convention ball rooms and nervously introduce myself to everyone. I would tell my “Dee Snider story” about where I came from and why I never gave up on my dreams.   I would passionately discuss how and why we made HATCHET and then (once I had people’s eyes on the screen/stage and willing to give me a chance) I would show a clip reel from the film that could speak for the movie itself.  I would show a variety of scenes, like when “Victor Crowley” runs after “Mrs. Permatteo” and tears her face in half… and the crowd would go wild every time.  At some conventions the audiences even demanded that I play the clip reel a second time.  Word would spread and at the next city’s convention the room would be a little more full, and then a little more full… until the panels for HATCHET became standing room only.

arwenslateNo, it isn’t really a movie about my dog.  She was disappointed.

From the time HATCHET world premiered at NYC’s Tribeca Film Festival in 2006 until the time it was theatrically released on September 7, 2007 I had spent 18 months hard core promoting it and I was buried in insurmountable debt.   A decade later, HATCHET now has three sequels, various forms of apparel, Halloween masks, comic books, and other pieces of merchandise that fans of the series own.  The staying power of “Victor Crowley” and the fact that he seems to only get more popular with each passing year is just incredible.  In 2005 I went to conventions just hoping someone there would listen to me or pay attention to what I was trying to offer.  Now I go to horror conventions and I see “Victor Crowley” tattooed on people.  I see fans walking around dressed as him.  I see HATCHET T-shirts everywhere.  Those big budget studio horror movies, remakes, and sequels that were topping the box office back when HATCHET came out…?  Well, time already seems to have forgotten about many of them.  HATCHET may be a cult film (whatever that actually means) but “Victor Crowley” is still here and he doesn’t seem to be fading into complete obscurity anytime too soon.

21845_313905833814_636163814_3498499_2100082_nVictor Crowley has become a permanent part of many fans’ lives.

So to circle back to where my head was in 2015 when Wes Craven passed away and explain why I could no longer look upon “Victor Crowley” with any joy… it was really all just a toxic byproduct of what I was going through at the time.  In 2014 my dear friend and HOLLISTON cast mate Dave Brockie had died.  Dave’s tragic death and the sudden dissolving of our home network (FEARnet) in a corporate merger just three weeks later had thrown HOLLISTON (my most important project and life’s work) into industry purgatory.  I was still reeling from a painful divorce that happened at the very same time.  Several other projects I had dedicated a year or more of my life to had turned out to be frauds as the producers involved never actually had their financing to begin with.  It was just hit after hit after hit all at once and I found myself in a very dark and very emotionally unhealthy state.  My personal battle with depression aside… financially I was spiraling down in flames as projects I had vested all of my time and heart into suddenly evaporated around me overnight.  Though money was really a secondary concern for me given how bad my actual health was at the time- hopefully you can understand why I couldn’t look upon “Victor Crowley” with any love during all of that.  I was in the fight of my life just trying to force food down or get out of bed, my bank account had been eviscerated, and meanwhile I’m watching “Victor Crowley” (my creation that had generated several millions of dollars for others) continue to get bigger and bigger.  When someone would show me their latest HATCHET tattoo, when I’d see the Halloween mask walking around conventions, when comic book companies would contact me trying to pitch me ideas, or even when I would just walk into ArieScope and look at the giant “Victor Crowley” display… all I could do was think about the money he had generated and how it all went elsewhere.  Again… am I grateful for what HATCHET did for me in regards to putting me on the map?  Am I indebted to the loyal fan base I now have because of him?  Am I fortunate that HATCHET’s success gave me a chance to make more films?  Abso-fuckin-lutely.  But when I was down for the count (or so it seemed) and in my darkest hour with everything going wrong, it was impossible to look at “Victor Crowley” and see anything other than the money he had generated for everyone besides those of us who had truly bled and risked it all to bring him to life.  So before you pass judgement, think about all that my friends and I have sacrificed and gambled over the past 13 years just to make these films and put yourself in our shoes.  Especially after how incredibly difficult HATCHET III had been to make… by the time I found myself on the floor in 2015 I was happy to know that “Victor Crowley” was finally dead and that my intended trilogy had come full circle.  I had finished what I set out to do and now I could move on.  I hated to even look at him and I often debated moving him out of the ArieScope studio so that I could try and forget him along with everything else that I had ever loved and been hurt by in return.

Listen, I’m not saying any of this makes complete rational sense.  I’m just being honest about where my head was at when Wes passed away and when the conversations and self doubt started happening between my inner circle of filmmakers.  In coming to terms with the fact that my idols were not immortal human beings, I looked at my own work and by unhealthy weight of comparison I felt like I had contributed nothing of significance so far.  As if I had never done a single thing that mattered.  I felt like an absolute failure.  I’d walk into ArieScope, look at the wall of our movie posters, the case filled with awards, the latest stack of fan mail, the merchandise… and all I saw was failure.  Artists that I looked up to would say “How can you possibly say you haven’t done anything that mattered yet?”  Well, it sure didn’t feel like it while I was going through the shit and battling depression.  Not that I was of sound mind during that time but I could only  feel disappointment and doubt in myself.

However, during Wes’ memorial service another one of my filmmaking idols told me that that what I was feeling was completely normal.  “How do you think my generation felt standing in the shadows of artists like Hitchcock or Kubrick?  Your generation now looks at the things we did with reverence but it sure didn’t feel like that for us at the time.  You can never see how much your own work matters to others or where it will stand in the test of time.  All you can do is keep doing what you do for as long as you can do it.”  It was probably the most sensible thing I could have been told at that time, but still… I was overcome with so much self-doubt and self-loathing that I could listen to the words but not truly hear the message.  A common side effect of depression, I know, but the truth is, I don’t think any artist should ever look at their own body of work and not doubt it.  Believing you can always do better is exactly what makes each next project worth doing.  You have to keep trying harder.  You have to believe you can do better.  You have to prove yourself all over again with each and every step.  No one is above that.  Even if the words of experienced wisdom that I received at Wes’ memorial fell on deaf ears, I retained them somewhere deep down inside nevertheless and they set the stage for what life was going to throw my way next…

GeorgeOctober 17, 2015.  Rock And Shock in Worcester, MA.

Just two months later I had the extreme honor of doing a one-on-one panel with George A. Romero at Rock And Shock- an annual horror/music convention in Worcester, MA.  Even though I had known George for almost ten years at that point, nothing could ever change my sheer reverence for him.  So to be on stage before the crowd there discussing filmmaking and the ever changing state of the industry with another one of my biggest idols…?  Are you kidding??  I’ll never get used to moments like that or take them for granted as I will always be a fan first.  The pioneer of indie cinema and the one who showed us all that you don’t need a major studio’s money to go for it, George A. Romero was so much more than just “the Godfather of zombies.”  He was the original indie horror filmmaker as far as my generation is concerned.  So even though I was still deep in the midst of my personal issues- there I was on stage with a man who is undoubtedly one of the most important filmmakers that ever lived… and he was speaking to me as if I were a fellow artist?  He was speaking of my work as if it actually mattered?  It was one of those divine intervention moments that came right when I needed it the most.

At the end of the panel, George briefly set me straight.  He knew what I was going through personally and that I was struggling to get the light in my heart turned back on again.  As much of an open book as I may be there are still some experiences that I need to keep to myself, so you’ll have to forgive me for not sharing all of what he said to me.  To publicly share something that was meant only for me would cheapen it.  All that matters in comprehending this story is the gist of what happened.  George A. Romero, one of my biggest heroes, put his giant arm around me and picked me back up off my feet.  He gave me a heart to heart that made me feel like I was crazy to not see that what I do matters.  He told me to look hard at the faces of the fans standing on their feet and clapping and to accept the many reasons why.  He asked when I was going to give them another HATCHET film (or in George’s words “another Crowley picture”).  I told him I was never going to.  That “Victor Crowley” was right where I wanted him…  DEAD.  I rationalized how the obscenely small budgets we are now forced to work with in this current indie landscape have made making another HATCHET film not only next to impossible but utterly pointless.  He laughed and said “you’re telling me this?”  (If you know George’s trials and tribulations with NIGHT OF THE LIVING DEAD and beyond then you know that truer words have never been spoken.)  Now, I’m majorly summing up this conversation in order to keep the most personal aspects of it to myself… but George told me that I couldn’t allow any of the shit I was going through to disenchant me from who I am or what I do.  He asked me again why I wasn’t going to “give the kids another Crowley picture.”  I politely reminded him that in the grand scheme of things HATCHET doesn’t matter as much as the more mainstream slasher franchises like NIGHTMARE ON ELM STREET or HALLOWEEN or FRIDAY THE 13TH, etc.  That the world would go on just fine without ever seeing “Victor Crowley” again and that I was done with it forever.

George sternly called “bullshit” on that way of thinking.  He reminded me (in so many words) that HATCHET is my gig and though it may just be one of many sides to who I am and what I do- I needed to look at “those kids out there” who love it and start seeing it the way they see it.  He told me to stop looking at things for what they’re not and to instead start seeing them for what they are.  That “Victor Crowley” now belongs to the fans who love him and that nothing is over until they say it’s over.  He was realistic, of course.  He was not saying to just keep on making HATCHET films forever or to let the fans dictate my career and whatever I do next.  He was merely trying to show me that what I do matters.   Industry shenanigans, money, budgets, and all of that bullshit aside…”can you look at these kids and then honestly tell me Crowley is dead in your heart?”  I emotionally responded, “But I killed him in HATCHET III.  I’m finished with him, George.  He’s dead.”  And like a scene out of a movie, he peered down at me over his giant glasses, smiled, and said, “You’re not finished and Victor Crowley isn’t dead.”  And like that, he was gone.  Whisked down the little walkway behind the curtains that outline the celebrity guest area at Rock And Shock.  I never saw him in person again.

45AA3A91-95CB-4A81-9FA4-03100985999EThe very moment when “Victor Crowley” came back to life in my heart.  A fan snapped this photo and gave it to me the next day.  It’s one of the most important photographs I’ll ever have and it has hung over my desk ever since.

When Romero speaks you listen.  Is it sad that it took a real master telling me that what I do matters in order for me to start being able to see it that way?  Wouldn’t this story be better and wouldn’t I be a stronger human being if I had come to this realization on my own?  Probably.  But whether it makes me sound weak or not, the truth is that when it comes to the various artists I look up to…. their opinion of me and of what I do means far more than just a lot.  George saying that HATCHET has its place, that it means something, and that it needs to keep going… I mean… for once even I had no words. I’d share his reasoning for why my little slasher series was needed right now but there’s no way to do that without coming off extremely self-serving.  (He was far too generous with his words.)  Let’s just say that George appreciated the fact that what I do is never mean spirited and therefore has a way of making people happy.  If you are a long time weekly listener of THE MOVIE CRYPT then you undoubtedly know the story of “the Steven Tyler congratulations” and how being congratulated on my various achievements by someone I admire so, so much had sort of saved me in a way.  I may have found the will to hang in there thanks to one simple word (“congratulations”) but during that moment with George at Rock And Shock, when deep down inside I was overflowing with misery and self doubt… the only thing that could have pulled me out of it was hearing George say that.  Life changed my plans.  Entirely.

67430005The true “final girl” of the HACHET series, Parry Shen is back for round four.

I flew home to LA filled with the kind of excitement I hadn’t felt in years.  My mind was racing with ideas.  I was on a mission.  And no, I certainly do not mean that “making more HATCHET films was now my life’s purpose.”  Far, far from that.  I mean that I finally felt like something I do matters.  I wasn’t going to let depression keep beating me down or continue to disenchant my spirit.  I was no longer concerned with the things HATCHET didn’t do for me or with the things it may never be.  As I continued to write I fell more and more back in love with it for what it is.  I was doing this for myself just as much as I was doing it for the fans that love it.  George was right.  HATCHET, “Victor Crowley”… goddamnit, this is my gig.  Making another HATCHET film wasn’t gonna matter to everyone in the world.  It wasn’t going to hurdle my career to the next step.  It certainly wasn’t going to make me rich.  It may be the last HATCHET film I ever make for all I know.  But creating a new Crowley movie was setting things straight again inside my clouded heart. It was making me happy again.  Bringing VICTOR CROWLEY back was just what I personally needed to do right now.  If that meant putting other things on hold for a bit while I went off to make a movie that I had never planned on making… then so be it.  I needed to climb back onto my horse before I could ride it again.

I had to put a lot of other projects on the back burner once VICTOR CROWLEY took over my life in October 2015.  But I was perfectly fine with that.  As hard as I had already been working at writing the new season of HOLLISTON, it still hurt too badly to work on a show that I was not even close to done grieving over.  Forcing myself to push out a new season when I was still so devastated over the loss of Dave Brockie… it wasn’t helping anyone.  My many other projects?  They all just had to wait for a little bit longer.  At that very moment in Worcester, MA I knew exactly where I needed to go next and that was back to Honey Island Swamp.  It didn’t matter what anyone else thought… I had to do this.  For those of you waiting for a new season of HOLLISTON or for an update on projects like KILLER PIZZA that you haven’t heard anything about in a long time now, rest assured that they are very much alive and that my attention will soon be turning back to them fully.  I’ve just been kind of busy for the last two years.  And now you know the real reason why.

After Rock And Shock I returned to LA, I hugged “Victor Crowley,” and I sat at my desk all night long just churning out pages.  I had been through a lot since HATCHET III was made and I now had something to say with HATCHET again.  A few weeks later I had written a first draft of my favorite HATCHET script yet.  My depression, my struggles, my hardships… I worked them out in jokes, over the top kills, and heaps and heaps of gore.

FullSizeRenderIn order to protect the secret of VICTOR CROWLEY the screenplay was originally called ARWEN’S FANCY DINNER.  My middle name is “Harris” and (much like “Green”)  ”Brown” is both a common last name and a color…. thus “Harrison Brown” as the credited writer.  No, this isn’t a pseudonym I actually use or anything.  It was just to help keep things quiet in case someone ever caught a glance at the script. 

So why not call it HATCHET IV?  There were a few reasons for that choice.  Even though this film does indeed play like a sequel, it also kicks off a new chapter for the series.  As you know, the original trilogy was meant to be one long film.  The story of parts 1 – 3 took place over the same few consecutive days and each film started on the very next frame the previous film had ended on.  VICTOR CROWLEY picks up 10 years after the events of the first three films.  While you’ll certainly enjoy this movie that much more if you’ve seen the original trilogy, you don’t have to have seen the first three films in order to understand or enjoy this one.  When we began testing out early cuts of VICTOR CROWLEY we made sure to include people who had not seen the previous films just to make sure of this.

IMG_4687Tiffany Shepis was put through hell on this movie.  And she never complained once.

When I first told my partners in crime what I was writing (Will Barratt, Sarah Elbert, Cory Neal, FX artist Robert Pendergraft- the key people that have been part of HATCHET since before the first film was ever shot and who have remained with the series straight through) their response was… confusion.  We always get our asses handed to us and we each age about 10 more years with the making of each HATCHET film so everyone knew what this would mean.  Thankfully, once they read the script they too fell back in love with HATCHET, they understood why I personally needed to do this, and as family does- they rallied alongside me to head back out into the trenches again knowing full well that they’d return with a whole batch of new scars and missing pieces of their sanity when all was said and done.

IMG_4642As our stunt coordinator, the man who plays the murderous “Victor Crowley” is also the very same man who keeps us all safe during production.  Kane Hodder was overjoyed when I first told him that I was writing a secret new HATCHET movie.

Our band was back together.  Again.  However, this time out we’d ultimately wind up bringing some much needed fresh blood into the family in very crucial positions.  Artists who’s enthusiasm and monumental contributions shine through loud and clear in the finished product.  I’ve been dying to be able to tell you about some of the incredible artists I got to work with and fight alongside on this most recent tour of Honey Island Swamp, but more on all of that once I can speak more specifically about the movie itself.  I know you’re going to be as blown away by their work as I was on a daily basis.  On the red carpet for last night’s premiere I joked that working on a HATCHET film is kind of like doing time, but if you’ve ever worked on one of these then you know it’s not really a joke.  A better term might be “enlisting to serve your genre” but the point is- the handful of people who are on these movies from the very start until the very finish sacrifice a lot.  As hard as the shoot itself may be, at least it’s over in a matter of weeks and the cast and crew gets to go back about their lives or onto other projects.  But for the producers and especially the key members of the post-production team, enlisting in the HATCHET universe is like boarding a ride that you can’t get off of and that never seems to end.  On the behind the scenes special features it may look like we’re having a ball, but what you never see are the months and months of sleepless nights toiling away in dark edit suites as the movie comes together.   That’s the thing with the HATCHET franchise… no matter what we’re handed for a budget on each production, each film gets bigger and more ambitious than the last.  So how do we pull it off?  It’s the people I have around me.  I’m so insanely lucky that I’ve always had truly dedicated individuals surrounding me.  Artists who match my passion for these films and who put so much of themselves into each one.

Jan and cast on planeDirector of Photography Jan-Michael Losada kept our ship from sinking on set. 

My one insistence in making VICTOR CROWLEY was that this time it all had to stay secret.  It was something that everyone fully agreed on including Dark Sky (who has financed and distributed all three HATCHET sequels) and each and every cast/crew member.  We were somehow going to make the movie completely off of the public’s radar and then surprise unveil/announce it at a “10th Anniversary Screening.”  Then I would immediately launch into a tour that would bring the theatrical experience we created to as many cities as I could bring it to.  The very first the public would hear about VICTOR CROWLEY was by seeing it.  We wanted to keep this experience pure and without any expectations or outside interference.

67430022During Austin Bosely’s interview for an internship with ArieScope we warned him that he’d soon be in deep shit.  He didn’t know that we meant it literally.

And so our 4th battle began.  It was the hardest one yet for about a million reasons but you’ll hear all about that stuff in due time.  I’d have to imagine there will be a commentary or two on the eventual DVD/Blu-Ray but for now… the less you know about the making of VICTOR CROWLEY the better.  I just hope you enjoy it even just half as much as the audience in Hollywood enjoyed it last night when we unveiled it.  I’ll be touring with the movie throughout the Fall (cities and dates will continue to be updated here) and then there will be the official release shortly after.  See VICTOR CROWLEY with a theater full of fellow slasher movie fans if you can.  These upcoming tour screenings and Q&A’s will most certainly be a blast!

IMG_4683Actor Brian Quinn was like a kid in a candy store throughout the entire shoot.

George A. Romero passed away on July 16th.  37 days before the surprise unveiling of this movie.  37 days before I was going to finally tell him what I had actually done.  37 days before I was going to publicly thank him for saving the love I still had for what I had created.  The plan was always to share the above story at the surprise unveiling and hopefully with George present… but I missed the chance by just 37 days.  In hindsight… why did I wait?  I should have told him two years ago when I first took his words to heart and wrote the script.  I should have thanked him as soon as I knew that we were indeed making the movie.  But I wanted to tell George by showing him.  I wanted to share this story with him sitting right there in the theater if possible.  Though I may have missed my chance to tell him by actually showing him the movie, I have great faith that he was there with us when we unveiled the movie last night.  Smiling down over his signature huge glasses.  And just maybe Wes was also there with him.  Looking down on a theater filled with filmmakers they both inspired and fans that adored their work.  Watching the spirit of the genre they helped build live on.  I’m merely one of many trying to do my part in carrying the torch they held as best as I possibly can.

Bloody planeEvery time I take “Victor Crowley” anywhere we wind up making a horrible mess.

Out of the ashes of various tragedies, personal struggles, and a whole lot of heartbreak I was taught how to love “Victor Crowley” once again.  He’ll likely never be a household name like “Dracula” or “Freddy Krueger” but he’s my contribution to cinema’s legacy of monsters.  He’s my friend.  I’m sorry that I ever lost sight of just how dearly I love him.  Whether this franchise goes on for more films or ends once and for all with this fourth one…  I did it all for the right reasons and I’m very confident that it shows in the finished product on screen.  Do I have a new master plan and more HATCHET films in mind?  Of course I do.  However, something I learned from my time in the darkness is to live for the moment and not be so concerned with controlling what happens next.  As I write this, “Victor Crowley” is watching me from inside the cage I keep him locked away in.  He’s steadily pacing back and forth, ready to leap into action if I call upon him.  Whether or not I ever set him free again and bring more HATCHET films to fruition all depends on you, the fans.  Support VICTOR CROWLEY where it counts and perhaps you’ll see him in a fifth or sixth film someday down the road.  One step at a time as there’s no way of knowing what life has planned for any of us.  For now it’s only about this moment.

Working silhouettesThe make-up effects team prepares “Victor Crowley” for battle.

For Wes Craven and George A. Romero… thank you.  Your examples inspired me to take a risk and try.  Your kindness and support for what I do encouraged me to keep going along the way.  And even in your passing you both taught me how to love and appreciate my own creation far more than I ever loved or appreciated it before.

ArieScope’s slogan has always been “in the dark of the cinema we are united.”  For those of us who are still here… I’m so eternally grateful for these wonderful moments that we get to share together.  The upcoming tour screenings where I’ll get to hear your laughs, screams, and appreciation for what my friends and I have accomplished together… those are the moments that make what we do worth it.  I’m so thankful that I’ll get to see your smiling faces, get to shake your hands, get to hug you… get to share life with you.  After spending much too long in a dark and scary place… I’m just so happy, so fortunate, and so blessed that I get to still be here entertaining you.  It sure is wonderful to be alive, isn’t it?  I certainly know it.

Welcome back to the swamp, Hatchet Army.  Victor Crowley lives!  -AG




Seriously?  I only posted one blog this entire year?  Well, two blogs if you count this one, I guess.  Given that I do a weekly 2+ hour podcast and that I am active on Twitter, Facebook, Instagram, and (sometimes) Periscope, frequent blogging has most certainly become a thing of my past.  For those that enjoy reading these blogs/novels, I apologize for slacking this year but I hope you’ll agree that it’s better to be too busy making new things than to have the free time it takes to write lots of long blogs, right?  (Because we all know I am incapable of writing a short one.)  It’s been a tradition to finish each year with a written recap of the biggest events and life lessons learned in the last 365 days, so here goes.  Deep breaths, folks.  We’re gonna be here awhile so let’s all hold hands and just maybe we’ll get through this together…

WE RELEASED SEASON 2 OF SCARY SLEEPOVER.  The year started with a bang!  Season 2 of “Scary Sleepover” premiered immediately (January 6th) with the now legendary and tearjerking Tony Todd episode.  Don’t get me wrong, Season 1 of “Sleepover” was an absolute blast but as with any series, Season 2 is when most shows really take off and come into their own.  With “Scary Sleepover” perhaps Season 2 was so great because this time around the guests had all seen the show before and therefore came prepared to throw down with more than just their pajamas.  Remember that when we shot Season 1 the guests who did the show had no reference episodes to watch first and therefore did the show on sheer blind faith that we would create something good.  Perhaps it was just something in the air this year… but holy shit was Season 2 of “Sleepover” just incredible.  The honesty and vulnerability displayed by every guest was magical and each week we were flooded with feedback from fans who were touched by what they watched and who had connected with the artists they love on a whole new level.   And that’s the entire point of the series.  To tear down the curtain between artist and audience.  That candid personal connection is what makes the weekly “Movie Crypt” podcast so special and precisely what makes “Scary Sleepover” one of my proudest creations.  Together we laughed (a lot),  we cried (a little), we bared our deepest fears, we displayed our worst fashion, and we became closer as a genre community.  From Tony Todd’s tearful confession about his late brother Donald… to Joe Lynch’s heartfelt story about saying farewell to his father… to Kristina Klebe’s brave discussion about breast cancer… to Lucky McKee’s devastating tale of losing his first love… to the opening 8 minutes of the Dee Snider season finale which have become the most viewed 8 minutes of any video in the history of this website… Season 2 of “Scary Sleepover” didn’t just blow our audience away, it blew us away.  To try and sum up the season’s most pivotal moments would only be a disservice to the guests as every episode should be absorbed and devoured, not recapped in a blog.  So if for some reason you still haven’t watched all 28 episodes that we’ve released in the two existing seasons so far… seriously, get on it over this holiday break!  The episodes are all FREE to watch here and you have no idea what you’re missing.  Season 2 is also now available on our Youtube channel for those of you who are too stubborn to watch anything that’s not on Youtube.

SSleepoverSLASHFilming episode 2.4 “Slash.”

I’m just as anxious as you are for us to shoot new episodes but making “Scary Sleepover” is not nearly as easy as we make it look.  Something I can’t stress enough is that “Sleepover” is a full-on TV show.  In fact, if we were to add commercial breaks you’d easily have a half-hour broadcast talk show.  We try and keep the episodes as short as possible without sacrificing the heart of each one, but given the amount of footage that we actually shoot… we could easily turn “Scary Sleepover” into a proper 1/2 hour or even hour-long weekly television show.   I point this out only to stress just how time consuming of a show “Sleepover” is to produce each week.  In addition to the actual nights of shooting, most episodes take around 60 hours of editing- the majority of which falls on the shoulders of series’ director and editor Sean Becker.  While I may step in to edit the guest introductions or help with editing certain sections of episodes- the amount of editing I personally do is insignificant compared to what Sean does as the director.  ”Sleepover” is a reality show, so from the show’s inception I didn’t want to direct or edit it since I am also one of the subjects on-camera and I would therefore be too close to each discussion to remain completely objective.  The charm of “Sleepover” is the rawness of it.  It is shot in such a way that the audience feels as if they are just hanging out with us and listening in as opposed to watching a slick, polished, over-produced program.  As you’ve seen, we’ve even left moments in where microphones have malfunctioned or started rubbing against someone’s pajamas as they spoke.  Moments that would most certainly be re-shot as a second or third take or ADR’d in post-production if this show needed to pass QC standards for a broadcast television network.  But we don’t believe the show would have the same feeling if we were to have guests come back in a few months later during editing to try and re-create the most personal moments they shared.  Can you imagine how different the show would be if we were like “Hey- remember two months ago when you told that story about your father dying and you were crying?  Can you come back in and do that again real quick?  The sound was a little muffled.”  Of course the answer to that issue is simply “hire a pro-sound recorder/mixer to be there for the shoot as opposed to just slapping microphones on and getting whatever you get” which brings me to my next point.  We purposely keep the actual production very intimate with a crew of merely 3 or 4 of us working multiple jobs behind the scenes of each episode.  We’ve done two full seasons for FREE, putting our own time and money into producing the 28 episodes that we’ve released so far.  It’s a full-time gig for at least 5 months out of each year on-top of the 3-4 full-time gigs we each already juggle.  No exaggeration, every episode we’ve done so far has crossed the finish line with at least a 24-30 hour straight, sleepless stretch getting the show finished and uploaded in time.   While on one hand we’re so very thrilled that “Sleepover” has become such a success with fans- it has also become such a massive undertaking each season that the show will literally kill us all if we don’t change the scenario for how we make and release it moving forward.   What exactly does that mean for future seasons?  Well, we’re exploring our options and I’ll keep you posted when I know the exact plan.  (Don’t worry- we’re doing it.  I’m just saying the circumstances for where and how you watch the series might change a little.)  For the next 6 months you’ve got 22 new “Horrified” episodes to look forward to while “Sleepover” continues it’s current slumber/hiatus.  And man is this upcoming season of “Horrified” awesome!  We finished shooting the episodes just a few weeks ago and we’re hard at work putting them together for you now.  I know you’re looking forward to the laughs and embarrassing stories (which we have plenty of this season, don’t you fear) but the very second that actor Michael Rosenbaum (SMALLVILLE, IMPASTOR) finished telling his story for our cameras we knew that his episode would be the season premiere.  One of my favorite aspects of HORRIFIED is that you never know what kind of story you’re actually going to get when you hit play each week.  And that’s the thing… nor do we when we shoot the stories for each season.  We hear each artist’s story for the first time when we shoot them.  Usually we find ourselves laughing or cringing, but every so often we get hit with a story that’s so messed up that it just levels us.  So when we decide on the release order for each season we try our best to design it in a way that gives you a similar experience to what we had on set.  Take that as a warning.

s2The horror stories begin again on January 25, 2017.

The new season of HORRIFIED starts on January 25th with a new episode premiering every Wednesday all the way through June 21st.  We’re editing through the holidays and man, we’re already tired.  But who loves you?  We do.

I DISCOVERED LEGOS.  If you follow me on social networking or watch any of the shows shot at the ArieScope studio then you’ve certainly noticed the ever growing Lego presence that has been building (plastic brick by plastic brick) all around me over the past year.  To back up just a little bit, when I went through the shit storm that was 2014/2015 (see the two previous year-end blogs) I was fortunate to have a handful of friends who knew I wasn’t doing so well and who tried to help me through it anyway they possibly could.  I’ll forever be grateful to those friends who stopped by to check on me even when I didn’t want them to.  One of those friends, being the fellow toy obsessed geek that he is, would bring by random Lego sets for us to build while we’d talk.  I had no idea just how helpful putting together those little plastic bricks would actually be… or how far I would ultimately take it.  As a child I had no interest in Legos.  Who wants to work to put together their toys and who wants to play with toys that don’t look nearly as cool as actual action figures?  I sure didn’t.  But man was I missing out!  I’ve always known that Legos are a part of many artists’ creative process.  Sean Becker (who I work with on things like HOLLISTON, “Sleepover,” and “Horrified”) has always had legos on his desk here at work and if you haven’t yet seen the 2011 SOUTH PARK documentary “Six Days To Air” and watched Trey Parker build Lego sets while his genius brain does it’s thing- watch it!  But Legos were just never my thing before this past year.  On January 7th and 8th I built my first big Lego set (SLAVE 1, pictured below) and spent the next 24 hours straight doing nothing but following the illustrated instructions and putting the pieces together.  When it was finished I not only felt way better, I had also cracked at least 3 story points I had been struggling with on the script I was writing at the time.  Therapeutic, relaxing, comforting, and fun… building Legos has become a full blown addiction.  Think I’m exaggerating?  Well, I had to start ordering at least 2 sets at a time out of fear that I would complete them all and have nothing left to build.  And I’m not talking about the quick 30-40 piece sets.  I’m talking about stuff like the GHOSTBUSTERS Firehouse (4,634 pieces), the Jawa Sandcrawler from STAR WARS (3,296 pieces), and the Disney Castle (4,080 pieces)… just to name a few.  Sets that come with instruction books that are the size of Tolstoy’s “War And Peace” and that take days to put together.  I would pace the floor waiting for the next package to arrive from Amazon or Toys R Us.  There was even a night where I found myself wandering the toy aisle at Target just before closing while I desperately tried to find a decent sized STAR WARS set that I hadn’t already built just to get me through until the next delivery.  I started buying sets that I didn’t really even want.  I just needed something.  But then again, I haven’t robbed a bank or performed sexual favors in a back alley for my Lego fix yet so as far as I’m concerned I’m still coming out on top here.  However, if someday you turn on the news and see that I’ve held up a Toys R Us for a Lego STAR WARS Death Star… don’t be surprised. I’d list all of the Lego sets I built while I worked in 2016 but it’s quite embarrassing so let’s just say that I built ALL of the sets worth building, that I have no room left anywhere in the studio to possibly display another one, and that the only reason I’ve (temporarily) kicked the habit is because there literally just aren’t any sets left for me to build that I have any interest in.  In all seriousness though… Legos work and they were a huge part of my 2016.  I highly recommend them as a healthy way of dealing with stress and as a great addition to your own creative process.

img_5516Just a glimpse at a tiny portion of my Lego addiction.

I WENT ON A TWISTED EUROPEAN PILGRIMAGE. If you’ve been around here long enough then by now you know just how much the band Twisted Sister means to me and all about the serendipitous and amazing relationship I have with my childhood hero turned close friend Dee Snider.  2016 marked the end of the band’s 40 year career and Twisted Sister said farewell to the world by headlining a string of huge summer festivals… all of which where conveniently located on the other side of the planet.  When Dee first suggested that I do whatever it takes to attend as many of those shows as I could, I gave the usual “Yeah, I’ll definitely think about it” answer that really means “What are you crazy?”  But the more I thought about it and the more that my friends and family weighed in… the more I realized I would be a fool to not go.  When else in my lifetime would I ever have an opportunity to travel the world and go see my favorite band of all time perform nightly in front of 100,000+ rabid fans for their final shows ever?  And not just as a face in the crowd, but as a personal guest of the band standing right there on the stage- or wherever I wanted to stand for that matter?

img_1690In Sweden I had the best seat I ever had in my life for “Burn In Hell.”

The “All Access” part of an “All Access” pass is no joke and just like Dee promised, these European festivals are light years ahead of the terribly produced American music festivals that I was used to attending.  Honestly, I don’t think I can ever go to another American music festival after witnessing just how much better they handle things overseas.  It’s not just the festivals that are better, it’s the fans.  4 huge festivals in 4 different countries, 10 (or 11) full days of metal surrounded by 100,000+ fans, and not a single fist fight or drunken altercation seen.  Everyone was cool and there wasn’t a single asshole encountered.  At an American hard rock or metal festival?  You see several fights a day.  You just can’t avoid it.  I could pontificate for days on just why this is but let’s table that discussion for another time.  Anyway, all I had to do was figure out how to get there.  There were a dozen reasons why I shouldn’t have gone but after weighing the pros and cons the deciding factor all came down to one thing: my childhood friend Scott Barnes.

img_2808Backstage at Hellfest in France with Scott Barnes.

You’ve likely caught me reference Scott in my work.  One of the jokes that always gets a huge laugh in HATCHET is when Mercedes McNab’s character “Misty” finally finds her cell phone and instead of immediately calling for help, she instead first checks her “missed calls” and proclaims “Eww, Scott Barnes called me?!”  In my segment of CHILLERAMA (“The Diary of Anne Frankenstein”) “Adolf Hitler” (Joel David Moore) shouts “Scott Barnes!” at “Meshugannah” (Kane Hodder) when trying to get him to kill one of his Nazi soldiers.  For over 30 years now, Barnes has been like a brother to me and we’ve probably attended well over 100 shows together over the years (I lost count somewhere in the late 90′s) and ever since our first concert together in 1989 at age 14 (LA Guns, Dangerous Toys, and Tora Tora) we had always said that someday we’d go to one of the massive European festivals we had grown up reading about in the pages of Circus magazine.  One of the many things that I’ve always admired about Scott is that he really makes an effort to get out and experience new things.  I’m always impressed how he’ll go to great lengths to see new places, to visit friends, and to make the most of whatever free time he gets.  Me?  It’s always work-work-work and when I do get a rare day off I prefer to either keep working or to sit on my ass, not get in the car to go hike a national park or even just go see friends that live 10 minutes away.  I’m tired, man!  And I always have a list of excuses at the ready for why the world will somehow end if I ever stop working.  But when Scott said “we have to do this”… well, we went.  Using frequent flier miles (thank you, ten years of traveling the globe for work) and expert planning (all Scott) we made our way to Sweden, Austria, Italy, France, and a then a quick stop over in the UK before heading back to the US.  Scott planned the whole thing with more skill than a seasoned travel agent.  To say that the experience was life changing would do it no justice.  It was so much more than that.  It would take an additional novel to describe the entire trip and some of it is just so unbelievable that attempting to explain it would be a lost cause.  But as a life-long Twisted Sister fan (I’ve been a full fledged, card carrying S.M.F. for 33 years now) and after the crazy journey life has brought me on in regards to my friendship with Dee… to be standing on those massive stages in front of those endless oceans of metal fans… to be watching the most important band in my life destroy the crowds with their power and ferocity… to get to see the band band perform in front of music fans who know and love all of their songs and not just “We’re Not Gonna Take It” and “I Wanna Rock”… to have the lead singer stop and dedicate a song to me (!) in Sweden or run over to the side of the stage during a guitar solo just to embrace me (!) in France… to literally get the entire photo/press pit to myself in Austria and watch an entire show from in front of the front row with a hundred thousand fans sectioned off a solid ten feet behind me… there just aren’t words.

img_1799With just a few of my fellow S.M.F.’s.

I’ve been incredibly fortunate that life has lead me down a path that has included meeting so very many of my heroes.  People always warn you “don’t meet your heroes”… but I’ve thankfully never once been let down.  (At least not yet.)  I can’t stress enough just how much I never, ever take any of it for granted.  No matter where my career achievments will ever lead me- I’ll always be a fan first and I’ll never lose the reverence I hold in my heart for the various artists who shaped and inspired me. Rather than go on and on about all of the amazing things I experienced over in Europe following Twisted Sister this summer I’ll just say this: someday when it’s all over and I look back on my life, the shows I saw this summer will still be ringing in my ears and I’ll never, ever forget the almost out of body moments each of those nights gave me.  It was made all the more special that I got to experience it with one of my oldest and closest friends.  At least someone else knows it was all real because the few times I’ve tried to share the stories even I found myself not fully believing them.  I mentioned the opening 8 minutes of Dee’s episode of “Scary Sleepover” earlier.  If you don’t fully understand just how or why this experience was so life-changing for me… take a beak from reading this blog and go watch the opening to Dee’s episode.  I may be incredibly sad that I’ll never get to see Twisted Sister perform live again, but I’m so lucky that I got to see them off in the best way possible and if you’ve heard Dee’s new solo record “We Are The Ones” than I don’t need to tell you that nothing is over yet.  In fact, the best may very well still be yet to come.

img_2870Farewell, Twisted Sister.

THE MOVIE CRYPT SAVED LIVES AND BROKE RECORDS.  Joe, Arwen, and I put our weekly podcast to good use this past August and did our first ever 48-hour live broadcast to benefit “Save A Yorkie Rescue”- a cause that is near and dear to our hearts as not only is our show’s mascot (and the real star if you ask most people) my own Yorkie but both of us are huge animal lovers and rescuers ourselves.  The only other blog I posted this year (the one located directly beneath this one) is a full recap of the event so I’ll let you read all about the specifics there.  However, since posting that blog we’ve learned that what we did that weekend not only saved a ton of dog’s lives- it is also going to put Joe, Arwen, and I in the Guinness Book of World Records for “the longest live podcast ever.”  The fact that we would set a world record never even dawned on us and the only way we even found out about it was when another podcast starting posting on Twitter that they were about to set a new record with an upcoming 12-hourlive broadcast.  Fans started sending us the other podcast’s posts and saying “didn’t you guys already do a 48-hour live broadcast?”  So GeekNation looked into it and yes- our “Save The Yorkies Marathon” is apparently far and away the longest live podcast ever performed according to Guinness.  GeekNation just has to provide Guinness with a few more pieces of required documentation and then the title is officially ours.  (Perhaps it already is by the time this blog is actually finished and posted.)  Who would have thought?  Among the list of things I set out to accomplish in my lifetime, breaking a world record was never really one of them.  But leave it to us three idiots to break the world record for talking of all things!

mc-logo_yorkie2The donation image from last year’s event.  (Note: This image is not a working link.)

If my grade school teachers could only see me now they’d say… well, actually what they’d say is “yeah, that sounds about right.”  Even when I told my childhood friends about the achievement they were like “You mean you didn’t already hold the world record for talking?”  As I stated in my re-cap blog about the benefit, Joe and I plan to make our “Save The Yorkies” marathon benefit an annual event and we are already plotting and scheming the segments and guests for 2017′s marathon.  All the thanks in the world go to our dozens (and dozens) of friends who were guests on the show throughout the weekend and who performed their various talents or who spoke with us for a few hours in the middle of the night- all for the love of dogs.  On behalf of Joe, myself, Arwen, the wonderful volunteers at “Save A Yorkie Rescue,” and especially on behalf of the dogs that we all helped save… thank you to every fan who found it in their hearts to not just take what we were giving out for free but to also give back to the cause we were doing it all for.  At the risk of sounding like a broken record, it’s the charity stuff that I do that is the biggest reward in all of this.  Every time I get handed an absolute shit budget and somehow have to create something that’s actually halfway decent with it, every time I wind up somehow paying to work on things that hundreds of thousands (or in many cases millions) of “fans” just pirate/steal from us (note the quotes on “fans” – if you steal the entertainment that you enjoy you’re just helping to kill itand you have no right calling yourself a fan), for the years of my life that I’ve spent making something that’s made other people rich who had nothing to do with making the thing in the first place and who didn’t share a dime of the profit, every time I pour all of my heart into a project only to have it shattered to pieces by the time the project is over… I think about the charity opportunities this career has granted me and I am able to get back in the ring and throw down again.  Sounds like lip service, I know, but it’s absolutely 100% true.

FullSizeRenderWE got the “Steven Tyler congratulations!”

The podcast itself continued to have some absolutely incredible episodes and stunning moments throughout 2016.  As we climb towards our 200th episode (coming up in March) both Joe and I are still baffled how we’ve done the program so consistently (even while shooting new films we’ve still never missed a week in the almost 4 years we’ve been doing the show so far) and how we’ve never repeated a guest in all of that time.   We’ve already got great things lined-up for 2017 but after all of these years it’s becoming evident that our self-imposed rule of never repeating a guest may be a rule we’ll need to start lifting every so often.  Not due to a shortage of guests (there are still so, so many artists waiting to do the program that we want to get to- we’ll never run out) but because some of our previous guests have gone on to accomplish and experience some amazing things since first coming on the show and several years later it would be a crime to not bring them back on to share those new experiences.  So in 2017 you just may start to hear a few familiar voices sitting down with us once again, not to mention the introduction of some new segments and the retirement of some old ones.  Here is as great a place as any to say “thank you” to the fans who have donated to the show through our “feed Arwen a treat” program.  You guys have no idea just how much it helps whenever you give back or whenever you buy something from our on-line store here.

GHOSTS, GUNS, ROSES, AND A COMA.  This year Guns N Roses finally re-united (sort of) to save the world and I was there at the first two shows of the tour in Las Vegas in April and again both nights in Los Angeles in August just a few months later.  Of course I was with Scott Barnes at all 4 shows- but we were also joined by a whole bunch of other childhood friends from Holliston, MA at some of the shows which made the GNR reunion a reunion of our own.

032ae977-c837-4234-8e8b-e5411eebfa78On the stage at Dodgers Stadium just moments before showtime.

Another of my most favorite bands of all time, I can’t express the joy in my rock n roll heart to see Axl, Slash, and Duff on the same stage again as the last time I saw them together as GNR was way back in 1992.  Hearing the song “Coma” live was the highlight of all four shows.  ”Coma” is the ten minute-long masterpiece that closes out “Use Your Illusion 1″ and it is a song I played on repeat during the darkest times of 2014/2015 when I was living through what was essentially an emotional coma of my own.  It’s a song that the band had only played a handful of times back in their heyday and a song that I never got to personally hear live in any of the set lists I saw them perform way back when.  Shits gonna get a little dark here for a bit, but please bare with me because I assure you there is a good reason for drudging all of this shit back up one more time.  There’s a light at the end of this tunnel and an extremely important life lesson that I learned from 2016.  Here goes…

“You’ve caught me in a coma and I don’t think I wanna ever come back to this world again, I kinda like it in a coma ’cause no one’s ever gonna make me come back to this world again, now I feel as if I’m floating away, I can’t feel all the pressure and I like it this way, but my body’s calling, my body’s calling: won’t you come back to this world again?”

Each performance of that incredible song was a scary but highly cathartic trip down memory lane through my own darkest hours and I walked away each night realizing more and more just how successfully I had finally come out the other side of it all.  This summer’s GNR shows were a religious experience, especially coming on the heels of my surreal visit from (what I can only call) a ghost earlier in the year.  If you missed my story about “Harvey” when I told it on the podcast shortly after it first happened, let me explain.  (And yes, I know this is where I lose some of you but that’s fine with me.  It’s what happened.)  One Saturday this past spring I just so happened to be at home and an old man randomly came calling.  I stepped out to get the mail and suddenly this man was standing right in front of me.  He literally came out of nowhere.  The way my front yard is set-up, I can clearly see down the street in both directions and this man was notthere when I first stepped out to open my mailbox.  A split second later, there he was standing right in front of me.  ”Sorry to bother you, but I grew up in this house.”  I was startled to say the least.  The man proceeded to tell me his name was “Harvey” and that he had traveled down from the Bay Area just to see the house he grew up in “one last time.”  (The full story gets even stranger as he mentioned that he knew I’d be there and that I’d be kind enough to allow him in before he began his travels that day- but I won’t get into all of that here.)  He asked if he could come inside to look around and, me being me, I obliged and let the stranger inside to walk through my home.  I put Arwen in her crate so that she would leave the man alone and not smother him with her signature (very wet) Yorkie kisses that all guests receive.  ”Harvey” told me all kinds of facts about the house- but the fact most relevant to this story is that he told me that his uncle had passed away in the back bedroom.  My bedroom.  ”Wait… someone died in my bedroom???”

“Suspended deep in a sea of black I’ve got the light at the end, I’ve got the bones on the mast, well I’ve gone sailing, I’ve gone sailing.  I could leave so easily, my friends are calling back to me, I said yeah, they’re leaving it all up to me when all I need is some clarity and someone to tell me what the fuck is going on, goddamnit…”

Surprisingly this information didn’t freak me out as much as it probably should have.  I’ve lived in the house for 8 years now without any kind of paranormal incident or even so much as a negative feeling.  I’ve loved this house since the day I first moved in and while it was briefly plagued with a few unwanted memories after 2014, it was nothing that a few coats of different paint, new furniture, and a little re-design couldn’t erase.   I asked “Harvey” what exactly his uncle died from and why he passed away inside the house and not in a hospital bed.  His answer was chilling.  ”When we were kids, my parents told me that my uncle had a heart infection and that’s why he couldn’t leave that bedroom.  But once we were much older my mother explained to me that he actually died of a broken heart after my Aunt left him.”  [I’ll spare the details here to help keep some things private for both “Harvey” and for myself.]  ”After going through all of that, my uncle crawled into that room and just never came out again.  There was nothing anyone could do.  He blacked out the windows and just wasted away until after a few months… one day he was just… gone.  He was only in his early 40′s but the best way to explain it is that he just gave up.  He just lost the will to live.  He stopped eating, stopped living, and just… faded away.  It was terribly sad to watch happen but there was nothing my parents or any doctors could do.  They figured it was just a temporary depression and that he would come out of it at some point, but one day it was just over.”

“Slipping farther and farther away, it’s a miracle how long we can stay in a world our minds created, in a world that’s full of shit.  Please understand me, I’m climbing through the wreckage of all my twisted dreams and this cheap investigation just can’t stifle all my screams, and I’m waiting at the crossroads, waiting for you, waiting for you, where are you?“ 

At this point I’m just standing in front of “Harvey”… frozen.  I hadn’t told this man a single thing about myself but I could tell that he somehow knew that only a year or two before… that had been me.  In that same room, with black curtains I had hung up to block out any light, going through the very same thing.  Only in my case I was lucky enough to pull out of that dark hole.  And then he smiled back at me and said “You’re gonna be OK.”  I was shocked.  He asked if he could go outside and look at the backyard and I kind of choked out a “Yeah… sure.”  He walked back outside, I turned around to let Arwen out of her crate, and when I looked back again… he was gone.  Not in the backyard, not in the front yard, not down the street.  Gone.

“No one’s gonna bother me anymore, no one’s gonna mess with my head no more, I can’t understand what all the fighting’s for, but it’s so nice here down off the shore, I wish you could see this ’cause there’s nothing to see, it’s peaceful here and it’s fine with me, not like the world where I used to live… I never really wanted to live…”

I’ve since spoken with a few friends about the “Harvey” visit (not too many as I mean, come on, I know exactly how insane it all sounds and I wouldn’t believe it either) but after talking to the friend that I consider to be the authority on stuff like this (Marilyn Kapp- a highly respected clairvoyant who you hopefully heard during her appearance on the 48-hour live Yorkie benefit where she “tuned in” with Joe and his departed father) I’ve come to one conclusion.  And this is entirely my own conclusion, not something Marilyn or anyone else offered up or put in my head.  I think “Harvey” was the man who passed away in my bedroom.  I think he was one of many people/energies in there helping me, standing over me, and pulling for me to get back up.

“Zap him again.  Zap the son of a bitch again…”

And I know this fucking sucks to read – especially for anyone close to me who may read this but who never knew just how bad it really got back then- but there were so many nights during that period when I would stare at the blackness and find that full days had gone by with me just laying there in the dark wishing I would just go.  Months slipped by in this state.  Months.

“Live your life like it’s a coma, won’t you tell me why we’d wanna, with all of the reasons you give it’s kind of hard to believe, but who am I to tell you that I see any reason why you should stay, maybe we’d be better off without you anyway?”

I can’t stress enough that I’d never ever purposely do anything to hurt myself, but with all of that awful shit coming down on me at once and in just a matter of days… Dave dying, the divorce, my life’s work being left in limbo between my friend’s senseless fucking heroin overdose and some stupid corporate merger… it was too much heartbreak to endure all at one time and I just shut down.  Yeah, the same guy who is always preaching “never give up” and “you can do it” got knocked way, way down and I felt like an absolute fraud while I was down there in the ground.  I’d go in to do the podcast and I’d talk up the guest and encourage the audience that they can take on the world and do anything they believe in… only to rush straight home where I could hide and continue covering up all of the mirrors in my bedroom and bathroom (places no one else would ever see if they came by) so that I wouldn’t have to look at myself anymore.  It’s weird, almost other worldly, the things that you’ll do when you’re in a state like that.  Like, you can completely tell that something is desperately wrong and that you’re behavior is literally just you begging yourself to get help… but something else is controlling you.

“I got a one way ticket on your last chance ride, got a one way ticket to your suicide, got a one way ticket and there’s no way out alive…”

Someday I’ll write a book about my life/career (like any artist does further down the line) and at that point perhaps I’ll truly share everything.  There’s just no need to go that deep here in a blog though.  Let’s just say that it’s easy to go to a therapist or a doctor and have them tell you “you’ve gotta eat something” or “this too shall pass” but how you handle actual crippling depression when it happens to you is beyond anyone’s control but time’s.

“And all this crass communication that has left you in the cold isn’t much for consolation when you feel so weak and old, but if home is where the heart is and there’s stories to be told, no- you don’t need a doctor, no one else can heal your soul, got your mind in submission, got your life on the line, but nobody pulled the trigger they just stepped aside, they’ll be down by the water while you watch ‘em waving goodbye…”

In my lifetime I had been terribly sad before… but never in such a long, dark actual depression.  That was all a first for me.  Never had I become so lost that I couldn’t do anything but lay in the dark and watch days pass by without so much as turning on the TV or even showering.  I hid how bad it was from all of my friends, I didn’t go to work, I cancelled any meetings that would come up by saying I “was sick,” I faked my way through occasional phone calls with family, and I showed up to the podcast with Joe each week and acted my way through it like everything was somewhat OK. I never told anyone what was really happening… I just went through it.  For more than a full year I didn’t attend a single social event and rarely left the solitude of my darkened bedroom unless it was to go to the studio and hide out there, to show up for the podcast, or to appear somewhere because I had to for work.  It was all just playing a role.  Friends would ask how I was doing.  I’d always say “starting to feel better.”  But I wasn’t.  In fact, I was getting worse and worse.

“They’ll be calling’ in the morning, they’ll be hanging on the phone, they’ll be waiting for an answer but you know nobody’s home, and when the bells stopped ringing it was nobody’s fault but your own. There were always ample warnings, there were always subtle signs, and you would have seen this coming but we gave you too much time, and when you said that no one’s listening why’d your best friend drop a dime, sometimes we get so tired of waiting for a way to spend our time…”

The only way I can describe “Harvey’s” visit was that he was a ghost who came to deliver the message loud and clear that I had survived and that it was all finally over now.  I didn’t realize until he was gone that I had never shaken his hand.  I had never offered him something to drink or eat.  I just stood there and listened to his stories and then just as suddenly as he had arrived he was suddenly gone.  But I’m not gone.  I’m still here.  And I’m so glad that I am.

“It’s so easy to be social, it’s so easy to be cool, yeah it’s easy to be hungry when you ain’t got shit to lose, and I wish that I could help you with what you hope to find, but I’m still out here waiting watching re-runs of my life, when you reach the point of breaking know it’s gonna take some time to heal the broken memories that another man would need just to survive.”

Whatever it is that you’re going through, know that it can and will get better.  ”You’re going to be OK.”  And to “Harvey”, wherever you are… thank you.  I understand and appreciate it all now.  I am OK.  I’m fucking OK.

It was quite possibly the most important life lesson of them all so far.  Well played, 2016.

FRIENDSHIP WAS TRAGIC.  In October we released the very first HOLLISTON comic, made and distributed by our friends at Source Point Press.  The 54-page graphic novel hit stores in late October and was so well received that a sequel was green-lit immediately.  I had absolutely no expectations with “Friendship Is Tragic” as aside from the Hack/Slash and Hatchet crossover comic that came out in 2011 I had no real experience with the world of making comic books so far.  ”Hatchet/Slash” was more like a guest appearance of one of my characters (“Victor Crowley”) within a pre-exiting universe and within a comic series that was already extremely popular and successful, so this was going to be completely different.  With “Friendship Is Tragic” we were attempting something totally different as this was a brand new, stand alone book, and the first new official HOLLISTON story to be released since the various tragedies we endured shortly after Season 2 had finished airing.  We had no idea what the response would actually be like.

HollistonFIT_CoverHOLLISTON: “Friendship is Tragic” hit stores in October.

Would the fans of the show like it?  Would comic fans who perhaps had never seen the show before like it?  Would the work of these talented comic artists pay off or would the comic merely be viewed as a cool novelty item to go along with the show at best?  Thankfully, the comic continues to receive amazing reviews, fans of the show were absolutely thrilled with it, and so many others who picked up the comic are now becoming fans of the show because of how much they enjoyed it.  After what we’ve been through and the many set-backs we’ve faced with finally getting Season 3 in front of cameras- this was an important win for the future of HOLLISTON.  There was a lot riding on this endeavor, not only because Source Point Press is a fairly new company who had everything to prove but because this was the first HOLLISTON endeavor in the show’s new world – which is sadly a world without “Oderus.”

Adam OderusMy guardian angel.

You don’t need a degree to understand the double meaning of the title “Friendship is Tragic.”  Yes, it’s a cute little mockery of the MY LITTLE PONY television series “Friendship Is Magic” but… yeah… what we’ve been through together is fucking tragic.  I’m overjoyed that fans embraced the book the way they did and now that we know that the comic format works so well for HOLLISTON, I’m even twice as excited for the next installment (“Carnival of Carnage”) which will open up the universe even further to include even more of the other HOLLISTON characters that fans love from the TV series.  Just like with “Friendship is Tragic” I’m completely involved with developing “Carnival of Carnage” and knowing the story line I have absolutely no doubt that you’re going to love what the dudes at Source Point Press are doing with it.  We’ll reveal more artwork over the coming months and as soon as we know the release date we’ll obviously share it with everyone right away.  Yes, there will be a way to pre-order cast signed copies from us again but that won’t begin until we’re much closer to having an actual release date.  To everyone who bought “Friendship Is Tragic” – THANK YOU.  Your support only helps us get Season 3 moving faster and it was amazing to see how the “Holliston Nation” has only grown bigger and stronger since we were unceremoniously thrust into this hiatus.

hollistoncoc_coverComing next year: HOLLISTON “Carnival Of Carnage”

So yeah.  ”WHY HASN’T SEASON 3 BEEN SHOT YET??”  Sigh.  Because “reasons.”  Isn’t that enough of an explanation??  No?  “But you guys said… and then you said…”  OK, fine.  I’ll try harder to explain.  There are a few easy (and a few more complicated) explanations why we still haven’t shot it.  But no- we have absolutely not abandoned it and we are continuing to work (very hard) on getting things in order and ready to shoot.  The simplest reason to understand why it hasn’t happened yet is that when your main cast includes two working directors and a rock star among the main 5 characters- scheduling is an absolute bitch.  Joe and I are both in various stages of production on our new films that shot this past year, Dee only just wrapped his final shows with Twisted Sister last month and is now gearing up to embark on a solo tour, and Corri is a mom who no longer lives in LA full-time.  There hasn’t been any possible way to get us all together in the same place at the same time for long enough to properly rehearse and shoot the next season which requires many of us to drop several months of everything else.  In my case as the writer, the show-runner, and one of the two directors on the series it’s about a YEAR of dropping everything else for me- or somehow simultaneously working on everything else at once which nearly killed me when we made Season 2.  But scheduling aside- we’re still waiting on all of the financing to be in our hands anyway.   However on the good news front… most of Season 3′s episodes are written and we have been rehearsing and working out the new material in the very limited opportunities where we have all been able to be together this past year.  Hopefully you heard our live broadcast of one of the new season 3 episodes during the 48-hour live “Save The Yorkies” charity benefit that we did with The Movie Crypt podcast this past August.  We closed the marathon with a full cast reading of one of the upcoming Season 3 episodes.

IMG_4266The HOLLISTON cast did a live reading of a new episode from Season 3 to close-out the 48-hour live Movie Crypt marathon to benefit “Save A Yorkie Rescue” this August.

Why isn’t that live reading available anywhere?  Well, like we said when we first announced that we were going to perform a new episode during the marathon- the episode contained enormousspoilers about Season 2′s cliffhanger ending and what’s to come next season so it was only going to be performed live that one time only.  You could either listen to it live and be in on it with us- or miss it and wait for the new season to find out what happened/is going to happen.  Miraculously, the thousands of fans who were listening when we performed the new episode have honored our request to not post any details or spoil the episode for anyone else who missed it.  Fans have shared their reactions to it but have done so very carefully as to not spoil anything.  I can’t tell you how grateful we all are for that loyalty and for the fact that our fans have that kind of respect for their fellow fans.  The more complicated reasons can all be filed under “boring business shit” that while typical and expected is still always so, so frustrating to endure while you’re in the middle of it.  But that’s every project.  It would take forever to type it all out, it would confuse the shit out of you trying to keep up with it all, and it is a safe bet that by the time you finished reading about one situation we’re waiting on it would have already changed into a completely different one and now be irrelevant.  It’s like playing Tetris and you go through periods where the blocks coming down just don’t fit correctly no matter how you try to spin them.  Then suddenly it all clicks and it’s “oh shit, we’re going!”  Still, we’re closer than ever to being ready to get started again.  Well… I should say that we’re as close as anything can ever actually be in this business where there are numerous false starts, where plans change overnight, where networks merge or dissolve, and where funding magically disappears the night before shooting begins.  But we’ve “been there, done that” and at this point none of the usual industry bullshit is a new experience to any of us- which is precisely why we’re being so, so careful with how we do a new season, where we do it, and when we do it.  I promise I won’t forget to tell you when shooting gets underway.  You don’t need to send me weekly tweets asking if there are any updates.  It didn’t slip my mind and the whole waiting process is frustrating enough for all of us without you asking what the latest news is every few days, I assure you.  In the meantime, enjoy all of the other things we’re each continuing to bring you on a non-stop basis.  I know that you love HOLLISTON.  And no one appreciates just how much you love HOLLISTON more than I do.  Be patient.

hollistonreadingcastA picture from one of the Season 3 rehearsals this summer.  Dee wasn’t physically at this one as he was out of the country on tour but we’re all still together and we are laughing once again.

I SHOT A NEW MOVIE.  Somehow in addition to everything else that I did this year I also directed my next film.  This new movie will be ArieScope’s 10th feature film which is yet another huge milestone for us.  Way back in 1998 when Will Barratt and I were first shooting COFFEE & DONUTS for a whopping $400 budget (by now you know the story of C&D and how it eventually became HOLLISTON) we only hoped and dreamed that one day we’d be able to make a realmovie.  ArieScope Pictures celebrated our 18th anniversary this past October and almost two decades later it’s nothing short of miraculous that this has become what it has become and that we’ve somehow lasted, remained independent, and survived all of the massive changes the industry has gone through (and continues to go through) on an almost weekly basis.  Yes, by this time next year we’ll have released our 10th feature film!  I finished the first draft of this next movie around this time last year and now a year later… here I am in post-production, editing, and watching everything come together slowly but surely.

img_4298It’s a tradition that we do our cast table reads by candlelight.

So why the secrecy around it?  Honestly, because that’s how we tried things with DIGGING UP THE MARROW on our last rodeo and we found that it’s simply better for you (the fans) the more quiet we can keep things.  In an era where movies are discussed to death in the media long before they even shoot and where films get spoiled by constant announcements, news updates, set visits, stills, clips, and trailers upon trailers way too far in advance of a film’s actual release date… we find that keeping details under wraps just makes the experience that much more fun for the fans when the movie is actually ready to be seen.  With indie films, it’s not about an opening 3 days that you need to try and build up to with millions and millions of advanced dollars in advertisements.  Yes, this movie (like all of our films) will have a theatrical component to its release but it won’t be dropped onto 3,000+ screens as it is not being distributed by a major studio that has the 25+ million in marketing that is required to do a wide release properly.  It’s being distributed by a smaller studio that we’ve successfully worked with before on other films and (much like we did with MARROW) we’ll also be touring with it.  It’s perfectly fine to travel it city by city and keep building through word of mouth- the very best form of advertising there is.  Believe me, keeping things under wraps for as long as have so far only makes it way harder on us as in this day and age as it is no small feat to keep the making of a movie completely quiet and off of the internet.  I want to be careful not to build things up too much because it’s not like we’re talking about a secret STAR WARS movie or something that’s going to change the movie going world as we know it- it’s just our next movie.  But if we can suddenly drop a trailer mere weeks before it comes out or if we can announce it by actually screening it for an audience that wasn’t expecting to see it like we did with MARROW… isn’t that just way more fun?  And isn’t fun a big part of what most movies are supposed to be about anyway?  All will be revealed in due time.

img_4375Re-creating Blue Man Group for the new movie.  But not really.

I believe that half of the reason why MARROW was received so well was because we just started screening it one day and no one had time to overthink it or jump to any sort of conclusions about it until after they actually saw it.  Think about how weird of a movie MARROW is conceptually given that it’s essentially an Alex Pardee art exhibit turned into a movie where we blurred the lines between a documentary and a fictional narrative to try and create a different cinematic experience then what you were used to seeing.  MARROW is nearly impossible to put in an existing sub-genre category given the various storytelling elements we used in it.   To this day we can still only shrug when reviewers try and label it as a “found footage” movie (it’s not) or a straight-up mocumentary (it’s not) but then again, these days anything that’s not shot in a traditional narrative form gets lumped into the “found footage” category by some.  Honestly we don’t know exactly what sub-genre MARROW fits into either so we were flattered by the reviews and the responses that applauded the “I don’t know what sub-genre to call it” aspect of the film.  The unusual story telling method of MARROW was a major reason why we were so excited to make it and why we were willing to take the risks that came along with trying something as weird as using ourselves as “characters” in a film.  Imagine the pre-conceived conclusions that would have been jumped to months before releasing it (if not years before, given that MARROW actually took 4 years to make) had we shared exactly what the movie really was before being able to just show it?  Secrecy was the right way to go.  As far as the new movie goes, I’m not saying that it’s necessarily anything like MARROW and I’m certainly not yet celebrating that we got away with keeping it fully quiet.  All it takes is just one person to shoot their mouth off to spoil it for everyone and that could very well still happen at any given moment between now and whenever we first unveil it.  If that does happen, there’s nothing the rest of us can really do at that point except be majorly disappointed for you, the fans, that someone out there would disrespect you enough to rob you of the surprise we tried so very hard to give you.  But we’re very excited about our latest endeavor and I hope that that no one spoils it for you. I think that you’ll dig what we’ve created when you see it at some point in the coming months.  For now I’ve still got a shit ton of work cut out for me with it… and miles to go before I sleep…“and miles to go before I sleep.”

camera-slateThe very first behind the scenes photo from the set!  This is a photo of the camera slate that was taken off of the monitor so unfortunately the cinematographer’s name is cut off.  My partner in cinematic crime on this film was Director of Photography Jan-Michael Losada who was a rock star in every way… but more on that once the movie is unveiled and I can finally discuss it.

Originally fake-titled “Arwen’s Fancy Dinner” on the screenplay itself for the year prior to actual shooting, we eventually shortened the fake-title to “Arwen’s Revenge” simply because it was easier to fit on the camera slate and on any other places where it was necessary to list some sort of title.  I know that some of you probably wouldn’t put it past me to make a movie about my dog… and that some of you would even actually love to see that movie, but… no, it is not a movie about Arwen, nor is it about Arwen’s fancy dinner, nor is it about Arwen exacting revenge.  Sorry if the fake-titles had your hopes up in some weird way.  Perhaps if we ever make a sequel to this it will focus on Arwen’s dog adventures but only time will tell if a sequel is necessary.

2017 IS GOING TO BE ABSOLUTELY HUGE.  On January 25th Season 2 of HORRIFIED will premiere and a brand new episode will be released right here on every Wednesday all the way through the end of June.  At some point next year my new film will hit select theaters, VOD, streaming, DVD/Blu-Ray, and eventually all of the usual places all over the world.  The Movie Crypt already has some incredible guests lined up for 2017.  The weekly program will pass 200 episodes in March and next year Joe, Arwen, and myself will “stay awake so that they don’t get put to sleep” once again as ”The Yorkies Strike Back” (the official title of next year’s 48-hour live marathon event).  Hopefully we raise even more money and save even morelives than last year’s benefit.  I’ll be touring for the 10th anniversary of HATCHET and doing as many appearances, screenings, and conventions as I possibly can.  Speaking of appearances I’ll also be touring in support of my next movie and Joe, Arwen, and I are hoping to do a few more live Movie Crypt appearances next year, too.  The live episode we put on in Austin, TX in 2015 was such a fun night and we are going to try and bring the podcast on the road to more and more places if our schedules permit.   But again- please consider everything else I already have going on next year before getting upset if I don’t make it to your city on this upcoming tour.  As badly as I want to hit every city that I can hit, shake as many hands as I can shake, accept as many hugs as you have to give, share as many of my stories that you’ll listen to, and make as many of you laugh as I possibly can… I’m no good to anyone if I drop dead and every day that I’m away is another day that the next project is being delayed.  I’ll do whatever I can to make it to a city, cinema, stage, or seedy back alley near you in 2017.

hatchet-0-buz-cvrOne of several variant covers for issue #0 of the upcoming HATCHET comic book series from American Mythology.  The first issue will be in stores this March.

In 2017 you’re going to get a new HOLLISTON comic (“Carnival Of Carnage”) from our friends at Source Point Press.  You’re going to get a whole bunch of new HATCHET comic books as our friends at American Mythology go balls out (or “balls hanging from trees”) resurrecting Victor Crowley with a new life in the pages of comics.  The slumber party will continue with Season 3 of SCARY SLEEPOVER (exact date TBA but likely in the late summer/fall if I had to guess right now).  You’ll get the 19th annual ArieScope Halloween short film in October.  And yes… somehow in the middle of all of that I have every intention of finally shooting the new season of HOLLISTON that you’ve been waiting on for so, so long now.  It’s been such a long, hard road but if you keep us in your happy thoughts I have a great feeling that things will stay right on track.  Lastly, we’ve been developing some new weekly ArieScope original series that will be LIVE streaming experiences in the coming months (possibly even weeks) but more on all of that wicked soon.  It’s not even Christmas yet so who can possibly say just how next year will ultimately unfold?  There is so much in the works that I can’t disclose yet but whatever happens I know that we’re gonna have one hell of a year, my friends.  Happy holidays and I hope I get to see a ton of you on the road next year as we celebrate 10 years of “Victor Crowley” together.

endof2016episodeRecording the final Movie Crypt of 2016 with Arwen and Joe.

Thank you for your continued incredible passion for what I do.  Thank you for your unwavering support, thank you for your laughs, thank you for your screams, thank you for your constant encouragement, and thank you for all of your love.  You make it all worth it and I love each and every one of you right back. – AG




This past weekend (August 5th – 7th), Joe Lynch and I performed a 48-hour live marathon of our popular podcast “The Movie Crypt” to benefit SAVE A YORKIE RESCUE; a small, fully charity based, volunteer-run dog rescue that takes in abandoned Yorkshire Terriers (many of which have been severely abused or neglected), fosters them, provides them with direly needed medical care, and ultimately places them in permanent, loving homes with forever families.  The broadcast went for 48 hours straight and included everything from celebrity interviews, film commentaries, live script readings of never before heard/seen material, musical performances, comedy performances, and so much more.   When all was said and done we raised just about $13,480.00 for the Rescue!  (The final amount will likely be a little closer to $14,000 as donations continue to trickle in but at the time of this blog post it’s $13,480.  When we signed off it was at $13,380 – thus the photo above.  Point is – it was a major success!)  In the 14 years that SAVE A YORKIE RESCUE has existed, this is by far the most money an event has ever raised for them.  EVER.  Joe and I were secretly hoping for $10,000 to be raised – but we wound up beating that amount which was an incredible feeling.  However, before I get into the weekend re-cap… just a couple of things to address:

1.) Why do all of this for a rescue that specifically works with Yorkshire Terriers when there are thousands of other dog rescues out there that work with all breeds?  That answer is simple.   There are a zillion charities out there for every cause you can possibly think of but the reality is that we could only chose one charity to do this event for.  We chose SAVE A YORKIE RESCUE because A) I had worked with them once before and I already knew very well exactly who they are and what amazing work they do… B) Our podcast’s mascot and the face of our show for the past 3 years has been my own Yorkie Arwen… and C) SAVE A YORKIE RESCUE is a small organization that desperately needs help.    Joe, myself, and our families have always owned rescued dogs of ALL breeds and while it would have been nice to be able to help every person or animal who needs help- in the end we had to pick just one specific organization to do this for.  I had first gotten the chance to work with SAYR when I participated in an auction to benefit the Rescue that was held at the Monster Mania convention in 2015 organized by a wonderful man named David Hagan.  I auctioned myself off for a date, matched the price I went for, and also auctioned off a screen-used prop from HATCHET 2.  Together we raised about $7,000 for the Rescue which (until this past weekend’s “Movie Crypt” benefit event) was the most money a single event had ever raised for them.  Getting to meet Marilyn Faughner (who heads the rescue) and meet several other volunteers/foster parents as well as a handful of the Yorkies they were rescuing was the highlight of that convention appearance for me and I’ve kept them and what they do on my mind ever since.  When Joe and I first started talking about the idea of doing a charity marathon live podcast it was shortly after I had returned from Monster Mania – so we very quickly settled on doing this event in honor of SAYR as it was kind of a no-brainer.  Besides, Arwen’s vote count’s for 1/3rd of all decisions we make with the podcast – even though we have yet to honor her request of bringing Lassie, Benji, Snoopy, or Brian from FAMILY GUY on the show yet.  Although, we did reach out to Old Yeller around Christmas time last year.  (He was tragically unavailable.)

2.) Where did the money go and how much did you guys get from it?  Every dollar went directly to SAVE A YORKIE RESCUE and we didn’t make a penny on it.  In fact, we spent a lot of our own money putting this event on.  We used our own resources, we provided food and drinks for all of our guests, and we even made donations to the Rescue ourselves just like we were asking our listeners to do.  Sadly, even when you try and do something good there’s always some bitter person out there ready to try and accuse you of somehow profiting off of it because, after all, how could another human being possibly be that generous when they themselves are not?  That’s why we had the Rescue set up the donation site on themselves.  All donations went directly to them and we never even had to touch it.  Several artists even held their own auctions where the money made off of their work was donated to the Rescue (THANK YOU, GUYS!)- but to protect ourselves from being accused of making something off of the event we had each artist hold auctions on their own and then make the donations themselves through  If you were listening to the broadcast you likely heard when Bill Moseley (bless his soul) handed me a fifty dollar bill for the organization.  I instantly made a $55 (I added $5 for the YouCaring donation site) donation live on the air and added that it was from “Bill Moseley” in the comment section next to it.  You can look through the donations there and see it.  Point is- this was all for charity and all done out of love.

3.) “The Movie Crypt” averages at least half a million listeners or more each week.  Didn’t you expect the final total raised to be even more than it was?  Here’s the reality: you can’t expect everyone to give.  You just can’t.  By comparison, millions and millions of people would watch the annual Jerry Lewis telethons every year and enjoy the wonderful entertainment that Mr. Lewis and his team would put on… but only a few thousand in that audience would actually pick up the phone and donate.  It’s charity and you can’t expect or demand your audience to give money.  They have their own reasons for how they operate and all you can do is be grateful for the ones that were able to help.  With “The Movie Crypt”, a huge portion of our audience listens to the weekly podcast on iTunes or other streaming services that (for technical reasons) the live 48-hour broadcast was not carried on.  In fact, most of our audience is not used to listening to us directly on the GeekNation website so we always knew that there was no way that our entire regular audience was going to tune in for this.  But we were overjoyed by just how many did!  When it comes to the donations, please keep in mind that while our show may have a very large weekly following only a tiny percent of our audience has ever donated to the program to help us keep it going (the “Tip Jar” or the “Feed Arwen A Treat” option here on  Most of our regular listeners do not even support our various films when they come out by paying to see them legally.  Some listeners even make it a point to let us know that they pirate/torrent/steal our work – as you’ve likely heard us get into debates about on the show in the past.  This is just the society we live in today.  So are Joe and I disappointed that only about 400 of the tens of thousands of people listening this weekend actually donated to the Rescue?  Honestly?  Kind of, yeah.  I mean, can you imagine if every regular listener had listened and donated even just $5??  But given our experiences dealing with the public when it comes to donating to our program or with our audience paying to see our films legally… our expectations were extremely realistic with this event and we had therefore set $10,000 as our personal goal for when all was said and done.  Again, it’s charity and everyone has their own reasons for whether they give or not.  Some simply can’t.  Some simply don’t want to.  Some already give all that they can to another charity that they work with.  You can’t focus on those who didn’t give, you can only be extremely grateful for those who did.  And MAN are we grateful!!!!  SO GRATEFUL!!!  This was the very first time we had attempted something like this.  For all of the hard work, technical hurdles, scheduling complexities, and other limitations… we still can’t believe how well it worked and Joe and I are just as ecstatic as the Rescue is with what we ultimately raised!  So to those fans who have posted comments aimed at those who didn’t give anything- I ask you, please don’t focus on that.  Focus on this:  Not only did we all have an incredible time (performers and listeners alike) but because of this event there are now dogs out there who were suffering in unimaginable ways just last week but who this week will be able to get the medical attention they need, medicine to relieve their pain, operations to save their eyesight, and/or procedures to save their legs.  So many dogs are now going to have good food, fresh water, warm beds, and loving foster families who will be able to take care of them and love them until they can place them with their permanent families in their forever homes.  These unfortunate dogs no longer need to suffer, to feel un-loved, or to live in fear of the “person” who was supposed to take care of them but who instead abused, neglected, or abandoned them.  TOGETHER WE MADE A LIFE-CHANGING DIFFERENCE TO SO MANY ANIMALS AND TO THE PEOPLE WHO ARE SO GENEROUSLY GIVING EVERYTHING OF THEMSELVES TO HELP THEM.  Isn’t that wonderful??  I certainly think so.

With that business out of the way, let’s re-cap and celebrate just what an incredible weekend we had!   The event began with a phone conversation with Marilyn Faughner from SAVE A YORKIE RESCUE who spoke about how the Rescue began, what they actually do, and how they’ve saved the lives over 3,000 dogs to date.  Then we kicked things off with a visit from our good friends Seth Green (FAMILY GUY, AUSTIN POWERS) and Clare Grant (WALK THE LINE, HOLIDAYS) – who are the very people that brought “Arwen” into my life in the first place.  We laughed, we talked comics, we talked geek culture, we talked about their cats, and we talked about just why having a pet in your life can change everything for the better.


After that, our friend (and patron Saint) Rudy Sarzo (bass player for such acts as OZZY OSBOURNE, QUIET RIOT, WHITESNAKE, and more – plus a best-selling author with his autobiography OFF THE RAILS) came by to join and inspire us.


Then we were joined by comedians Kelly Vrooman (THE CHICA SHOW) and Lauren Pritchard (MAD TV) who made us laugh with their unique brand of improv comedy and songs that they made-up and sang for us on the spot.


Actor/comedian Jonah Ray (MYSTERY SCIENCE THEATER, HIDDEN AMERICA) joined us as Friday night turned into Saturday morning and we even played the first of two HADDONFIELD songs that we would play over the course of the weekend.  (HADDONFIELD was my band before my movie/TV career took off and since so many fans had been asking to hear it we added an incentive where we would play a song once we hit $3,000 in donations and then another once we hit $5,000.)  The response to the first song we played (“Broken”) was far beyond what I ever would have expected and I was severely humbled by all of the kind messages and the love that the song received.  ”Among The Dogs” (the second song) received an equal amount of love and it seriously made my night!


Next up was a live reading of my never before seen/heard un-produced 2004 screenplay for CABIN FEVER 2 performed by myself, Joe, Sarah Elbert, Sean Becker, Paul Romero, Lauren Lbylski, Matt Monroe, Channing McKindra, and Amelia Brantley.  This event was extremely nerve-wracking for me given the behind the scenes political producer fiasco that had happened with CABIN FEVER 2 (check out our friend Ti West’s episode of the podcast to hear the whole story for why my script was never made) and 12 years later I was nervous about how it would go over.  Furthermore, I had never even met some of the actors who performed the roles until that very moment!  I had met actress Channing McKindra and actor Paul Romero on the set of an upcoming top-secret TV project that we shot a few weeks ago and when Paul heard Joe and I discussing the Yorkie Benefit he graciously offered to ask some of his actor friends to help us with the 2am reading.  (Trust me, it’s not easy asking people to come in at 2am!)  Every single one of them rocked the reading and the response from fans was just incredible!  You can only imagine my relief when it was over (around 4am) and I started reading messages from listeners saying just how much they enjoyed it.  Best of all, we made some new (and very talented) actor friends to keep in mind down the road!  We loved them ALL.

After that, make-up FX artist Robert Pendergraft (HATCHET 1-3, DIGGING UP THE MARROW) joined us for a demonstration on how to create prosthetic molds from scratch and how to make your very own fake blood.  We also broadcast this segment on GeekNation’s Facebook video feed so that fans could watch along and learn.  There was much ball-busting and Robert even brought Joe and I some McDonald’s to help refuel us as night turned into day and the sun came up in the sky outside. (Note: big mistake eating that, but do any of us ever really learn?)

Up next we had our first of two “ArieScope Princess Story-Time Readings” as adorable ArieScope intern Casey Hempel read best-selling author Joe Hill’s short story “Last Breath” which Hill had generously allowed us to read on the air as part of the benefit.  Casey did a phenomenal job reading the story and hearing a scary story read in Casey’s “Disney Princess” voice only made it all the more fun!  Think it’s easy to read 24 pages out loud in front of thousands of people and not make a ton of mistakes?  Try it sometime!  Casey did an incredible job.


When story-time was finished, musician and actor Brendon Small (METALOCALYPSE, HOME MOVIES) shared his career story with us which was fascinating to say the least.


Things really turned up a notch when musician/writer/jack-of-all-trades Jesse Snider (BAPTIZED BY FIRE, solo artist) and guitarist Ira Black (METAL CHURCH, WESTFIELD MASSACRE) blew us away with musical performances of Jesse’s song “Juggernaut” (“The Movie Crypt’s” theme song) and a cover of “Rooster” by ALICE IN CHAINS that would please even Layne Staley himself.  It just may have been one of the greatest performances of the entire weekend but there’s more to it that you DIDN’T see/hear!  You may have heard Jesse mention on-air that his wife Patty was expecting to give birth to their 4th child “any minute now” and… on Sunday while we were in the middle of our commentary for THE DEVIL’S REJECTS Jesse sent me a cell phone video FROM HIS CAR where Parker Pride Snider had just been born (right there in the car while stuck in traffic in on the 405!) as they were driving Patty to the hospital to give birth!!  INCREDIBLE!!!  Yes, a baby was born during the broadcast event this weekend and Parker Pride Snider and family are all healthy and doing incredibly well!  Honestly, Jesse’s performance on the program was just SO good that Parker couldn’t wait to join us in this world.  Insane.


Comedian/actor/director Dave Anthony (MARON, VEEP, ARRESTED DEVELOPMENT) joined us after that and gave us an extremely funny and incredibly insightful 2 hour interview that we will very likely be releasing as its own episode down the road.  ”Argh!  I’m a pirate!”  (You had to be there.)


In the most moving segment of the weekend broadcast, clairvoyant Marilyn Kapp sat down with us and an unexpected but incredibly awesome special guest (Joe’s father who passed away almost 7 years ago) joined us along with our dearly departed friend Dave Brockie (GWAR, HOLLISTON who passed away in 2014) who had a heartfelt message for the fans.  Again… you had to be there to believe it.  But tears were shed both in the ArieScope studio and in thousands of the homes around the world that were listening to this wonderful interview.  (Kicking yourself for missing it?  A) You should be and B) I told you so for weeks leading up to this!  Marilyn Kapp is legit!)


After our emotional visit with “the other side”, writer/director Bernard Rose joined us for a truly awesome CANDYMAN commentary in which we were (almost) speechless as he enlightened us with all kinds of stories and information about the making of the film.  (We’ll likely release this commentary again someday – it was that good.)  When Bernard left, actor Michael Gladis (MAD MEN, FEED THE BEAST) gave us a heartfelt 2 hour interview about his career that included terrific advice on how to not only handle but use career disappointments that are beyond your control in a positive way.  (Again… you might be hearing this interview as its own episode someday down the road as we feel it’s an important one for every listener to hear and Michael had never done the program before this event.)

We billed it as our “centerpiece event” and it definitely lived up to that label in spades as our GOONIES live reading was nothing short of spectacular.  Writer Chris Columbus gave us permission to read his never-before seen/heard early (and very different) version of his iconic screenplay and we assembled an incredible cast to read the script live and let “Goonies” all over the world hear a version of the story that would eventually become one of the most beloved films of all time.  Joined by Parry Shen (HATCHET 1-3, GENERAL HOSPITAL), Felicia Day (THE GUILD, SUPERNATURAL), Jonay Ray (again!), Joel David Moore (AVATAR, HATCHET), Deon Richmond (HATCHET, NOT ANOTHER TEEN MOVIE), Michael Gladis (again!), Felissa Rose (SLEEPAWAY CAMP), Deanna Rooney (HIDDEN AMERICA), Joe, myself, and our incredible narrator Nicholas Mennell (FRIDAY THE 13th 2009, HALLOWEEN 2007)… the reading was an insanely fun time.  Listeners were massively entertained by everyone’s wonderful performances and by just how different the early draft actually was from the final shooting script.  (No, this will not be re-broadcast.  You had to be there.)  Huge shout-out to Felissa Rose who stole the show with her interpretation of “Mama Fratelli” and had us all on the floor laughing!  Actress Anne Ramsey (may she rest in peace) would be so, so proud!


Musician Jason C. Miller (GODHEAD, solo artist) played us some truly amazing songs after that and we were sad to see him go as we could have listened to him sing forever!


Up next it was time for laughs (and laughs, and laughs, and laughs) as THE RESISTANCE improv group (including podcast favorite Derek Mears and the hilarious Kurt Scholler, Ryan Marsico, Justin Michael Terry, and Jason Murphy) improvised a hilarious Sci-Fi movie on the mics before our eyes and ears.  Again… you had to be there!


Our good friends directors Dave Parker (THE HILLS RUN RED) and Spooky Dan (the upcoming SLAY BELLS) dropped by to discuss the horror movies that made our childhood’s awesome (and to bring us donuts and soda!) before guitarist Ace Von Johnson (FASTER PUSSYCAT) joined us for an interview and a terrific musical performance where I joined him on singing the classic PUSSYCAT ballad “House Of Pain.”

ArieScope’s own Sarah Elbert (HATCHET 1-3, HOLLISTON) helped us usher in the sunrise with super fun tarot card readings for Joe, myself, Ace, and even Arwen!  Then Hitfix editor in chief and screenwriter Drew McWeeny (MASTERS OF HORROR, FEAR ITSELF) joined Joe and I for a geek-tastic commentary to John Carpenter’s THE THING – that yes, one day we will release as its own commentary episode for sure.  Props to Drew’s girlfriend Lisa who sent us some of the best brownies that we’ve ever tasted!  The sugar rush helped us keep going and the commentary was an absolute blast.

For our second “ArieScope Princess Story-Time Reading”, Casey Hempel read Clive Barker’s SCAPE GOATS- a disturbing story made extra awesome by Casey’s innocent and chipper voice and she once again absolutely killed it!  THANK YOU to Clive Barker who so generously gave us permission to read this wonderful story from BOOKS OF BLOOD Vol 3!

Writer Todd Farmer (JASON X, DRIVE ANGRY) joined us next.  Todd’s episode of “The Movie Crypt” is still one of the audience’s favorites almost 3 years later and his interview on the live broadcast was another one for the books that received tons of incredible feedback from listeners.  His daughter Izzie even drew Joe and I an awesome picture to say “thanks” for what we were doing to save dogs:


Up next was a commentary for FRIGHT NIGHT (1985) with legendary master of horror, writer/director Tom Holland.  Tom shared so many incredible stories that Joe and I had never heard before about the making of one of our favorite movies and his insight on the business (then and now) was priceless.  He was amazing!  Right as Tom left, filmmaker Darren Lynn Bousman (SAW 2-4, REPO! THE GENETIC ROCK OPERA) and writer Clint Sears (TALES OF HALLOWEEN) joined us to discuss filming in Japan and their upcoming Japanese series CROW’S BLOOD.  As always, Bousman pulled no punches and the conversation was incredibly honest, compelling, and insightful.  Darren’s episode of “The Movie Crypt” is one that we consider a turning point for the podcast and the moment where it became the show that it is today.  His interview during the live marathon was once again one of the best.

For our final commentary of the weekend, genre icons Sid Haig and Bill Moseley joined us to discuss the making of THE DEVIL’S REJECTS.  They were both incredible and full of information (Sid did a great job continuing to speak even as Arwen smothered him with dog kisses the entire time as apparently Sid Haig tastes great!) and this is yet another must-hear entry in our “Movie Crypt” commentary series thanks to the artists’ terrific insight coupled with the unbridled love of the film that Joe and I share.  Perhaps we’ll release as its own episode someday.


So what do you do for a grand finale in a weekend this unreal?  I’d like to think that we found a way- and judging by the overwhelming fan response it looks like we did.  We finished with a live reading of a new episode of HOLLISTON (from the upcoming 3rd season) performed by the cast.  Joe and I were joined by our cast mates Laura Ortiz, Corri English, and Paul Solet while director Sean Becker read the narration/exposition.  (Sadly, Dee Snider was in Germany performing with TWISTED SISTER or else he would have been there with us.)  The reading was extra special as it marked the first time that our cast has performed an actual new full-episode together since the tragedies of 2014 when we lost our dear brother Dave Brockie.  As I stated in the days leading up to it, no- this reading will not be rebroadcast.  It was meant to be something special to raise money for the Yorkie Rescue (and boy, did it- as we received more donations during the HOLLISTON reading than any other event of the weekend!) and we don’t want to spoil an episode for too many fans this far in advance.  So if you were listening- you heard it.  If you missed it – you’ll just have to keep waiting until you eventually get to SEE it.  (And like I said on the broadcast- for those fans who heard it… shhh!  Don’t spoil anything on-line as the episode we chose to read revealed answers to several cliff-hangers from the end of Season 2!)


We ended with a final phone call to Marilyn Faughner who expressed her deep and heartfelt appreciation to us, to our guests, and to everyone who donated and made this the biggest and greatest fundraiser that SAVE A YORKIE RESCUE has ever had.

As exhausted as we all were- in a weird way it was very emotional to stop the broadcast and acknowledge to ourselves that it was over.  A year in the making, 3 months of incredibly hard work in the planning, and 48 hours of fun, laughs, tears, and NO-SLEEP… Joe and I were simply overwhelmed by the end.  The best way I can describe it is like the end of SCHINDLER’S LIST where Oskar Schindler is sobbing and saying “I could have saved more… if I had made more money… I could have saved more.”  Yes, we were delirious from lack of sleep and all of the energy we had put out over the weekend, but no matter how much we had raised it was never going to feel like it was enough.  We were both a wreck by that point.

Now that we’ve had a chance sleep (a little) we’re both just… thankful.  Thankful of everyone who donated.  Thankful of every artist who appeared on the show.  Thankful of everyone at GeekNation who helped us pull this event off (especially our engineer Ryan Plume who was here in person almost the entire time).  Thankful of Fireback Movies who sponsored the event (and who’s ap is one that we both personally love and play often – download it today).  Thankful of ArieScope’s interns Casey Hempel and Austin Bosley who stayed with us around the clock and who helped us out so, so much.  Thankful that there are people out there like SAVE A YORKIE RESCUE who have dedicated their lives to helping these wonderful dogs in need.  Thankful for each other.  And of course… thankful for “Arwen” who is truly the one who inspired all of this.

If you listen to the podcast then you know all about “The Steven Tyler Congratulations” that we always close with each week.  If you know the story then you can only imagine what this tweet from Mr. Tyler meant to us…


I mean… wow.

To everyone who listened and donated- you have my eternal appreciation, love, and respect.  Perhaps you listened but didn’t donate for whatever reason… don’t worry, I still love you, too.  Most of all- to the dozens of artists who took the time to come and share their voices and talents with us… it’s moments like these that make all of this career’s hard times and bullshit worth it.  Together we did something really, really good.  We stayed awake all weekend and we got through it!  It was hard work- but tonight there are a whole bunch of beautiful dogs sleeping peacefully, safe, un-afraid, and dreaming of the forever family that’s just around the corner somewhere… waiting to love them.  And trust me, those dogs are going to give that love back in ways that those people can’t even imagine yet.

Let’s do it again next year, OK?  Until then, remember… sometimes it’s all truly worth it.  And to my dear Arwen… you carried me and saved me when I needed it most. This was all for you.


-Adam Green

LEARNING TO FLY: The 2015 “Year End” Blog

With the tour and release of DIGGING UP THE MARROW, the long awaited announcement of Season 3 of HOLLISTON, 52 more weeks of MOVIE CRYPT podcasts, the release of our 17th annual Halloween short film MONSTER PROBLEMS, turning into its own little network of sorts with the launch of three new weekly original series (SCARY SLEEPOVER, 20 SECONDS TO LIVE, and HORRIFIED), two heaping handfuls of appearances, and of course all of the upcoming projects that I’ve already been working on but can’t disclose just yet… 2015 set a new record as my busiest and most productive year yet.  Now that I’m stopping to catch my breath and reflect, I don’t even know how it all happened within a mere 365 days.  Unless you’re brand new to this corner of the internet by now you know that my annual “Year End” blogs are nothing short of novels… so pack yourself a week’s worth of lunches, get as comfortable as you can, make sure your will is up to date, and find someone to walk your dog for you over the next couple of weeks while you read this.  (And yes, believe it or not these annual “Year End” blogs are actually way longer before I edit them down and post them.)  I’ll still try my best to not keep you here reading until March.  After all, I’ve got 2016 to tackle and so much of next year already started for me months ago… so let’s get on with it, shall we?  It’s time for…


When I first sat down to start writing this I started to read some of last year’s “Year End” blog but quit after the first two paragraphs.  2014 was filled with so much grief and heartbreak in my personal life that I just had no desire to re-live it all by reading the words I had shared.  The important thing is that I’m so very grateful to say that I survived the storm and that things indeed continue to get better every day.  (Kind of the theme of this year’s blog as you’ll see when it all wraps up.)  I learned early on in my career that one of the greatest gifts in all of this is that I can affect other people’s lives in an extremely positive way simply by sharing my own experiences openly and honestly.  Somewhere out there in the world there were many other people who were going through their own somewhat similar experiences and I was moved by just how many took the time to write to me and say “thank you” and let me know how my vulnerability helped them not feel so alone through their own dark time.  Thankfully, 2015 was night and day from 2014.  So since there is so little bad stuff to discuss, let’s get the bad news out of the way first.


While there are still the occasional bad days in the aftershocks of 2014′s more life changing events (more on that later), save for the usual amounts of Hollywood bullshit (like the massive amounts of wasted months on projects that I found out all too late in the game never actually had their funding) and the many artists that the world lost in 2015 (Wes Craven, Melissa Mathison, and most recently Lemmy just to name a few)… the only personal heartbreaking event of 2015 was the death of my cat Perry.

PerryGreenBLOGPerry Green at 4 weeks old.

Perry was the first real friend I made after moving to LA and I adopted her and her brother Tyler when they were just 4 weeks old.  Back in 2003 I was still struggling to get by from day to day and doing every odd job I could find that would make it possible to eat and stay alive.  One of those jobs was working as the DJ at the Rainbow Bar & Grill on Sunset Blvd.  I loved that job, I loved the cast of characters that I worked with there, and I had a ton of great nights hidden away in the little crawl space they call a “DJ booth” watching diehard 80′s glam rockers dance to the songs I would play while I feverishly worked on my screenplay for HATCHET.  (Side note: the Rainbow hung a HATCHET theatrical poster in the restaurant.  If you ever go there, you can find it hanging in the hallway that leads from the main restaurant bar to the outside patio and kitchen.)  One night I was telling a friend/co-worker about my cat Axl who was mentally disabled and who had passed away in 2000.  (Side note: Axl would go on to be immortalized as the beloved mechanical cat “Axl” in HOLLISTON.)  Not even a week later, that same friend told me that legendary radio DJ and Rainbow regular Art Laboe had a litter of stray cats born in his backyard and he was trying to find good homes for them.  (Yes, I somehow got Art Laboe’s cats.)  That year, Art got a star on the Hollywood “Walk of Fame” and I got Tyler and Perry.  I’d like to think that we both won.

litter boxPerry and Tyler on the day they first came home in 2003.

Named after Steven Tyler and Joe Perry (I’ve seen AEROSMITH 36 times at the time of this writing), they truly embodied the personalities of their namesakes.  Tyler has always been outspoken and wonderfully obnoxious in the best way possible while Perry was always much more reserved, shy, and carefully selective with her love.  Perry never did anything wrong.  Not once.  Never got in the way, never ate something she shouldn’t have, never tore anything up (even as a kitten), never once missed the litter box, never fought with Tyler or Arwen… she was as perfect a cat as one could ever hope for.  Sweet, loyal, and so, so caring- Perry had a way of knowing when I was feeling hopeless and knowing how to listen, how to understand, and how to make everything better simply by just being there.  To sum up Perry in one quick story… she had a little toy hamster that I would sometimes stuff with cat nip.  It was her “baby” and (especially when she was younger) she slept with it, carried it around, and loved it as if it was her own baby.  One night I got word that the very same friend who had brought Perry, Tyler, and I together in the first place had fallen into a sad Hollywood cliche.  You’ve all seen the POSION video for “Fallen Angel” – small town girl moves to LA to become an actress and winds up getting involved in a bad scene- it was basically that story in a nutshell.  When I spoke up and tried to intervene I was written off as harshly and definitively as possible.  That night I was laying on my bed, utterly devastated that I couldn’t be the hero I wanted to be and somehow “save” this friend who now hated me for trying to help. (Side note: it would be another decade or more before I learned how to shed my own terribly misguided hero complex.)  I was heartbroken and feeling like a failure on every level.  As I lay there crying my heart out, Perry climbed onto the bed and gently placed her “baby” on my chest.  Not because she wanted to play and not because she wanted more cat nip in it.  She just wanted me to have it because she thought it would comfort me like it comforted her.  That was Perry.  That was always Perry.

DSC_0005Good girl.   (6.28.03 – 11.26.15)

Perry passed away on Thanksgiving night.  Her kidneys failed and she ultimately went to sleep forever while on her 4th day of dialysis at the vet’s office.  She was only 12 years old, which for a lifelong indoor house cat who lived like a queen (seriously how many cats do you know that get their own bedroom?) was not very old at all and still just doesn’t seem fair. I wasn’t there with her when she passed away, and while I know there was no conceivable way for me to have been there given the circumstances, the fact that she died alone while in the one place she was most terrified of in life continues to haunt me.  Perhaps she spared me the pain of having to make the terrible decision to put her to sleep?  Perhaps she saved me from having to hold her while the vet gave her that final shot?  Or maybe shit just happens and that’s the way life goes?  But with the loss of Perry, my family got a little bit smaller yet again.  It sucks something awful, but looking at the positive side, Perry truly had the best life a cat could ever have and she made my life better for the 12 years that we had together, especially during the hard times when I needed her most.  She felt no pain and she passed away in her sleep naturally.  She may be gone, but she was generous enough to leave behind every ounce of her unconditional love… and of course her cherished “baby” which I now keep in my nightstand.


2015 started off on an extremely high note with the release and accompanying US tour for DIGGING UP THE MARROW.  In earlier blogs I’ve detailed so much about the making of the movie and the events/hurdles of that difficult tour (that just so happened to take place during the worst of 2015′s winter blizzards on the East coast) so I won’t take up too much space rehashing all of that again here.  Instead I’ll just say THANK YOU to everyone who watched and supported the movie.  The response to MARROW was overwhelming and way beyond even our loftiest of hopes for it.


For a movie with such a strange concept and with such a weird presentation (documentary style using a mix of reality and fantasy with almost every single “character” in the story appearing as “themselves”) we really had no idea what audiences would think about it.  As much as I love just how warmly people embraced the movie, it’s the imaginative theories that fans continue to post and send to us regarding the world of “the Marrow” that consistently make my day.  To say too much more on that front could spoil the movie for anyone who has not yet watched it, but the fact that DIGGING UP THE MARROW has so many fans using their own creative imaginations is the most rewarding achievement any story teller could hope for.  And I mean that so very sincerely.  Thank you for always being willing to go with me on each journey, for truly supporting our work so that my crew and I can take risks and make more of the things we care so deeply about, and for being open minded enough to let me play in whatever worlds I dream up as opposed to keeping me in just one box doing the same things over and over.  MARROW was certainly a weird project, but it was one of the very best creative experiences I’ve ever had.  And you made that possible by always accepting my new offerings with open arms… even when I don’t even tell you what the project really is until right when it comes out.  (If you recall, for the 4 years we worked on making MARROW all we told the public was that we were “making a documentary exploring monster art” just to keep all eyes from looking too closely at what we were up to or prying for information.)  I especially, especially want to say thank you to those of you who saw the movie early on – whether it was the unfinished version that we screened at Buttnumbathon in Austin two Christmases ago or the world premiere at Frightfest in London a full 6 months before the first ever official public screening of the film in its proper release.  You were all kind enough to not spoil a single thing about DIGGING UP THE MARROW in your initial reactions, generous reviews, and other extremely kind on-line praise.  The fact that you showed just how considerate you are of other movie fans and that you really cared that they should get the same experience that you had in knowing as little about the movie as possible when going into it… that was just so wonderful to see.  Seriously, you guys are alright in my book so I’d like to keep you around… hmmm, maybe forever if that’s OK with you?  I say it so much that it has become passé but it is true.  My fans are the best in existence.  But more on that later…

BlossomHeadFinalSheetOriginal concept art by artist Alex Pardee- my genius partner in MARROW crime.

To say that I love Alex Pardee would be a massive understatement.  I don’t just love Alex as an artist, friend, and collaborator… he’s also one of my favorite human beings in this universe and someone who came into my life at the most perfect time.  I am a more fearless and open minded filmmaker because of Alex.  In fact, I’d say that my very soul actually expanded ten-fold over the 4 years that we worked so closely together on this project.  Creating alongside Alex was nothing short of a gift and there is absolutely nothing that would ever come in the way of us working together again some day.  He was a true partner in every aspect of MARROW and his voice is equally as prevalent on screen as my own in the finished film. The entire core group of creative minds that made MARROW has become legendary in the 17 years that ArieScope has been making movies so far.  Just focusing on the creature creation and practical FX side alone… the team of Alex (the designer), Greg Aronowitz (the sculptor), Robert Pendergraft (the fabricator) and the whole team of artists at Aunt Dolly’s Garage who worked so hard to bring the monsters of “the Marrow” to life… it was one of those perfect working experiences that you dream of getting to have when you first start making movies.  DIGGING UP THE MARROW was further proof that it’s the people that you work alongside that make all of this worth doing.  I’ve become a better storyteller just by knowing these wonderful friends and you certainly haven’t seen the last of this team’s collaboration.


I know that MARROW fans are anxiously waiting for word of a sequel.  We would of course love to continue our journey into this fascinating underground world like we had always hoped to.   We’ll see what the future holds for that world but in the meantime, if you enjoyed MARROW on any of the various VOD or streaming outlets that you watched it on, please consider buying it on DVD or Blu-Ray as that greatly improves the chances of us getting to make another one.  Not to mention, the special features included on the DVD and Blu-Ray are worth the price alone.  You can buy your very own autographed copy here.


There’s an earlier blog from March that recaps and features photos from the DIGGING UP THE MARROW tour appearances (San Francisco, Boston, New York, Austin, Los Angeles, New Jersey, and Chicago) but this Fall I was able to do a few additional appearances in Denver, in Worcester, and three more right here at home in LA.  However, a new hurdle that unexpectedly arrived in my life this past year was the occasional panic attack.  Mainly on airplanes.  Kind of the worst possible thing to have come into your life when you have to travel constantly for your career.  I have no idea where it came from or why it started happening though I would expect it’s just part of the aftershocks of 2014 and that it will hopefully subside with time.  (At least I seriously hope so because if not it’s kind of like one giant cruel joke.)  My first major panic attack happened on a flight back east early last Spring.  I’ve spent the past decade flying all over the world doing festivals, premieres, conventions, and other appearances in support of my various films- all without incident save for the typical things that suck about travel.  This was just another flight and something that’s become as familiar to me as driving at this point.  I mean, I’ve never enjoyed a flight in my life- but I’ve always been able to just suck it up and get through it.  However, right before take off that day I randomly started feeling claustrophobic and within 5 minutes I was covered in sweat, shaking, and struggling to swallow and breathe.  It started with a random memory of something that quickly escalated into a flood of anxiety ridden and painful memories.  Kind of like when you click on a website and suddenly find yourself pummeled with dozens of pop up ads that take over your computer screen with boxes and boxes of shit that you don’t want to look at.  And as fast as you try and click off each one of those annoying ads, ten more pop up until finally your computer just can’t handle it and shuts down. The woman sitting next to me that morning saw that something was wrong and that I was struggling to breathe.  She called for a flight attendant to help me get off the plane while there was still time before the cabin door was closed.  As my uncanny “Adam Green luck” would have it though… a young woman seated just 4 rows behind me started convulsing and having seizures because she was overdosing on some sort of drugs right at the same very moment.  (I mean… really??)   So the passengers on the plane were all put into lockdown and no one was allowed to move until medical assistance could finish removing this unfortunate woman from the plane which took about 20 minutes total.  It was horrible just sitting there trying to breathe one breath at a time, but I dry swallowed some medicine that my doctor had given me years ago for flying and by the time the flight was actually ready to leave I was out cold.  The panic attacks have unexpectedly reared their ugly head(s) a few more times since then but it’s always completely random and usually on a flight.  One time it was even on a flight to Vegas- which is a super easy and fast 45 minute flight from LA.  It made no sense.  After discussing this problem openly on the podcast I’ve heard from a TON of people who also suffer from panic attacks and who know exactly what I’m talking about and just how frightening and crippling they actually are when they happen.  I guess I had thought that I had suffered a panic attack before and that it was just feeling overwhelmed and stressed… but no.  This is something far, far different.  It honestly feels like you’re having a heart attack and as if you’re going to die.  While I’ll continue to deal with it and while I expect that eventually this bullshit will subside… to say that I now hate flying even more so than ever before doesn’t even come close to expressing just how much I truly fear getting on a plane.  Why am I admitting all of this?  I guess so that you’ll understand that when I’m asked to come speak somewhere, appear at a convention, or do a screening… it’s far more than just an inconvenience.  Just getting there can literally be torture and my own personal hell.  I wouldn’t wish this shit on anyone and my heart goes out to everyone else out there who has to deal with this on an even more frequent basis than I do.  All I ask is that you please don’t take it personally or hold it against me if I can’t make it to the convention of your choice.  There’s just a lot more to it.  All that being said, in 2015 I still managed to make it to a bunch of appearances and every single one of them was extremely memorable…

IMG_8513I ran into an old friend at Mile High Horror Fest in Colorado in October.


Mile High Horror Festival marked my first ever appearance in Colorado, which after a decade of conventions, screenings, and appearances all over the world was long overdue.  The festival screened HATCHET and HATCHET 2 on 35mm and Kane Hodder and I were on hand to provide two long, incredibly in-depth, and personal Q&A’s with the audiences after each screening.  While the fans there were among some of the most passionate and gracious I’ve had the honor of meeting, the timing of those particular screenings couldn’t have been more poignant in my own life.  To back up just a little bit, the great Wes Craven had passed away only a few weeks before the festival and it was a crushing blow to all of us within the horror community, fans and filmmakers alike.  You can listen to the full Wes Craven tribute that Lynch and I did on THE MOVIE CRYPT here, but needless to say, Wes was a hero and one of the most kind and supportive idols a young filmmaker could ever hope to meet.  From always being so kind to me, to always reminding me that what I was contributing to the genre was important, to being among the very first of my friends to contact me on his own and donate personal items for my Boston Strong fundraiser where I helped raise 15K for the victims of the marathon bombing tragedy… Wes Craven was a wonderful, wonderful man.  You can hear about all of that stuff and just how Wes affected my life in our podcast’s heartfelt tribute special where about a dozen other filmmakers who knew or worked with Wes joined Joe and I in paying our deepest respects to the man, but to save you an extra 2 hours I’ll just get right to how the devastating loss of the brilliant Craven tied into my Colorado experience.

AdamWesA candid (and blurry) moment with Wes during a 2010 Masters Dinner.

When the news first broke that Wes had left us, sorrowful phone calls and incredibly sad text messages started flying back and forth between most all of us who work within the genre.  It’s just the way it goes that sometimes it takes a tragedy to motivate people to pick up the phone and come together.  For many of us “younger filmmakers” (shit, do we even still qualify as “younger” anymore?) the general feeling we were consumed by was one of… well, “What the hell have we done so far that even matters?  We’re supposed to be carrying the torch… but are we?”   Sure, the entire industry has changed since the 70′s/80′s/90′s and we’re currently emerging from a period where remakes were some of the only things that could possibly get made with any kind of real studio budget or marketing support.  You can’t even compare the way movies get made and released these days to the way things worked back then.  Still… you look at your own contributions to the genre and by comparison to someone like Wes… sometimes it all just feels like garbage even with all business and budget disclaimers put aside.  In speaking with the “older guys” that were Wes’ contemporaries (at least in age group) they sternly put that feeling into proper perspective.  Though my generation is standing in the enormous shadows of artists like Wes Craven, John Carpenter, or John Landis (just to name a few because the list of true “masters” could go on and on and on), the generation before ours was standing in the shadows of giants like Alfred Hitchcock, Stanley Kubrick, and Orson Welles (again- just to name a few).  It’s all relative.  Still… it’s impossible to ever think of something that you created as holding a candle to the films that came before your moment in the director’s chair.  So to be blunt, while I was in the midst of feeling like I had failed Wes (my own misguided sentiments, certainly not his) the very last thing I personally felt like doing was going to a festival where I would be celebrating the first two HATCHET films.  However, much like when I screened all three HATCHET movies together for the first time at that Boston Strong fundraiser… watching those movies with an audience filled with diehard fans once again made me see what THEY see when they watch my films.  Almost every filmmaker will tell you that the very last movie they ever want to watch is one of their own, and while that is still very much the case (you won’t ever see me reaching for an “Adam Green film” to throw on and watch at home), the communal theatrical experience is a completely different event.  The applause, the cheers, the smiles, the laughter, the love, the excitement, and especially hearing fans say their favorite lines along with the films… it reminds you that something you made truly means something incredibly special to the people that you made it for in the first place.

IMG_8515With FINAL DESTINATION’s Jeffrey Reddick and HATCHET’s Kane Hodder at Mile High.  (10/3)

So I flew home from Colorado not just having had an incredible experience meeting yet another awesome chapter of the Hatchet Army but also reminded that “Victor Crowley” is loved way more than I realize a decade and two sequels later.  Almost fittingly, that same week the official “Victor Crowley Halloween Mask” hit retail outlets.  It’s no joke just how much the fans’ enthusiasm can influence your spirit and how the fans can teach you so much about yourself just by being them.  Mile High was a fantastic and much needed experience and I’m so grateful to have been invited to be part of the festival this year.  While I was there at Mile High I also hosted the Q&A for TALES OF HALLOWEEN with my good friend, director Neil Marshall…


Back in Los Angeles I did three more appearances in support of TALES OF HALLOWEEN, a terrific anthology film made by 11 of my filmmaker friends and including more actors and crew friends than I can begin to name.  (I play the role of “Officer Carlo” in three of the film’s segments.)  I hosted the film’s panel at SCARE LA, I hosted the LA premiere/opening night of SCREAMFEST, and I also took part in the movie’s poster signing at Dark Delicacies in Burbank, CA.

tales-of-halloween-poster  TALES OF HALLOWEEN hit theaters and VOD on 10/16.

Though I’m clearly biased seeing as how I’m friends with every artist involved with the movie both on screen and behind the scenes, I really, really love this movie and I think that you will, too.  Though I was originally asked to contribute a segment for the anthology, unfortunately I was unavailable during the time the film was in production.  Thankfully however, I did still get a chance to be involved with TALES OF HALLOWEEN when Neil Marshall cast me as a police officer in his segment.  Since the anthology is all set on one night in the same town, two other shorts requiring police officers in their segments were also kind enough to cast me, too.  I was grateful that I didn’t have to miss out on the fun entirely and it was an incredibly cool project to work on- especially when I was merely an actor and not responsible for any of the stressful aspects that go into actually making a film.

Arwen autograph signingArwen joined me for her very first autograph signing when we took part in the TALES OF HALLOWEEN poster signing at Dark Delicacies in Burbank, CA.   (10/10)

TALES OF HALLOWEEN is a blast and I’m so, so proud of my friends for what they achieved with each of their individual and unique contributions.  I expect the film to become an annual Halloween holiday go-to for many horror fans, right up there with the classics like John Carpenter’s HALLOWEEN, Mike Dougherty’s TRICK R TREAT, and even IT’S THE GREAT PUMPKIN CHARLIE BROWN.  I’m not saying that you can possibly even compare any of those films to each other… but I truly believe that you’ll enjoy watching TALES OF HALLOWEEN every year when the holy month of October rolls around.  I know I certainly will.


The very next week I was off to my hometown of Boston where I did my 4th appearance at my favorite US convention- Rock And Shock in Worcester, MA.  (Sure, I’m biased given that Rock And Shock takes place a mere 40 minutes from where I grew up in Holliston, MA- but it really is an amazing experience every single time.)  As I explained above, I don’t do very many conventions.  Typically I’ll only do them if/when they fall in line with the promotion of an upcoming NEW release of mine that I am supporting.  It’s not that I don’t like doing them or that I don’t cherish every single opportunity that I can get to meet fans face to face and shake their hands.  Believe me, if you think that you’re excited to meet me- I’m ten times more excited to meet you.  You’re who I work for.  You’re who I create for.  You’re who I am thinking of during every minute of every project that I do- whether I’m asleep or awake.  You’re the one who gives me life and who makes it possible for me to chase this seemingly impossible dream of being a storyteller.  All of the free stuff I do- the short films, the various original series, the podcast, responding to fan’s messages personally on social networking… I enjoy doing it because I feed off of how much I know that you appreciate it.  If you’ve ever seen one of my panels at a convention then you know I typically plan/write an entire performance so that you get the most out of my time on stage as opposed to the typical Q&A where artists just sit there answering questions just like every other panel you’ll see that weekend.

F904B4C7-E4A3-4873-9D06-85175F859D80Standing room only for “Adam & Derek’s Wicked Boss Panel Thing” at Rock And Shock. (10/17)

In my 10 years doing the convention circuit so far I’ve done everything from video presentations to spoken word sessions, to live readings, to hosting “roasts”, to stand-up comedy sets.  When the cast of HOLLISTON does appearances together we do live readings from scripts that I’ll write specifically for that particular convention and we’ll even involve the fans as our guest stars or hide celebrities within the audience who will take the stage with us at select moments.  We’ve even held “mock auditions” for our fans and given them the chance to come up on stage and play the role of their favorite character on the show while reading opposite from one of us.  This year at Rock And Shock, Derek Mears and I surprised fans with a full hour of improv comedy.  We began by doing a Q&A as each other where I answered Derek’s questions as “Derek” and Derek answered my questions as “Adam and (fake) Arwen”.

E991FFEA-C7C1-4CEE-A64C-2CA9D92184C9“Derek Mears”, “Fake Arwen” and “Adam Green.”  Worcester, MA (10/17)

After our brief “Q&A” we did a demonstration on what NOT to do as a fan at a convention and in turn, we let the fans air their grievances from any bad celebrity encounters they’ve had in the past.  Derek and I acted out the scenarios that the fans provided us with and illustrated what NOT to do as an appearing celebrity at a convention.  I’d say “you had to be there” to appreciate it, but thankfully, my friend Ron Cabucio captured the show on camera.  So set aside an hour (perhaps in late Spring when you finish reading this blog) and click the image below to watch what you missed.  It might not be nearly the same as having actually been there, but hey… it’s something.

rock_and_shock_logo PANEL blog

So why put all of that extra work into it?  Well, having been on both sides of the “table” at conventions as both a fan and as an appearing guest, I believe that fans deserve more.  After all, we’re performers.  So why not PERFORM?  Of course logistics dictate that a full-on performance is not always possible or appropriate, but you can always count on the fact that I’m gonna take the stage and try my damnedest to give you everything that I can possibly give you in the time that I have.  I take my convention panels very seriously and I try hard to make every moment of your time count.  Sometimes it isn’t about putting on a comedy show and it’s all about spilling my guts as honestly and openly as I can.  You never know what you’re gonna get, but I assure you that you’re always going to get something more than just a standard Q&A.

9B300433-B04C-4447-BCB8-A87F712B20A5Fans in Worcester, MA showered me with some amazing, creative, and personal gifts. 


But the best was still yet to come at Rock And Shock as just a few hours later I took the stage with the legendary George A. Romero to host his panel and close out Saturday’s main stage events.  With all of the smart phones in the air recording the event I’m sure that at some point the Romero panel itself (or portions of it) will be on YouTube, but for me the most memorable moment actually happened as George and I were exiting the stage.  I’ve known George for ten years but never before have I had the chance to sit and discuss filmmaking with him on a peer to peer level.  I was so honored when I was asked to host his panel, but in my mind I was merely going to moderate/interview George and then field fans’ questions for him.  You can’t imagine just how many times I pee’d a little whenever George (“the Godfather of Modern Horror”) would address me as a fellow filmmaker or include both of our bodies of work as examples to the audience.  The smile on my face was so big that it fell into the laps of the first 3 rows of the audience.  Yes, I fanboyed out with absolutely no shame.  I just couldn’t control it or keep my cool.

GeorgePaying my respects to the Master himself, George A. Romero.  (10/17) 

No matter what I may or may not have achieved in my career so far, I’m still just as awestruck with undying respect for artists like George as I was before my own career ever started to happen.  I wish I could remember that hour we shared on stage but I was freaking out inside so hard that it was all a big blur for me.  For what it’s worth though, I’m told that it was a terrific panel.  So the panel wraps up, the audience is on their feet giving George his due standing ovation, and the two of us start to make our way out of the panel hall.  We weren’t even off of the stage yet and George put his arm around me.  He leaned in and quietly said some of the nicest things you could ever dream of a guy like George Romero ever saying to you, about you, or in regards to your filmography.  I had posted the below photo on Facebook shortly after the convention but like I said then, to publicly repeat what he said to me would cheapen it.  Perhaps someday I’ll share it, but for now… I selfishly want to keep that cherished moment all to myself.   (Don’t worry, I wrote it all down the moment I got back to my hotel room.  I won’t forget what he said.)  The below photo captured the moment perfectly… right down to the tear running down my cheek.  It’s my favorite photo from 2015.  Taken by a fan in the crowd (Joao Pimentel), you can only imagine my surprise when Joao shared this image with me the next day. It was one of those moments that was so surreal that you’re not really even sure that it actually happened or if maybe it was all a dream… but then Joao was thoughtful enough to come by my booth at the convention the very next day and hand me an 8X10 print of this image- amongst several other photographs that he took during the panel.  (Are you starting to see what I mean when I say how lucky I am to have the fan base that I have?)  Of course this photo is now framed in the ArieScope office.  It was one of the most unforgettable moments in my life and THANKFULLY someone actually captured it and was awesome enough to share it with me.  Now whenever I feel like giving up I look at this photograph and remind myself that…. “DUDE.  George Romero believes in you.  Don’t let the world break you.  You can still fight one more day.”

45AA3A91-95CB-4A81-9FA4-03100985999EA moment that I will never, ever forget.


The only other convention appearance I did in 2015 was at MonsterMania in Cherry Hill, NJ in March.  Though I greatly appreciated being invited to appear there, the convention took place just a few weeks after my tour for MARROW had ended and the very last thing I wanted to do was put myself through yet another flight back East for an appearance.  However, once I heard that MonsterMania also helps raise money to benefit New Jersey’s “SAVE THE YORKIES” shelter… there was absolutely no way I was missing it and I was right back on a plane again.  I wrote all about my incredible experience at MonsterMania in an earlier blog which you can read below (“SURVIVING MY OWN MARROW” from March 27, 2015), but the aspect that made it one of my favorite highlights of the year is that I helped the convention hit a new milestone and raise over $7,000.00 for the Yorkie shelter during my appearance there.   I auctioned off a screen used HATCHET 2 prop and I also auctioned off a “date” with myself to help the cause of saving these wonderful animals.  Again, I don’t want to take up too much space here rehashing events that I’ve already blogged about in depth, but after all that I went through in 2014 and how much my Yorkie (Arwen) helped me make it through my own hard times, this was something that I just had to be a part of.  There are a million worthy charities out there and every single one of them is just as important as the next.  I personally contribute to more than many of them.  Of course we can’t all afford the time or money to help every charity that asks and not everyone is in a position where they can use their own public spotlight to help out others.  But there are so many different ways that you can help a cause you believe in.  So I urge you… do it.  Be a part of something bigger than yourself and put some time into helping out with an issue greater than your own personal problems.  I promise you that what you’ll take away from the experience is something that’s just absolutely priceless.

IMG_5688“Bella” was just one of the many Yorkies we helped save at MonsterMania. (3/14)


2015 began with Entertainment Weekly listing THE MOVIE CRYPT as one of the “20 Podcasts You Should Be Listening To” in the January issue of their magazine (Issue #1345, January 9, 2015).  The acknowledgement was just the beginning of another amazing year for the podcast that Joe Lynch and I do every week.  We had 52 more weeks of enthralling guests, hilarious laughs, sketches, and too many inspiring real-life stories to possibly keep track of.  From Hollywood’s biggest icons to the industry’s most exciting up and comers, every Monday we released 2+ hours of incredibly entertaining and invaluable personal stories.   On March 11th, Joe and I even did a “live” episode of the podcast where we recorded an episode at the Alamo Drafthouse cinema in Austin, TX during a double feature screening of our films DIGGING UP THE MARROW and EVERLY.

schibi movie crypt1Artist Cody Schibi created this incredible poster for our live event in Austin. (3/15) 

Two of the MOVIE CRYPT’s episodes that I’m personally proudest of actually came right at the end of 2015.  So many artists have come on the program and bravely included their struggles with substance abuse and addiction as part of their “tell all” life stories… and in return, we often get letters from listeners who are dealing with similar struggles themselves.  For a podcast that’s all about telling the truth about surviving the journey through Hollywood, both Joe and I felt that we would be remiss if we didn’t finally dedicate a full episode to this extremely important issue and address it head on.  This was a dark and difficult subject for us personally, especially after losing our dear friend and HOLLISTON co-star Dave Brockie in 2014 and getting the terrible news in the eventual autopsy report that drugs were indeed found in his system at the time of his death.  On a personal level, until very recently I couldn’t even admit that drugs may have possibly played a part in Dave’s tragic death and even a year after the autopsy report had been made public I was still refusing to even say the words out loud.  Denial?  You bet.  If you re-read my blog/eulogy “I Love You Too, Dave Brockie” that I posted shortly after Dave passed away you’ll see just how defiantly I protested the notion that drugs were involved in my friend’s death.  ”Rock star” or not, it just wasn’t possible.  Though I have since been trying to learn all that I can about drug abuse in my own efforts to educate myself and better understand just why my friend is gone, it was time to stop hiding from it publicly.  So in an effort to come to terms with the truth, to stop avoiding it, and to better serve our audience… Joe and I made the decision to finally tackle the subject of drug abuse on the podcast.   For a period of almost 2 months I had put out feelers to various counselors and experts in the field of addiction and recovery trying to find the right guest to have on the show.  (Neither Joe or myself are even remotely qualified to dish out facts, advice, or share personal experiences with this horrible affliction.)  Thanks to our friend and film editor Ed Marx (a survivor himself with well over 20 years of sobriety under his belt) I was put in touch with counselor Terry Kirkman.  31 years sober himself, Terry has helped thousands of addicts save their lives through his work with programs like A.I.R. Support (Artists In Recovery) and M.A.P. (Musicians Assistance Program).  Joined by his wife (and fellow counselor) Heidi Kirkman, the episode made a huge impact on so very many of our listeners when it was released.  Though we knew going into it that there was no way to possibly answer every question or cover every aspect of such a widespread and common affliction (not just in entertainment but in LIFE) we let our guards down, spoke from the heart, and tried our best.   I’m happy to say that those difficult, educational, eye-opening, and inspirational two hours reached and benefitted so, so many listeners.  At the time of this writing, over ten MOVIE CRYPT listeners have contacted us to let us know how the episode encouraged them to attend their first meeting or (in one case so far) to enter a rehabilitation program.  And those are just the few that we’ve personally heard from out of the hundreds of thousands who have listened to the episode so far.  While it’s rewarding enough to merely entertain our audience week in and week out, knowing that we did something that truly made a huge difference in so many lives is a feeling that you just can’t describe and one of the biggest highlights not just of 2015 but of THE MOVIE CRYPT’s 3 years on the air so far.


moviecryptSANTATHE MOVIE CRYPT’s “Santa Claus” episode is deemed by many to be our “best ever.”

Just a few weeks ago we released our Santa Claus episode and within just 3 days it became far and away the new fan favorite of all 135 episodes we have done to date. In an effort to do something special for Christmas and in the wake of a year plagued with violence, war, and more depressing world news than we ourselves could handle, our goal was to put something out there that would hopefully make people believe in “good” again.  By now hopefully you’ve heard the episode and you are well aware of just how much work went into pulling it off.  Some saw that “Santa Claus” was our guest that week and assumed it would just be a silly episode that we created for a goof.  However, as soon as they heard just how seriously we took our time with “the big man” they quickly changed their tune.  The “Santa Claus” episode is funny, creative, inspiring, emotional, uplifting and at times even heartbreakingly sad… but most of all it’s filled with every ounce of sincere hope and positivity that we could put out into the world.  Who knows what the future will bring for THE MOVIE CRYPT, but if we ended the show tomorrow and never recorded another episode again I’d happily point to the “Santa” episode as the one that defines what our show stands for and who Joe and I are as people.  Though every single episode of THE MOVIE CRYPT matters, with the “Santa Claus” episode, I feel like we created something important.  Even if you somehow missed listening to the episode before Christmas, the episode’s themes and messages are applicable year round and it just might help you believe in good again… so don’t skip it.   I agree with the majority of our listeners that it’s our best episode so far.  “Santa snap!”


MPbehindthescenesLaughing through the shoot for MONSTER PROBLEMS (8/15)

ArieScope’s 17th annual Halloween short film (MONSTER PROBLEMS) turned out to be one of my most favorite shorts that we’ve ever made and given the response that the short received it seems that many fans would agree.  I wrote a whole blog about making the short (the blog that is posted directly below this one- “17 Years of Halloween Shorts, Monster Problems, and the Greatest Fans Ever”) so I’ll keep this summary short, but making MONSTER PROBLEMS was definitely one of my favorite moments of 2015.  You’d think that by year 17 of doing these Halloween shorts that we’d be growing tired of it, that we’d have run out of ideas worth making, or that it would have become more of an “obligation” than the “just for fun” experience it was always supposed to be… but no way.  If ArieScope was your average corporate business, the tradition of making an annual Halloween short film could best be compared to an annual company retreat of sorts.  When all of this started 17 years ago, I would have thought that after 9 films, 2 seasons of a TV series, and 100+ other shorts/series that I would be taking my crew to Hawaii once a year as opposed to cramming us all into a tiny room and trying to shoot a short film with no time or money as our way of celebrating another year gone by… but come on!  Hawaii would be boring, right?  Who wants to sit on a beach and relax in paradise when you could be celebrating your anniversary every year by working for free (again)?  You learn the hard way very early on that the money your movies make goes to anyone and everyone but the people who actually make the movies… but that’s nothing new and it’s just the way it goes.  (There’s no business like show business!)   Someday that will hopefully change, but until then I’m happy with how we celebrate ArieScope’s anniversary each year.  In fact, I’m already looking forward to making next year’s Halloween short film.  Not just because it is always a good time but because I’m always impressed to see us hang in there for one more year.  Point is, and I sincerely mean this, whether I’m on a beach in Hawaii or crammed into a bathroom stall trying to get a shot for a silly little Halloween short… every year that I get to be with this group of people, every year that we all remain healthy, every year that we retain the drive and ambition to make new things, every year that we’re still finding new ways to make ourselves laugh… well, that’s the best year yet.  I love the people I get to work with.  And I never take that for granted.

KellyMPclichereComedian Kelly Vrooman joined the family this year as “Dorghast” in MONSTER PROBLEMS.


In what was probably the most ambitious move of 2015, we took the ArieScope website to a whole new level and attempted to launch our own weekly original series.  In fact, at this time we’ve launched three of them.  We really had no idea what to expect or if we’d be able to pull it off, but on Friday March 6th we premiered the very first episode of “Adam Green’s SCARY SLEEPOVER” – a weekly on-line show where various genre artists/friends join me for a slumber party at the ArieScope studio.  While the pajamas can be ridiculous, the junk food consumed can be gluttonous, and the games played can be comically entertaining, the heart of the series lies in the simple premise of “find out what scares the people who scare you for a living.”  The idea for SCARY SLEEPOVER was born out of doing THE MOVIE CRYPT podcast each week.  The podcast is a long form, audio only show that is pretty damn serious save for the occasional moments of levity or the random sketch that I’ll write for us to perform.  We were receiving requests to add a video component to THE MOVIE CRYPT so that the audience could also watch it and not just listen to each episode, but we both felt that adding cameras would not only change the dynamic of the candid “artist on artist” conversation but also be extremely boring.  I mean, do people really need to see us sit around a table and talk for 2-3 hours?  My concept of a short form (15 minutes on average) web show that was lighter and focused more on specific fears as opposed to an artist’s entire life story seemed like a solid idea.  However, it was the added hook of doing it in the setting of a childlike slumber party and giving fans a “fly on the wall” experience that made it something that I felt was worth making.  By now you know that the first season was a big success as we’ve already shot the second season and it starts airing next week (January 6th – April 6th), but I’m excited to say that the heart of SCARY SLEEPOVER has evolved even if the comical and silly premise has stayed the same.  It’s the same show you enjoyed last season, only this season shit gets heavy on a lot of the episodes.  I suppose that just kind of happened on its own, but the discussions about fears have gone to a whole new level of openness.  As you’ll see in this next season, one minute we’re acting like complete idiots and laughing it up while the very next minute someone is in tears while bravely baring their soul.  I couldn’t be more excited for you to see what’s coming over these next 14 weeks.  Tony Todd kicks off season 2 next Wednesday and… you’re in for a very compelling ride.

IMG_9273Shooting Season 2 of SCARY SLEEPOVER with Slash. (12/15) 


SCARY SLEEPOVER was immediately followed by 20 SECONDS TO LIVE, a scripted anthology featuring various scenarios where a character within the story meets their untimely demise.  The series was brought to us by co-creators Ben Rock and Bob DeRosa and producer Cat Pasciak.  They showed us their first 5 episodes and it was love at first sight.  So we convinced them to squeeze out a few more episodes and they just knocked them out of the park.

IMG_6584I was held captive while shooting Episode 5 “Ransom” (6/15)

Just like the other two original series offered on so far- there is no outside budget/funding to speak of so the 20STL team does it purely for the love of it.  It’s been great to watch more and more people discover the series and become fans every week and we’re all hoping to see another season of 20 SECONDS TO LIVE happen in 2016.


The week after 20 SECONDS TO LIVE concluded, our third original series HORRIFIED premiered.  A highly stylized confessional style reality show where artists share their most “horrifying” real-life stories, the fun in HORRIFIED lies in the fact that you have absolutely no idea what kind of story you’re going to get each week.  (And neither did we when we shot the episodes!)  Sean Becker (who co-created the series with me) and I both enjoy giving artists who work “behind the scenes” a chance in the spotlight whenever we can and with HORRIFIED we were able to feature a wide array of artists and not just known actors.  The result was 22 weeks of hugely entertaining stories told by actors, directors, producers, musicians, sound designers, cinematographers, 1st AD’s, and more.  While most of the stories leaned on humor or embarrassing confessionals, it was the occasional disturbing and truly horrifying story that really made the series shine.  I wish I could say that we had always planned for that but the beauty in HORRIFIED is that every artist featured in that first season had no example episode to watch and in turn base their own story telling on.  Everyone who came in was just themselves.  We simply asked them to sit down and talk about a time they were “horrified.”  The results were phenomenal and so, so unique from each other as “horrified” can mean so many different things to each individual person.  Between Will Barratt’s gorgeous dueling confessional lighting rings and Corri English’s terrific performances for each episode’s introduction, HORRIFIED really turned into a series that we can be proud of.  The show was a hit for us and a second season is already in the cards for next Fall!   (Our own production schedules pending, of course.)

IMG_6828Corri not only hosted and produced HORRIFIED… she looked pretty good doing it. (7/15)


On March 6, 2016 will have gone a full YEAR with a new episode of an original series released on our site every single week.  A more reasonable group of people may have challenged themselves to maybe doing two short films a year instead of just one for Halloween, but thankfully no one in this group is reasonable or afraid of a difficult challenge.  Between having a new episode of THE MOVIE CRYPT released every single Monday and a new original series episode released every Friday… we turned this site into its own little network of sorts.  What did we gain from all of that hard work?  Well, since there is no actual money in any of it, on one hand I guess you could say nothing… but the fact that in 2015 we kept our fans entertained with new things to enjoy twice a week is kind of EVERYTHING.  A group of us have put some serious blood, sweat and tears into pulling it all off.  In fact, as I write this I can hear Sean Becker and Jen Ramirez in the edit suite pulling even more hair out of their heads as they toil over getting Wednesday’s season 2 premiere of SCARY SLEEPOVER ready to launch.   With a new feature and a new season of HOLLISTON planned for production in 2016 I highly doubt that we’ll be able to pull off another year of new weekly original shows, but only time will tell.  I really, really hope we can find a way though!  It’s been so fun to put out something new every week and hear your immediate responses.  I’m literally pacing the studio with anticipation over the launch of Season 2 of SCARY SLEEPOVER.  Next week’s season premiere can’t come fast enough as I know we have something very special for you.


On July 20th we formerly announced that “the show would go on” and HOLLISTON would indeed have a third season.  Again, there’s another massive blog below this one where I detailed the long, hard road I’ve been through with HOLLISTON (a show that I’ve literally spent just about half of my life working on at this point) so I’ll keep this entry somewhat brief as that previous blog is filled with all of the information and answers that I can share this early on.  The big question of course is WHEN?  As we said in the announcement, production is planned for 2016 and I’m happy to say that so far that plan is steering its course.  The two biggest hurdles were recovering from the devastating loss of Dave Brockie and (after the demise of the show’s original TV distributor FEARnet) finding a new home that would make the series available for everyone to watch worldwide.  Few shows would keep fighting to go on after enduring such tragedies, but we’re HOLLISTON and we’ll keep fighting until we’re the last ones standing in the ring and everyone else has gone home.  You can read all about the new plan for distributing the series on GeekNation in that July 27th blog “THE SHOW MUST GO ON” but in short, unless your country blocks your internet (sorry North Korea) you’ll be able to watch/stream HOLLISTON on-line wherever you live- which was the most important factor when it came to deciding on whether to continue the series or not.  Watch the cast announcement by clicking the image below.


Like any production, making things happen is  a game of Tetris where the financing and the main cast’s availability all need to land and line-up at the same time.  Given that you’ve got 2 working directors and a rock star (with more projects happening at any given time than most anyone alive) comprising half of the main cast… that’s incredibly difficult to accomplish.  Also, to be clear- HOLLISTON isn’t a show that can be produced on mere favors and good will like the various web series we do here for  Though we’re going to change with the times and distribute the show on-line (where most people already watch their favorite TV shows these days), HOLLISTON is going to still be the same TV show that it was before.  That means that it costs real money to make and that real money needs to come from somewhere.  Though we might be willing and able to pull off a full 10 episode season for far less than what the average network spends on just one 22 minute episode of a sit-com, it’s still expensive to make and when the money comes is not something that I can personally control.  Thankfully there is a concrete plan in place for all of that but as we’ve learned from past experiences, until the funding is in your hands you can only do so much besides “think happy thoughts.”  While everything is progressing as planned on that front and a summer shoot is still in sight, the only part of it all that I can control is writing this next season and that has been anything but easy.  For every few good writing days I’ll have, I’ll hit a moment where my brain can’t help but think of what to write for Dave and my process comes to a screeching halt.  Sometimes for days.  Sometimes for weeks.  I’ve had several writer friends ask me why I can’t just take what was already planned (a lot of which was already written before Dave passed away) and just write “Oderus” out.  It’s unfortunately just not that easy and in the end I’d wind up shooting a show that has a gaping hole in the soul of it as opposed to shooting a new season of a show that exists on its own without “Oderus.”  Of course it can all be done and with how hard I’ve had to work at it and adapt to this unwanted change, the core characters are only becoming stronger than ever before.  I’m very happy with what has been written so far and I feel like season 3 will be our best season yet.  But that’s not to say that it hasn’t still been a massive struggle.  While I’ve been able to incorporate the tragedies of my real life into the writing and use the heartbreak I’ve endured to make the show even better than it ever was before, at the same time I don’t want to see Season 3 become a season-long tear jerker or eulogy and therefore I am being extremely careful as I create.  It has been a painstaking process and I don’t think I’ve ever been quite as brutally critical of anything that I’ve written before.  I’ve never been tasked with writing something in circumstances similar to this and I’ve probably thrown out five times as much as I’ve kept so far.  A lot is riding on the words I commit to, even if that pressure is mostly created in my own head.

HollistonscriptYes, the scripts for season 3 are coming into existence! And before you declare the reveal of this episode’s working title to be a “spoiler” (given that Season 2 ended with “Laura” leaving for art school in Germany)… did you really think that “Laura” wouldn’t return in Season 3 or that I could write a season of HOLLISTON without my favorite character and personal muse?

On a positive note however, despite sitting down in front of my computer almost every day and trying to write this next season with all of the above weighing on my mind, I’m still getting it done.  And I’m really, really excited about what exists so far!   I’m hoping to start rehearsing the cast on the first five episodes as early as March, but with both Joe and I having our next feature films coming down the pipeline… it’s impossible to plan ahead too far.  Let’s say Joe’s next movie or my next movie gets green-lit for the Spring?  Well then HOLLISTON waits for awhile again.  And I only use Joe and I as examples because while any of the actors in the main cast could book a film at any point, as directors you aren’t just working on that project for a matter of days or weeks.  It’s months if not a year or more.   Again… Tetris.  But things always have a way of working out and for now it’s just taking it one day at a time and getting back on my feet one step at a time.  Season 3 is coming together and as soon as I have production or release dates- believe me I will share them!  Which brings me to the most important highlight of 2015…

IMG_7003Shooting the Season 3 announcement on June 28th with Corri, Laura, and Joe. I cherish every moment that I get to be in the same place at the same time with these 3 incredible people.


Looking back… it was an absolutely incredible year and an enormous rebound after the events of 2014 knocked me off my feet.  Though the workload was huge and it was probably crazy to put so much effort into so many projects that I continue to give away for free, in hindsight I think that I needed to put my head down and work like crazy to fight through to the other side of the clouds.  Things like the podcast and the various weekly original series may all be their own separate full-time unpaid jobs, but I love doing them because I love your enthusiasm for them.  And of course there were also plenty of other projects keeping me busy (like upcoming films) that I just can’t discuss yet.  Part of that secrecy stems from the standard industry practice of not saying anything until the powers in control formally announce things, but another part of it stems from just how great our experience was with DIGGING UP THE MARROW and how much nicer it was to work off of the public’s radar and then suddenly come out with the movie when it was ready to be seen.  I’m not saying that I’m already hard at work on another movie that you don’t know about yet… or maybe that’s exactly what I’m saying?  Point is, the moment you announce a project the clock starts ticking.  ”When is it coming out?”  ”When are you having set visits?”  ”Where’s the trailer?”  ”What will the Blu-Ray special features be?”  ”Will there be a sequel??”  ”WHAT’S TAKING SO LONG???”  And sometimes that’s all within just the first 30 days of the announcement.  So maybe it’s better to just go off and make the things and THEN one day just be like “here you go.”  Obviously that can’t always be the case as more often than not the powers that be need those trade announcements to start the process of introducing the project to the world market for things like foreign sales, etc.  But when we can keep things quiet… man, is that just better for everyone.  Announcing Season 3 of HOLLISTON so early in the process was obviously a huge exception to that manner of thinking, but in that specific case it was more about confirming that a decision was made that the show would indeed go on.  After all we were hit with, fans of the show were left waiting and fearing the worst so it was important to finally say something.  Most importantly… your enthusiasm, your excitement, and your incredible support has truly been the wind beneath my wings in getting back up and learning to fly again.

Sounds cheesy, yes- but there’s really no better way to say it.  For some, recovery might mean a year filled with therapy or a year sitting on the couch and hiding behind a bottle of liquor.  For me however, it was a year filled with hard work on whatever things were going to bring me happiness again.  If that meant putting out something new twice a week then that’s what it meant.  Will I ever attempt a year full of this kind of output again?  I don’t know.  But it sure got me through and man do I feel better now.

I usually try and close these annual “Year End” blogs with some sort of message or “lesson learned” but honestly I don’t think I learned anything that I didn’t already know.  I just needed to buckle down and do the things I needed to do to be happy.  As you know, I read every single message, letter, post, etc that you send me.  Even if I can’t always possibly respond to all of them- I do still read them all.  I know that some of you are coming off of a year that was similar to or even worse than my 2014.  Some of you are facing hard times that I can’t even begin to fathom.  And though I can’t fix any of it or come up with the magic words to make it all go away, I tried my best this year to show you that I heard you and to set a positive example.  Whether it was trying to keep you laughing from week to week, trying to take your minds off the bad things for just a few moments at a time, trying to share and relate so that you would know you’re not alone, trying to use the podcast to offer legitimate help with the “addiction special” or to provide hope with the “Santa Claus” episode… I tried to give back just some of what you’ve given me.  If I have any wisdom or advice to share it’s this: It’s OK to get knocked down and to even get kicked a bunch while you’re on the ground.  Just don’t get knocked out.  Go through it, feel bad, hurt, and nurse your wounds… but then find a way to stand back up and live again even louder and more ferociously than before.  I’m not saying you have to go on some crazy mission making your own little network of weekly free shows, I’m just saying surround yourself with good people and go do something.  ANYTHING.  Make stuff.  Create.  Collaborate.  Contribute.  Try new things.  Challenge yourself.   And most of all… learn how to fly again.

And with that I say “Farewell to 2015.”  Thank you to every single one of you for being here with me on this ride, no matter where the road may be taking me.  I wish you all the very best in the new year and I sincerely love you all.  You never know, but 2016 could just be the best year ever for all of us.  So, come on.  Let’s fly…

- AG   12/31/15

ArwenLEARNtoFLY“Well some say life will beat you down.  Break your heart and steal your crown.  So I’ve started out for God knows where.  Guess I’ll know when I get there.  I’m learning to fly but I ain’t got wings.  Coming down is the hardest thing.  I’m learning to fly around the clouds.  But what goes up must come down.  I’m gonna learn to fly… fly over my troubles… fly over my worries… fly high up in the blue sky… looking down on the world below… I’m gonna learn to fly.” – Tom Petty

17 Years of Halloween, Monster Problems, and the Greatest Fans Ever…

Today we released our 17th annual ArieScope Halloween short film “MONSTER PROBLEMS”.  If you haven’t already watched it… head over to our SHORTS page here and watch it NOW before reading this blog!  There are spoilers below.


Did you watch it?  OK, good.  Please proceed…

It’s ArieScope’s 17th birthday!  We may not be 18 or be able to legally vote or buy porn yet… and we may still be a few years away from being able to legally purchase alcohol… but ArieScope has already lasted longer than most studios and production companies could even dream of- no matter what their size or stature within the industry may be.  And believe me when I say that no one is more surprised or impressed than us as even we never imagined this thing would last as long as it has or that we’d ever accomplish as much as we somehow have.  For a scrappy group of friends and artists finding our own way and making things up as we go, we’ve kind of done alright so far.  Some of that can be attributed to our collective naiveté, some of that can be attributed to our hard headed unwillingness to know how to give up, and a lot of it can be attributed to the fact that there are individuals in this group that would take a bullet for each other and have been there to pick each other up off the floor when others have fallen to pieces or split at the first sign of trouble.

ArieScope Halloween

Way back in 1998… long before streaming video was even a thing… long before iPhones, YouTube, Facebook, or Twitter… and long before “Victor Crowley”, the HATCHET trilogy, FROZEN, HOLLISTON, and the many other various film and TV projects that you now know ArieScope Pictures for… cinematographer Will Barratt (my cinematic life-partner in crime) and I made a short film called “COLUMBUS DAY WEEKEND” as a silly little goof to show the guests at my annual Halloween Dinner Party.  Last year’s October blog details that whole story so I’ll spare you.  But to back up just a little further, Halloween is my Christmas.  And I don’t just say that like “Yay!  I love Halloween!”  I mean that Halloween is my holiest of holidays right down to its very spiritual core.  For most people, Halloween means Trick or Treating, costumes, scary movies, haunted houses, and candy.  And while all of those things are AMAZING in their own right (think about it, we have a whole season where it’s not only socially acceptable but encouraged for people to decorate their homes with macabre imagery and display dead bodies on their front lawns- a horror fan’s dream!) for me I have always loved Halloween for its actual purpose and meaning.  Much like I would have little interest in reading a blog about your individual religious beliefs, I won’t try and sell you on the spiritual importance of Halloween.  However you personally choose to celebrate the holiday or however seriously you take it is all your own prerogative.  Whether you merely partake in the surface level aspects of the holiday or actually care to dig deeper into what the holiday is really about… I say “great!”  Point is, among the many things I adore about this wonderful holiday the thing I take most seriously is the celebration and remembrance of those who have passed on and who are no longer physically here with us.  Thus my tradition of an intimate family dinner where guests bring photos and tell fond stories of those they are remembering, complete with place settings at the table for our dearly departed.  Nothing morbid, nothing mystical, nothing scary- just a whole lot of love and respect.  Over the years, departed dinner guests have included grandparents, family members, friends, colleagues, and A LOT of deceased pets.  From my glorious Halloween tree, to the presents left beneath it on Halloween morning courtesy of “The Great Pumpkin”, to the homemade food I work so hard to cook, to never working on the 31st no matter what… All Hallow’s Eve is a special, special day for me.  So it only makes sense that ArieScope Pictures celebrates our birthday and has the yearly tradition of our annual Halloween short film every October.  It fits perfectly.

DSC_0143Sarah Elbert, “Rotty”, and Robert Pendergraft on the set of 2005′s short “TRICK OR TREAT.”

 When Will and I made our very first Halloween short “COLUMBUS DAY WEEKEND” we had no idea what we were actually doing or what we had inadvertently begun.  Even our name “ArieScope Pictures” was literally just a quick solution to needing to place a production company name in the opening credits of the short.  “Hey, you’re an Aries.  I’m an Aries.  What’s a film-sounding name with Aries?  Arieflex?  Nope, taken.  Arie..scope?  Done.  What does that even mean?  Who cares- done!”   I wish there was a more clever story behind it but that’s the truth.  Hell, we’re not even remotely into astrology to be honest.  That fateful weekend in the backyard of my friend Scott Barnes’ parents’ house in Holliston, MA (dubbed “Barnes Estates” in the end credits of the short) a handful of friends with a “borrowed” Beta camera, a few cheap masks, a bunch of spoiled meat (hey, it was free from the local butcher and we were on a budget), and lots of fake blood made a little bit of history and turned our lives into… well, this.  Every year since 1998 we’ve celebrated ArieScope’s birthday and helped ring in Halloween by going back to our roots, gathering up some of the family, and making a new Halloween-themed short film with the cardinal rule of “one night, no budget, and just for fun.”  Of course over the years the quality of the shorts has gotten better and better… but we still keep those early ones up here on the website for all to see.  Are we proud of all of those early shorts?  Not really.  Do most professional filmmakers still show off their earliest, most amateur work once they’ve made a career for themselves?  Not really.  But given that there are many young, aspiring filmmakers that look to us for inspiration we feel its important to not hide our (extremely) humble beginnings and to let others see that we had to find our way, learn a bunch, and try and get better with every step we’ve taken just like everyone else.  And we’re still trying, still learning, and still getting better.

CIMG0406Little known fact: Laura Ortiz actually played “The Tivo” in our popular 2008 short “THE TIVO.”

Thanks to our dear friends John and Nicole Anguish (who have designed and run this website since the very day it first launched in October of 1998), has not only been offering free streaming on-line videos since long before anyone else was doing it but this website has also been our lifeline to our ever expanding world-wide fan base.  That mock HATCHET trailer that we made in 2004 and created a massive on-line buzz that indirectly helped get the film financed and made?  That started here.  Viral hits like “JACK CHOP” and “SABER” and “DRIVING LESSONS?”  They all started here.  (Although those shorts in particular also had the added benefit of our popular YouTube channel to really blow up on-line in ways we never could have imagined.)  Since “COLUMBUS DAY WEEKEND” we’ve consistently given our fans free content that we make purely for the fun of it and as a way to say “thank you” for supporting us when it counts.  Our 17th year has been our busiest and biggest yet as now offers free weekly original series every Friday like “HORRIFIED”, “20 SECONDS TO LIVE” and the hugely popular “SCARY SLEEPOVER.” (Season 2 of SLEEPOVER is gearing up to start filming soon, so don’t fear.)  Is it easy doing all of this free work?  Of course not.  As if it isn’t hard and time consuming enough to produce a new 2+ hour episode of “THE MOVIE CRYPT” podcast to have up every Monday and a new episode of whichever original series of ours is in season every Friday… we’re of course still hard at work on the main task at hand which is bringing you new movies and (of course) the new season of HOLLISTON that the Holliston Nation has been very patiently waiting for.  But the simple reason why we do it is that YOU MAKE IT ALL WORTH IT.  And that’s why we do what we do and are glad go above and beyond in constantly bringing you new things to watch/read/listen to- all for free.  Because our fans support us when it counts.  They go out of their way to see our films when they first come out in theaters… to buy them on DVD and Blu-Ray… to throw down their hard earned money to buy the various T-shirts, posters, Halloween masks, and autographed photos we make available in our “BUY STUFF” on-line store.  The don’t steal or torrent our work.  They wait in long lines to meet me when I do convention appearances.  They take the time to leave heartfelt and passionate messages on my Facebook page and let me know that they’re out there and how much they care.  And not every filmmaker is fortunate enough to have that.

Jack-Chop_032009′s Halloween short “JACK CHOP” broke the internet. Fahkin.

The sad truth is that we’re struggling so hard to continue doing what we do during this difficult time when the entertainment industry is in transition and turmoil behind the scenes.  It has become a struggle to merely stay alive and exist given just how many in the general public unfortunately now feel that all art is worthless and that they are entitled to steal whatever they want and have it for free.  While on-line piracy is its own major dilemma, even with the perfectly legal technological advancements of streaming services and digital downloads, most people just don’t buy physical media anymore and it has become a nearly impossible feat to get a financier their investment back or any kind of return on an indie project.  That’s just the changing times and the way things have gone- like it or not.  Every day we’re watching other filmmakers we admire and respect have to pack up shop and give up their craft … all while we watch in disbelief as “YouTubers” who play video games on-line get rich.  (I know, I know… “Get off my lawn, you kids!”  I sound like an old out of touch man.  But sorry- I just don’t get it.)  It’s a very scary time to be creating art for a living.  I can’t begin to tell you how often I find myself in a conversation with a fellow artist who says “Wait… we’re all getting slaughtered and going belly up during this “wild west’ phase of the internet and yet you guys are addressing it by offering even MORE stuff for FREE?  WEEKLY?”  I’m a broken record with this but ArieScope fans are just not like any other fans.  We’ve always been an open book on our side and our fans in turn recognize that we’re not rich Hollywood douchebags who are all about the money.  We have a very real connection with our audience and the fans truly appreciate just how much time I personally give them- writing back to every message on Facebook, doing the weekly podcast, the extra work I do writing or planning out performances/shows for the convention panels, the free weekly series we create for them… it’s a special thing.  Our fans get that the only way our studio keeps the lights on and keeps creating is by them directly supporting us and therefore we see a lot of the same names go by every time we ship out new merchandise orders from our on-line store.  WE KNOW WHO YOU ARE and we love and appreciate you for the way you continually step up and support us.  Our relationship with our fans is just… different.  So in celebrating our 17th year I would be remiss if I didn’t say (yet again) just how deeply we appreciate and love you all.  Maybe you’re sick of hearing it, but I will NEVER get sick of saying it.  THANK YOU!  We don’t have studio backing or multi-million dollar marketing campaigns to make people aware of our work.  We just have YOU.  So to every fan that has supported us over the years- we’re only celebrating our 17th birthday today because of you.  And with a little (or a lot) of luck, hopefully we survive at least one more year and get to see 18.

Halloween Hugs still for websiteWe gave ourselves a good little scare in 2013′s Halloween short “HALLOWEEN HUGS.”

But enough with the mushy stuff (sorry, I get sentimental whenever we somehow reach another birthday around here because I always assume it is going to be our last)… let’s talk about this year’s Halloween short!  Last year’s short (“HAPPY HALLOWEEN”) was one of the very few serious Halloween shorts that we’ve done (could you tell I was having a rough year in 2014?) so this year it was all about going back to the fun and bringing the silly.  I was thinking about the ridiculous things we do as children to protect ourselves from the monsters lurking under our beds and in our closets… and then realized that perhaps those things aren’t actually so ridiculous after all.  I mean, we might laugh at the concept of being protected by our bed covers or joke at the philosophy that a simple nightlight can actually scare away hungry monsters looking to devour us… but at the same time, when you look at the success ratio of “nightlights vs. children eaten by monsters” you kind of have to give credit where credit is due.  If you’ve seen this year’s DIGGING UP THE MARROW (our latest feature film) than you know just how much I personally want to believe that monsters are real.  So by my calculations… if monsters are indeed real and yet no children are being eaten by them… then clearly the childhood rituals of “jumping into bed”, “hiding under the covers,” “nightlights”, and even the ultimate secret weapon of “calling for Dad” must actually work, right?  Of course it helped that I happened to have 3 extremely talented comedian friends that I knew I could call upon to portray the three monsters that I created for this year’s short.

MonitorMonsters “Vylegoth,” “Dorghast,” and “Julian” face problems in this year’s Halloween short.

Derek Mears (“Vylegoth” – the closet monster) and Colton Dunn (“Julian” – the under-the-bed monster) have become staples in ArieScope productions and fans are always happy to see them show up in our various projects.  But this year we also got to initiate a new talent into our family and introduce fans to actress/comedian Kelly Vrooman (“Dorghast” – the ghost in the room).  If you’re into the LA improv scene than perhaps you’re already familiar with Kelly.  Perhaps you have children that watch “The Chica Show” on Sprout and you’ve seen Kelly there.  But I’m guessing that for a lot of you, “MONSTER PROBLEMS” will be your introduction to Kelly Vrooman and her comedic talents.

Monsters poseMe and my monsters…

Originally I cast Derek, Colton, and Kelly because of their strong improvisational skills as I assumed that a lot of the short would be improvised.  But after the second draft of the script went around to the cast and each actor told me that they felt like the script was strong as is and should be adhered to (and no, they weren’t just sucking up as they had already secured their parts) … the idea of rolling and rolling on minutes or even hours of improv was thrown out.  Since “MONSTER PROBLEMS” is conceptually such a dialogue heavy piece (much like 2007′s Halloween short “THE TIFFANY PROBLEM”) we already knew we were risking making a slightly longer short film than usual and adding MORE dialogue to have to somehow edit in or out wouldn’t have necessarily helped the piece.  All three performers fell right into their rhythms and brought their own unique voices and brand of humor to what I had written for them so shooting was a breeze from that stand point.  Sam Barratt (Will’s son) had made his first appearance in an ArieScope production during last year’s Halloween short and proved to be a complete natural which made the dreaded “oh no, we’re gonna have to work with a child actor in this piece” a non-issue.  And then of course we had the added bonus of actor/comedian Jeff Lewis (“Dad”) coming to play with us and do a quick cameo for the short, making this his second ArieScope outing as he had already done a HILARIOUS episode of “HORRIFIED” (Episode 2) for us this past summer.  Throw in my dog Arwen for good measure (she’s kind of mastered playing “the dog” at this point in her illustrious on-screen career) and we knew we had a rock solid cast to pull off this inherently ridiculous and childlike concept.

Cast small webClockwise: Derek Mears, Colton Dunn, Sam Barratt, Kelly Vrooman

Robert Pendergraft (make-up FX) designed some really cool and unique make-ups for the three monsters and I loved how he created their looks based upon the character traits and personalities evident in their dialogue.  ”Vylegoth” being more uptight and meticulous, “Dorghast” being more ghastly and impatient, and “Julian” being more innocent and carefree.  Applying the three make-ups on such a tight schedule was no easy feat but thankfully Rob had make-up artist/jack-of-all-trades Scott Dawson come by to help us out.  (This was Scott’s very first ArieScope outing, as well!)

IMG_8183Scott Dawson broke his ArieScope cherry helping out with the make-up effects this year.

As usual, I directed and Will Barratt was behind the camera where he had to battle the limitations of having to shoot in such a tiny room with no space to shoot or place lights like we would have ideally liked to. Hey, it wouldn’t be a Halloween short if that wasn’t the case, although I know Will is always grateful every time I don’t write a scene to take place in a tiny practical bathroom.  (You’re welcome on that front, Will!)  Jen Ramirez was handed the thankless job of working the boom mic on the short.  Jen started working with us on Season 1 of “SCARY SLEEPOVER” learning, performing, and quickly mastering a variety of tasks from general PA work to sound monitoring to assistant editing.  Holding down the bigger picture at large with everything from creative input to making sure everyone was happy, well fed, taken care of, and doing what they were supposed to be doing was producer Sarah Elbert.  Sarah’s first ArieScope outing was all the way back on 2000′s short film “STAGEFRIGHT” and since then she has been a producer/actress/den mother on more projects than I can count.

IMG_8372Exhausted at the end of the long shoot.  We’re getting too old for this…

 While the actual filming of each Halloween short always takes place over just one night, the task of editing and finishing each piece is one that takes a lot more time.  Taking the reigns on editorial was Sean Becker who has been a huge part of the family since 2011 when he first joined the team as a fellow director and supervising producer on HOLLISTON and who direct/edits every episode of “SCARY SLEEPOVER” and many of the episodes of “HORRIFIED”, as well.  While the actual shoot for each Halloween short may only be one (long) night, post-production is a long and exhausting process.  This past week has seen Sean and I living at the office and going around the clock getting the short finished and ready to launch.  And I’m not kidding.  I went home just to shower real quick yesterday and my cats no longer knew who I was.

IMG_8622Sean Becker had an absolute BLAST editing “MONSTER PROBLEMS.”  No, really.

So 12 people, 1 dog, a lot of hard work, a ton of hours, and A LOT of late nights later… the 17th annual Halloween short film has crossed the finish line and “MONSTER PROBLEMS” has taken its place in the long legacy of ArieScope’s fun yearly tradition.  Hopefully our efforts made you smile and added some joy to your Halloween.  After all, that’s the entire point. It means the world when we hear from fans who not only look forward to each year’s Halloween short film but who have made it their own yearly tradition to watch ALL of them over and over again each October.  I know that I speak on behalf of everyone involved when I say that we do it all for you.   Thank you for making these past 17 years possible and for making ArieScope Pictures such an unbelievably special thing to be a part of.  Have the happiest Halloween ever and be sure to keep your covers pulled tight and your nightlight burning bright. We need you alive and can’t risk you being eaten by monsters…

IMG_8213That’s a wrap on the 17th annual ArieScope Halloween short!  Time for bed.

Stay safe, sleep tight, and happy haunting this Hallow’s Eve!


The Show Must Go On…

OderusInspiration1“Fine. Sell out. Get a job. A nice 9 to 5 one. Sit in front of the idiot box all night and watch some stupid sitcom… all the while wondering what it might have been like if you’d hung in there for just …one …more …day.”  – Oderus Urungus

Entertainment Weekly made the official announcement today that after an extremely difficult and heartbreaking 2 year hiatus… HOLLISTON will indeed live on and return for Season 3.  Whether you read about it on EW’s website… heard Corri, Laura, Joe, and I kick off today’s new episode of THE MOVIE CRYPT podcast (Ep: 113) with the good news… or saw the cast video that was posted on HOLLISTON’s Facebook page… by now hopefully you’ve heard the good news.  If for some reason you still haven’t read the full official press release with all the details… I highly recommend you read it here.  Though the press release says all of the details that we will be able to publicly reveal for awhile, I of course wanted to add a little more insight to all of this.  But first, let’s back way up so that you can hopefully comprehend just what a huge moment this actually is for us.  For all of us behind the scenes of HOLLISTON, this news is so much more than just an announcement about a sitcom coming back for a new season….

NewHfacebookSeriously.  Chills!

If you read this blog regularly and if you are a fan of HOLLISTON then you already know just what a long, trying, and personal journey this show has been for me and why it is the passion project that will always be the most near and dear to my heart.  Way back in 1991 (as I began my Junior year of High School) my friend Steve and I started doing a morning radio show called COFFEE & DONUTS on Holliston High School’s radio station WHHB 91.5 FM (now 99.9 FM), a tiny 10 watt station (now a whopping 17 watts, I’m told) used for after school student radio programs.  Though I had already been doing an evening radio show with other friends (METALLIFIX) since my Freshman year in 1989  (man, I’m getting old) it wasn’t until my Junior year that it dawned on me that doing a separate morning show would give me a shot at a fully captive audience.  After all, high school kids have stuff to do at night and it was never going to be anyone’s priority to listen to METALLIFIX where my friends and I spun heavy metal records and did hilarious little sketches.  (Note: the sketches were not hilarious. ) But the idea was that if Steve and I did a completely different morning radio program that aired before school started each day, maybe the other kids would set their alarm clock radios to wake up to us and perhaps they would even listen to us on their drive/bus ride to school.  COFFEE & DONUTS would be a morning show where kids could listen to Steve and I… spin heavy metal records and do hilarious little sketches.  (Note: the sketches were still far from hilarious but they were certainly getting better.)  Then again, my Mom tells me that such segments as “heavin’ with Steven” where Steve would (sort of) pretend to throw up in a bucket each morning, our “daily horoscopes” that were always written to be extremely depressing (for example: “Sagittarius… You’re going to die today.”), our morning “dating tips” segment on what to do on a first date, and our coup de gras which was ”Stories on The Mad River with Dr. Rupert Collins” – a segment where I would write a nonsensical story that Steve would then belt out in a bad Scottish accent … were indeed hilarious.  (And hey, my Mom wouldn’t lie to me.)  The concept of doing a morning show was so crazy that it just might work- and to our surprise… it did.  As hard as it was to get up so early and be on the air before 6am, Steve and I successfully cornered the extremely cutthroat market of Holliston High School morning radio programs by simply being the only one.  C&D was a success for us and those early morning broadcasts made for some of my favorite memories of High School.

C&DyearbookHolliston High School’s 1993 Yearbook photo.  ”Coffee & Donuts with Adam and Steve.”

Cut ahead to 1998.  I had graduated college in 1997 and I was now working at Time Warner Cable Advertising in Malden, MA (about an hour away from Holliston).  On my very first day I met Will Barratt and quickly learned that Will’s real dream was to be a cinematographer and not a low budget cable commercial producer.   I instantly laid into him with my ridiculously ambitious dream of forming an independent production company, breaking out of Massachusetts, and making our own movies in Hollywood.  We were driving in the Time Warner SUV on our way to shoot our first commercial together and I said, “You don’t want to do this forever, do you?”  I offered up a nice tall glass of my infectious Kool Aid flavored bullshit and sold Will on the fact that we could “borrow” Time Warner’s equipment at night and on weekends to make our own stuff, get noticed by “the industry”, move to Hollywood, and someday have our own successful production company that made the things we wanted to make with the people we wanted to make them with.  I had no idea what I was talking about or what kind of struggles we would actually be in for… and it could be argued that in many ways I still don’t know what I’m talking about or what kind of struggles we’re still in for… but I was wide-eyed, motivated, and ambitious enough to know that I just had to try.

No exaggeration, I had been a full-time employee of Time Warner Cable for less than one hour before I began plotting my escape.  And I certainly don’t mean that with any disrespect to Time Warner Cable.  Though producing low budget local cable commercials was never my personal dream, I couldn’t have landed at a better starting job after college nor could I have asked for better people to work with.  More than anything, our boss Peter not only taught me how to deal with clients, how to graciously take notes from people who had no idea what they were talking about (“I work at this used furniture store in Medford, let me tell you how to properly shoot a commercial”), how to create something decent with insanely low budgets, and how to pick my battles creatively and professionally.  ALL of which were important lessons that I apply to what I do today.  As a filmmaker at heart himself, Peter supported us 100%, even going as far as looking the other way when we would use Time Warner’s equipment and arrogantly enlist our fellow employees to make our own ArieScope stuff on the side.  Not many people in Peter’s position would be cool enough to allow that kind of crap to go on, but that was Peter.  He was a class act all the way and he knew how to accomplish all of his corporate duties with flying colors yet still encourage everyone who worked under him to believe in a dream and continually reach higher.  Hell, he even played a character in our first feature COFFEE & DONUTS.  What boss does that??  Only Peter.  So long as our work was getting done to the best of our abilities and so long as he “didn’t know” about our extracurricular activities… he was not only fine with it, but as supportive of it as he reasonably could be.  And then there we were… obnoxiously pushing his generosity and our good fortune of having access to free camera equipment way too far at times.  Will and I were shooting our own stuff all night long and then dragging our exhausted asses into work to shoot cable ads.  When we were casting for COFFEE & DONUTS we even had fellow employees answering certain Time Warner office phone lines as “ArieScope Pictures, how may I help you?” and posing as “casting assistants” just to give the illusion that we were indeed a professional operation.  I should have been fired about a million times for my lack of common sense, but I was on a mission from God and I was still young and inexperienced enough to not comprehend just what kind of murder I was getting away with.  (Thank you, Peter.)

OLD ArieScope LogoThe original ArieScope logo was lifted and altered from that same Dodge used car dealership commercial that Will and I first shot together in 1998.

A creative/business partnership is just like a marriage and very few stand the test of time.   It’s crazy to think that two idiots who barely knew each other hatched this grandiose plan (while driving to shoot a cable ad for a used car dealership up in Nashua, New Hampshire nonetheless) and then actually made it happen.  God knows I’ve made what I believed at the time were far better informed decisions about major life commitments and found myself disappointed, heartbroken and devastated in the end… yet almost 2 decades, 9 feature films, 100 short films, and two completed seasons of a TV series so far… ArieScope Pictures is still alive and well.  Our films have been released in theaters all over the world and I can do an appearance in another country that doesn’t even primarily speak English and yet fans come out in their Hatchet Army or Holliston Nation T-shirts and know every single word to the things we’ve made.  It’s absolutely surreal.

ariescopeLogo_bigOur 2004 Halloween short film MIDNIGHT was the debut of the logo that you have since seen on all ArieScope productions since.

The success story I depict of ArieScope Pictures is a highly romanticized tale though.  Trust me that over the past 17 years Will … and probably his very understanding wife… and probably their kids… and probably their family dog… and most definitely both of our bank accounts… have fluctuated between celebrating the day we met… to wishing they could Marty McFly back in time and prevent us from ever meeting in the first place.  Seriously, as an outsider who only sees the moments of accomplishment and the finished movies/shows/etc… try and imagine what it must be like to live with us and put up with the constant dream chasing and all of the disappointments that no one outside of “the family” has to deal with.  We’ve surely had our moments of triumph (“The financing actually came through!”, “We’re really making a movie!”, “We’re employed for at least a few months!”, “The reviews are incredible and people love what we did!”, “The movie is a financial hit!”, “We created a franchise!”) but on the flip slide, we’ve just barely survived through the much more frequent and much more severe lows (“After 10 months of working exclusively on this one project we just found out that the financing was never real and the project is never going to happen?”, “The money fell through or they cut the budget in half at the last second?”, “There’s no actual marketing budget or promotion to actually advertise what we made?”, “The network our show is on went under due to a corporate merger?”, “We’re shit broke again?”, “The MPAA is cutting everything out of our movie?”, “The movie made a ton of money… but none of it actually goes to us?”).  But that’s how it goes when pursuing art for a career and any independent minded filmmaker can relate to all of this too well.  Though I think it is very fair to say that we have undergone some seriously astonishing bouts of bad “luck”… we’ve also had our share of good “luck” and of course the grass is always greener on the other side of the set.  I don’t take for granted that we’ve also already accomplished more than most who are trying to do this ever will.   It just rarely feels like it.


Will and I at the premiere of COFFEE & DONUTS – 16 years ago.

The backbone in all of this has been our insane and (clinically) unhealthy determination to not give up.  There have been so many others that have helped and sacrificed to make each success possible.  People that we likely never would have accomplished a thing without.  Many have come aboard with us and become permanent family.  Some have stood the test of time and others have bailed out and swam for shore when the waters got rough… but it’s been an incredible journey to say the least.  Not a moment of which has ever been taken for granted as we know more than anyone just how fortunate we are to get to do what we do and to be where we are at…wherever that may actually be.   Are there easier ways to make a living?  Hell yes.  But fortunately (and unfortunately at times) I personally just don’t know how to do anything else.  It’s this or… this.  Period.


Will and I at the Los Angeles premiere of DIGGING UP THE MARROW – 5 months ago.

To steer this story back to HOLLISTON… in 1999 my brother Eric suggested that I write a movie about the COFFEE & DONUTS radio show days.  You know, the whole “write what you know” thing.  Eric was the one who pushed me to write about the long standing heartbreak I was going through in getting over the break-up with my first love and the struggle to chase my dream.  In the movie for COFFEE & DONUTS “Adam” and “Steve” are trying to be radio DJ’s (not horror filmmakers like in the TV series) but other than that, so much of what was in C&D carried over to HOLLISTON.  That’s why I always tell those who are disappointed that they can’t see the movie, “If you’ve seen the TV show, you’ve essentially seen the movie and you aren’t missing anything.”  It’s true.  We made COFFEE & DONUTS for $400, learned important lessons along the way (like to NOT use music, art, and logos that we don’t have the rights to and that would prevent us from ever being able to actually distribute or publicly exhibit the movie- hey, we never thought in a million years the movie was going to go anywhere, we just wanted to see if we could do it), and well… the details are chronicled in earlier blogs.  Even though C&D was scrappily shot on BetaSP and edited tape to tape (we did not have access to computer editing back then)… the story, the writing, the performances, and the spirit of it really won people over.  We had done something right.

c&dposter_hrThe $400 budget movie that started it all. 

COFFEE & DONUTS won a fairly insignificant film festival, succeeded in landing me my first agent, gave me the push I needed to make the move to Los Angeles (Will would follow a few years later), and it put ArieScope Pictures on the entertainment industry map.  Sure, we were on the outskirts of the map but we were ON the map… even if we were located on the reverse side of the map that no one reads, listed below two print advertisements for local pawn shops or whatever. Thus began 3 years of struggling to survive and literally starving at times while doing odd jobs to stay alive in Los Angeles.  We kept making short films whenever we could.  Our second short film, 2000′s STAGEFRIGHT was producer/actress Sarah Elbert’s entry into the family – 15 years later, Sarah has produced many of our projects and is a producer and actress on HOLLISTON (fans know her as “Sarah The Waitress” on the show).  Meanwhile I kept doing assistant jobs, doing PA work, DJ’ing at night, and pounding the pavement.  There were so many “almosts” but in 2003 I finally sold C&D as a TV series (my first sale!) and I wrote the pilot script as part of a development deal with Touchstone and UPN.  It even put me in the Writer’s Guild and made me a union writer.  YAY!  Straight to the top, Ma!  But then UPN merged with the WB to become what is now known as the CW Network, my pilot script for C&D was tossed out, and my dream sat in rights purgatory for 5 years.  BOO.  But fuck it, I kept going full speed and in the meantime, I made HATCHET (this was where producer Cory Neal became a permanent part of the family, too – he’s the one with the brains and the patience to deal with stuff we don’t understand like… money), SPIRAL, GRACE, FROZEN, and HATCHET 2.  YAY!  After those 5 or 6 years were complete…C&D’s rights had finally reverted back to me.  YAY!  With the rights to my own life story back in my hands and now having at least a little bit of cache behind my name within the horror genre, I started to get interest in C&D again.  The development executives at G4 wanted to make a show starring myself and Joe Lynch after seeing our first round of ROAD TO FRIGHTFEST shorts.  (Which by the way, marked the historic first time that Lynch and I would work together if you’re keeping track here.)  You can watch all 15 of those shorts in our “Shorts” section.  I pitched C&D to G4 and they went for it!  Only now, I was actually going to get to play myself in my show like I always hoped to- something that UPN was never going to allow me to do in a million years.  Note: UPN also said “no” when I suggested that two relatively unknown actors (at the time) named Zach Galifianakas and Kevin Hart should play “Adam” and “Steve”… so you have to understand that it’s just how this goes and it was just the landscape back then.  If those dudes weren’t big enough to carry a show, then I wasn’t even big enough to carry the trash out for the port-a-john behind the sound stage of the show.  I understood and I didn’t take it to heart.  Are you kidding?  I was lucky to even have been developing a real network show back then!   But now with with the G4 version I was also able to cast Corri English, Laura Ortiz, Dee Snider, and Dave Brockie to fill out the cast around Lynch and myself.  This was huge as I had written the show specifically for those friends/actors.  C&D was a go again!!  YAY!  But then another merger happened and G4 was dissolved and overnight C&D was once again dead as a door nail.  Fuck me.  BOO!  But just a year later a start-up horror themed cable network called FEARnet hired Peter Block to run their network.  (The same Peter Block who produced our 2010 film FROZEN and who was now another friend dragged into our bullshit.)  FEARnet needed programming, liked the idea of a show starring Joe and I, believed in the cast like I did, and agreed to license C&D.  In re-developing the show it was clear that the name COFFEE & DONUTS was no longer appropriate or relevant.  For a brief period of time the show was actually called BLOOD & GUTS during development… but in the end, HOLLISTON was the name chosen.  And I couldn’t have been happier about that.  It was perfect.

B&GA never before shown excerpt from the early development materials.  ”COFFEE & DONUTS” almost became “BLOOD & GUTS” before ultimately being named “HOLLISTON”.

13 years after making our little $400 movie… the TV show I always imagined finally, really, actually happened.  I mean, we were on set!  We were filming!  it was HAPPENING!  YAY!   Despite some of the most severe budget limitations a sit-com has ever faced, we made two amazing seasons of HOLLISTON all while making CHILLERAMA, HATCHET 3, and DIGGING UP THE MARROW at the same time.  Even though HOLLISTON was on a network that most didn’t know existed and that the rest all thought was a website due to their unfortunate name being “FEARnet”… through critical love, fan word of mouth, and the cast tirelessly appearing, signing, and performing around the country at almost every horror convention (all for free)… the series slowly began to find an incredibly loyal and passionate cult audience.  My dream had become a reality and every single day of working on HOLLISTON was my favorite day ever.  YAY!  But just as plans for a third season were starting to be discussed, tragedy struck and in the span of just 4 weeks… Dave Brockie (“Oderus Urungus”) died, the FEARnet network was dissolved, everything in my professional life was turned upside down, and in my personal life I went through a divorce that crushed my soul.  In what literally seemed like a flash… my whole life came crashing to pieces and HOLLISTON was shot through a canon back into the land of TV show purgatory.  What.  The.  Fuck??  KILL ME.

Holliston_Season 2_090412_JPEGS 64Strike the lights, tear down the sets, and go home everybody… it’s over.

This is the point where sane individuals throw in the towel.  You get through the emotional devastation the best way you can, sift through the rubble of your life, put yourself back together, get back on your feet, and learn to just be grateful that any of the good times ever even happened in the first place.  After all, nothing lasts forever, right?  You struggle to put the past behind you and focus on the positive memories while you look ahead to whatever will be next in life.  Sane individuals heal and move on.  But I’m not a sane individual.  I might have gotten knocked on my ass and had my world destroyed… but I don’t give up that easy.

MovieCrypt_iTunesThe original podcast logo, taken directly from HOLLISTON. 

One of the things that helped me through those two dark years was doing the weekly MOVIE CRYPT podcast where Lynch and I would sit down with a different artist each week and just… talk.  Candid, heart to heart discussions about surviving the Hollywood trenches.  In the 2+ years we’ve been doing the podcast it has now become incredibly popular.  (There is another blog about all of that.)  While I wish I could say that Joe and I always knew the podcast would take off or that it was ever even our intention to have a successful podcast in the first place… neither are true.  We initially only planned to do the show for the 10 weeks that Season 2 of HOLLISTON was airing so that we could have a forum to discuss each week’s episode and perhaps help promote the series a little more.  But long story short, THE MOVIE CRYPT turned into something truly special.  Unfortunately named after the fictitious cable access show our characters host on HOLLISTON (I say “unfortunately named” because now we’re stuck with a podcast name that many assume is just another one of the dime a dozen “horror podcasts” until they actually listen to it… and the title THE MOVIE CRYPT is too branded to change now), in many ways the podcast kept the spirit of HOLLISTON alive… and our own spirits alive as well.   The podcast was just a hobby at first and even though it has become “a thing” now, it has continued to be a joy to do.  Of course everyone involved with HOLLISTON continued on with other projects during this period.  For myself personally, even while knocked on my ass from the events of 2014, I still managed to finish and release DIGGING UP THE MARROW, I was still writing, I was still working every day developing my next film(s), and just this past Friday ArieScope launched the original on-line series HORRIFIED- our third original series that we’ve created and launched this year.  (Watch it here!)  I might have been a living garbage dump on the inside, but outside I still never stopped working.  Life carried on and every week, Joe and I (and my dog Arwen, of course) sat down to record a new episode of the podcast.  THE MOVIE CRYPT became our own form of therapy.

The_Movie_Crypt_Shirt-LOGO2The official logo for THE MOVIE CRYPT podcast.

At several points over the last two years we had talks about continuing HOLLISTON with various companies or distribution platforms.  In some cases the timing of it all was just too soon and I wasn’t ready yet.  In other instances the scenarios just weren’t even real when push came to shove.  People love to take meetings in this town and dangle carrots or make promises.  The big thing for all of us was that IF we were to continue HOLLISTON it had to make sense, the creative control had to remain with ArieScope, and there had to be an improvement from the major accessibility hurdles we faced with the release of our first two seasons.  There were a few opportunities proposed and considered, but nothing that was going to pan out.   It’s important to mention that none of this is unusual or out of the ordinary and it’s all par for the course in doing this.  But there we were, sitting down to do the podcast each week… the podcast that was a spin-off of HOLLISTON and who’s numbers were going up and up and up… trying to make sense of the constantly changing business and the seemingly impossible financing landscape… and trying to figure out a scenario that made sense.  We’d sit in front of our microphones and muse over our predicament.  Sometimes on the air but mostly off the air before or after each recording.  How could we do HOLLISTON the way we want, have it carried somewhere where everyone can easily watch it, and still have the budget we need to keep doing it right?  And let’s be honest… one full 10 episode season of HOLLISTON costs about a fraction of one single episode of a major network sit-com so we’re not talking about millions and millions of dollars here.  How is it this hard??   Long story short… when life doesn’t make sense- listen to your dog.

Arwen4Arwen: “The answer is right in front of your microphones, Guys.”

Meetings happened, things were discussed, plans were hatched… and well, read the press release as it explains how we got here.  And here we are.  HOLLISTON will return next year and be available to watch on Geek Nation.  The same exact show you already know and love, only now everyone can watch it.  Yes, even people in other countries (so long as your local government doesn’t have a block on your internet).  Just three weeks ago, Joe, Corri, Laura, and I had our first rehearsal for Season 3.  Had Dee not been over seas performing what will be his final stretch of shows with TWISTED SISTER he most certainly would have been there with us, too.

HollistonNEWprofilepicCorri, Joe, Laura, Adam, and Lance will return.

Now we had two choices with all of this.  Do we hold back on saying what we’re doing until the new season has already been shot and we have every single answer and an exact premiere date to give?  Or do we spill the news now, let everyone know that we’re back at work, and share the good word that Season 3 is indeed a go and officially back in progress?  This business can be tumultuous and financing scenarios disappear overnight, mergers happen, executives leave companies, or full networks dissolve before your eyes… (I mean, did you read the above novel about the 15 year struggle this show has already endured?)… so typically the policy is to keep your lips sealed until the thing is DONE.  But after careful consideration the verdict was… fuck it.  This isn’t a “maybe” situation.  We’re doing it!   Let’s tell everyone the good news.  Haven’t the fans of this show waited long enough to hear something?  It’s still gonna be awhile before the show is finished with production and ready to air so let’s not leave them hanging.  Let’s shout it from the rooftops.  Let’s get the fans to shout it from their roof tops with us!  With how long it will take to write, rehearse, properly prepare, shoot, and complete post production on a season of this show… sure, “shit could happen.”  But we can’t live in fear of what could go wrong.  I mean, fuck it- what hasn’t gone wrong already?   We’ve got this.  Most importantly, staying quiet does nothing to help our cause and in the specific case of what we’re doing with various sponsorships and other financial partnerships (again, more good news will be revealed in due time), the more noise the fans make on-line the more it helps our train continue to stay on the right set of tracks.  So the big question is of course… when will you be able to see the show?  Here’s what I know right know…

HOLLISTON cast June 15Together again at our first reading of new Season 3 material.

We have a ways to go before we can start production.  First and foremost, all of us are still scattered on other projects and obligations so we’re likely looking at after the holidays before we could possibly have everyone in the same place at the same time for the duration of a full season shoot.  Nothing can change that.  Yes, we will be occasionally rehearsing and workshopping the new material before then… but only when all of us can be together in between our various other projects.  Looking at the calendar, it is very likely that January will be the earliest we can all buckle down together and focus on HOLLISTON and HOLLISTON alone.  Could schedules free up sooner?  Definitely.  But for now… this is the deal.  Secondly, this show takes a long time for me to write and a long time for the cast and I to prepare.  There is no writing staff with a dozen or so writers like what a major network show has.  It’s just me.  Once Lynch and I finishing working out the general episode story lines and each of the character’s arcs for the season, I head off on my own to churn out the 600+ pages that will eventually become each season.   When I am confident and happy with the material (sometimes 3 or 4 drafts later on each episode), the main cast gathers at ArieScope and together we spend a night reading all of the episodes out loud together.  This is the first time that the cast actually even sees any pages and it’s one of the most exciting moments of each season as I finally get to hear what I spent months writing in solitude spoken out loud by the very voices I wrote it all for.  Then, over the next few days I bring in each actor for a one on one meeting where we discuss their roles, their reactions to the material, and their own ideas.   Once rehearsals start, the cast becomes my non-traditional version of a “writer’s room.”  Through our nightly work as a cast the scripts are honed, certain jokes are punched up or killed, new jokes are created, and the episodes come to life.  It’s a long process but it’s also an incredibly fun process that we adore.  Filming, post-production, coloring, visual effects, sound design, scoring, mixing… all in all we’re planing on a Summer 2016 release.  Believe me, if I could tell you the exact day- I’d tell you. You may not be aware of this, but I’m not afraid of writing a long winded, flowery blog that takes the average person 2 days and five sittings to read.

photo-4Summer 2012: Corri holding what would become Season 2.

Season 3 had already been mapped out back in 2013 and I had already written several of the episodes… but then we lost Dave.   And if you’re a first time reader of this blog who thinks that perhaps I am being a bit matter of fact about Dave’s death in this posting… I am most certainly not.  I’ve spent the last year and a half mourning and seeking help to try and accept the losses in my life.  The memoriam blogs are all still available below if that’s what you’re looking for.  But with today’s big news, I hope to be starting the next phase of all of this.  Though my heartbreak will be a permanent part of me, I hope to keep that pain in the right place so that it no longer cripples me like it has been.   A lot of what I already had designed for Season 3 (and beyond) has to be changed and on a personal level, writing this next season is going to be very difficult for me given the absence of my character’s guardian angel and the even bigger absence of my real life friend.  I know that I’m going to hit walls from time to time.  I’m going to stumble and have emotional set backs when I least expect it.  But I’ll face it head-on and I’ll get past it.  To share an example of just how hard and how randomly Brockie’s death still hits me out of nowhere… this past week we started going through HOLLISTON’s storage to inventory what still exists, what survived, and what we’ll need to rebuild again.   At one point FX artist Robert Pendergraft (who was sifting through the piles) walked back into the studio holding “Spooky Dan Bear” (last seen in Season 2, Episode 9 when “Oderus” threatened to move out and leave “Adam” over feeling taken for granted in their friendship) and handed it to me.  At first I laughed.  I was happy to see “Spooky Dan Bear” again as the last time I saw it, Dave had said he was going to take it with him as a memento when we wrapped.  I had no idea it was even in storage.

Arwen Spooky BearArwen called “dibs” on her find.

But just a few seconds later, I turned “Spooky Dan Bear” around and… there was the greasepaint from the paint-on abs that “Oderus” wore.  Dave had (as always) sweat off all of the make-up onto the back of the bear when we were filming that scene.  It’s one thing to be reunited with an object associated with someone who’s passed on… but to see their sweat marks still on it?  It just made it seem even less real that he’s actually gone.  It wrecked me.  Once again.

OderusSpookyDanJuly 2012.   Oderus: “Spooky Dan Bear is none of your business!” 

FullSizeRenderJuly 2015.   Dave left a part of himself with “Spooky Dan Bear.”

Now, a week later, I look at “Spooky Dan Bear” (whom Arwen has now adopted as her own security blanket of sorts here at the studio), and I see the greasepaint stains, and I SMILE.  I hug that ridiculous teddy bear when I need to and I feel closer to Dave… who unlike his foul mouthed, blood spewing, profanity screaming, heavy metal rock star alter ego “Oderus Urungus”… was truly a giant teddy bear himself.  He loved HOLLISTON.  He loved me.  He loved Joe.  He loved Laura.  He loved Corri.  He loved and respected the hell out of Dee.  (Who doesn’t?)  He loved being a part of this thing and he called it “the greatest thing” that had ever happened to him.  He loved his fans.  So yeah, the show must go on.  And now it will.

531518_265550816885011_1075018353_nTwo years ago last week.  San Diego Comic Con.

No, “Oderus” will not be recast or replaced by a new “imaginary friend.”  And while his loss will be felt deeply, none of us want to see Season 3 turn into a nonstop tearjerker or a 10 episode memorial.  Our loss will be addressed but then the characters of HOLLISTON will go on living.  They’ll get into trouble, they’ll have fun, they’ll laugh, they’ll cry, they’ll love, they’ll get their hearts broken, they’ll dream, they’ll succeed, and they’ll fail… but together they will keep getting back up with hearts like middle fingers that scream “IS THAT ALL YOU’VE GOT?”   Just like this group of friends does in real life.  Dave/”Oderus” may not be standing on set with us physically anymore, but he will without a doubt still be on our set nonetheless.

Obviously as time goes on we’ll start to be able to share more and more specific details about Season 3.  What will happen to “Joe” and “Laura” after that crazy Season 2 finale?  How will “Adam” and “Corri” handle their new situation?  What will come of “Lance Rockett” now that he’s been laid off from his job?  Will the guys ever get SHINPADS made?  Who will the guest stars be this season?  Will the cast start doing convention appearances and live performances again?  For now… you’ll have to just continue to wait.  But hopefully the wait is now much easier knowing that the band is back together, things are moving forward again, and Season 3 is coming.  We made it through this storm but we still have a lot of hard work in front of us.  To every fan that stood by us, that mourned with us, that shared our collective heartbreak, and that never stopped believing in us or having faith in this show that we love so much… thank you.  We hope to deliver the best season yet.  Keep us in your thoughts and PLEASE keep making noise for HOLLISTON on-line.  Twitter, facebook, instagram… wherever you can spread your enthusiasm, please share it and don’t let up.  Say hello and introduce yourselves to the folks at Geek Nation by tweeting them @GeekNation or even better, tell them how much the return of HOLLISTON means to you by leaving them a Facebook comment at  Feeling a little more old school?  Then send them an old fashioned email at  Show them that the Holliston Nation is now even stronger than ever and that you’re with us.  Haven’t bought Seasons 1 and 2 on Blu-Ray yet?  What better time than now?  Still don’t have a HOLLISTON shirt or poster?   All of the official merchandise is available right here and every single bit of your support helps us more than you can possibly imagine.  Most importantly… like the inscription said on the guitar that “Adam” gave “Corri” for Christmas… BELIEVE.  Your spirit is not only felt by us… it fuels us.

BelieveGUITAR“I am barely breathing, begging please, trying to believe, oh- can you hear me?” 

I’ll close with the below picture that was taken by photographer Gretchen Ertyl shortly after the premiere we held for Season 1 in my actual hometown of Holliston, MA.  We had just wrapped the screening at Town Hall and the audience was invited to join the cast for celebratory drinks at the REAL Casey’s Crossing just a few blocks away. (On the show you see the actual exterior of Casey’s, but the interior is on a sound stage in Hollywood and looks nothing like the real establishment. Live in MA?  Go se the real Casey’s sometime!)  Gretchen had come to the event to take photos of the cast for the Boston Globe.  Before I walked into the party, she asked me to stop and look up while standing on the steps outside of Casey’s.  I distinctly remember standing there, outside in the cold, back in my hometown that I hadn’t been back to in a decade, and just thinking… Wow.  My long and crazy journey had both figuratively and literally lead me back home and I was so unbelievably happy and proud to be there again.  The people in town made us feel so welcomed and appreciated.  For Laura, Corri, Joe, and Sarah – they may as well have also grown up in Holliston with me for all anyone cared.  They were treated exactly like old neighbors, long lost friends, or extended family.  It was an incredible night that meant way more than any of the fancy Hollywood premieres I’ve had.  The events of these last two years have been about as dire as it gets for any show and for any artist.  We got hit with some bad, bad times and it constantly felt like it was all over.  Yet here we are today… picking up where we left off and continuing on with the same dream once more.  I guess you could say that I’m on my way home again.  And there’s nowhere else in the world I’d rather be heading.   We’ll be back soon, HOLLISTON.  Leave the light on for us.  Not that you ever gave up or shut the light off in the first place.  …Wow.

- Adam / “Adam”

Adam never giveup“Now I’m back- oh yes I am, I maybe fell apart at the seams. I had a nightmare- believe me when I tell you, nobody ever dies in their dreams.  Nine lives, it ain’t over, nine lives, live for ten.”                              – Steven Tyler


10 Years Ago Today: HATCHET BEGINS

042505 026April 25, 2005.  HATCHET begins…

10 years ago today a motley crew of filmmakers arrived and set up base camp at Sable Ranch in Santa Clarita, CA to begin the “22″ grueling days/nights of filming HATCHET.  I need to put the number 22 in quotes because in reality the shoot for HATCHET was more like half of that amount of time.  Though the film was originally intended to film earlier that year in the winter time when we would have full nights to shoot our little night-for-night production, as things tend to go in the indie world, our production pushed back and pushed back until we wound up filming in the spring and shooting at the absolute worst time of year for this particular kind of production.  To put it into perspective, 90% of HATCHET takes place outside and at night.  In the Spring in California you’re lucky to have 8 or 9 full hours of shootable darkness as opposed to the standard 12 hour film shoot that often also comes with the option of shooting even longer and into overtime if necessary.  Factor in that we couldn’t afford enough transportation vehicles and drivers to quickly travel our cast and crew from our set deep in the woods down to our base camp, and every single night our lunch break wound up taking anywhere from 90 to 120 minutes no matter how hard we tried to expedite the process.  But that wasn’t our only set-back with time.  We got pummeled with rain just 3 nights into the shoot and lost half a night of shooting when our set all but washed away.  (This would happen to us again on HATCHET 3, only even worse.)  To add one more major obstacle during production… one night we arrived to find that a major network television show had unexpectedly taken over and placed a full-size helicopter right in the middle of our set.  Even our carefully laid out electrical cables had been unceremoniously pulled up and moved aside in a pile and the entire night was chalked up as a loss for us.   How can that happen, you ask?   Well, in the indie world when you have very little money, sometimes your location can screw you over in the middle of your shoot when a bigger production suddenly shows up with a much bigger pay check to wave in front of them.  From the random set-backs… to the fact that we were shooting such an ambitious film on a meager budget that included rain towers, extremely complicated make-up effects, stunts, fire, animals, children, underwater photography, and various other things that slow a production down to a crawl… to the fact that we would show up on set each evening to find that a porno flick (that sadly probably had a bigger budget than we did) was shooting on our sets without our consent… and hopefully you can start to see why the making of HATCHET was anything but typical or easy.  By the way, I wish I was joking about the porno story, but there were many nights that we had to eat “breakfast” while watching strangers have sex on our sets and there was absolutely nothing we could do about it as it was too late to find a new ranch to shoot on or to move our entire production elsewhere.

PowertoolMassacreWatch this porn someday and you just may notice a lot of our sets from HATCHET.

I’ll save all of the untold stories for the big “10 Year Anniversary” blog (or perhaps novel with the way I tend to write) for the 10 year anniversary of the film’s theatrical release (September 7, 2007) since that is the date that “Victor Crowley” was truly born to the mass public, but I couldn’t let this pivotal day in HATCHET history go by without acknowledging and celebrating it at least a little bit.

042505 067“Victor Crowley’s” hatchet was custom made as I wanted it to have a double sided blade that is normally only found on an axe.  It’s fully made out of metal, including the hatchet handle.

Filming HATCHET may have been extremely difficult but it was also one of the greatest times of so many of our lives.  Perhaps it was due to the fact that our core crew was so fresh, young, and naive that we were just happy to be living the dream of making a movie and nothing could break our sprits.  Perhaps it was due to the fact that my intense enthusiasm and love for this project was contagious enough to make even the most jaded and skeptical crew members start drinking my “Crowley Kool Aid” and believing that the film we were making was going to actually matter and be remembered someday.   A decade later there are more interviews about the production of “Hatchet” available to read on-line than I can even begin to count and the DVD/BLU-RAY release is so jam packed with incredibly comprehensive documentaries and commentary tracks about how the film was made that it is truly the next best thing to having had been there on set with us.

Will's pics 1285“We’re making a movie!” – Sarah Elbert, Producer  (April 25, 2005… and several times every day and night of production for the next 22 grueling days after that.)

042505 047Director of Photography Will Barratt.  Hey, anyone remember FILM?

Our set photographer Christel Golden did a phenomenal job documenting every single moment of the production and there are literally thousands of photos to go through, so just choosing a few images to encapsulate what the excitement of that first day/night of production was like is extremely difficult to accomplish.  Day 1 wound up being the film’s flashback scene that accompanies “Marybeth’s” tale of the legend of “Victor Crowley.”  It was a split day that began with a day-time shoot of the scenes with “Young Victor Crowley” and finished with a night-time shoot where we shot the crucial scene of the Crowley house catching fire and “Mr. Crowley” accidentally killing “Victor” while attempting to save him.  Ambitious, sure.  But nothing could prepare us for our very first unexpected challenge.  A challenge that set the stage for the difficulties that were to come.  Let me explain…

H1 scheduleThe first page of HATCHET’s production schedule.

The Crowley house and accompanying shed was built on our main set deep in the woods at Sable Ranch many days in advance of the shoot.  It probably goes without being said, but building a house of any kind is a LOT of work.  As is protocol when dealing with fire safety, a fire marshal came out and approved the location and the fire stunt in advance of HATCHET’s Production Designer Bryan McBrien starting his build.  (We did things right and always put safety first.)  However, on the day of the actual shoot a different fire marshall came out to supervise the evening and noticed that one branch (ONE branch) of a nearby oak tree was hanging ever so slightly over the Crowley house that our crew had built.  Though the chances of the branch catching fire were extremely slim, there was still a chance.  We couldn’t simply cut the lone branch as oak trees are apparently protected in California.  So mere hours before cameras were set to roll, Bryan and his crew had to literally slice off the front of the Crowley house and somehow move it down into the ranch’s parking lot.  It was a feat to accomplish to say the least and in the end Bryan and his crew actually wound up building a new Crowley house facade in a matter of hours.  In the finished movie you would never know that half of the iconic sequence is on the real set and half of it is in a parking lot… but that is the magic of filmmaking and sometimes a crew’s most heroic efforts go completely unnoticed (at least if they did their job right).

042505 068This shot reveals just how NOT in a Louisiana swamp the set actually was.  But in the film…

042505 147

… audiences fully believed what they were seeing. When we did promotional interviews leading up to the release of HATCHET 2 we told the press that the sequel was mainly shot on a sound stage and then watched how some reviews claimed that “the sequel doesn’t feel like the original because it wasn’t shot in a real swamp like the first film was.”  The original HATCHET was shot in a combination of desert parking lot and a stretch of California desert woods with just a handful of swamp plants, trees, and Spanish moss dressed in for effect on camera.  In fact, if you watch the first film closely enough, you can actually see the pots that the swamp plants are still in.  HATCHET 2 was primarily shot on a sound stage which allowed us full shooting days and much more time to film the sequel’s extravagant (and numerous) death sequences.  For the sequel, McBrien’s crew created a completely authentic swamp inside the stage and every plant and tree seen on screen is real.  Save for the roof over our heads (which is obviously never seen in the film) HATCHET 2 was actually shot in a far more realistic swamp setting than the original film.  Lesson learned: don’t tell the press how you actually made something until after they’ve seen it.

After making it through the massive clusterfuck of having to quickly rebuild the front of the house on Day 1, I clearly remember saying that “at least we got our major set-back out of the way on the first day” but I’ve since learned the perils in saying such words and the various jinxes that speaking them out loud can bring down upon a production.  If I only knew then what the next decade had in store for the HATCHET story.  Each film in the saga came with it’s own set of difficult production obstacles and random crazy release hurdles that were almost too ridiculous to believe.  ”Ben’s” famous line in HATCHET 1 (“You gotta be fucking kidding me?!”) was a phrase uttered by many of us behind the scenes far too many times over the next decade of making the trilogy.

042505 018Inside the make-up FX trailer on Day 1.

The most important aspect of the HATCHET saga to note is that every single step of it was willed into fruition.  Not a single thing ever just “worked out” or went our way and at some point when all of the true behind the scenes stories are finally told and made public, you’ll see that the horror, comedy, and drama depicted on screen is nothing compared to what we lived through behind the scenes ourselves.  HATCHET’s eventual success and each sequel’s eventual completion had to be fought for tooth and nail at every turn.  And for that, I’m not only prouder than I ever could have imagined I’d be of this series but I’m eternally grateful for the entire experience.  All of it.  The intense highs and the devastatingly heartbreaking lows… the laughs, the tears, the cheers, the screams, the achievements and the disappointments were all one big gift.

042505 141Another little known fact, the first person to don the “Crowley” costume (or a very basic version of it) on the production was actually Kane Hodder’s right hand man and Assistant Stunt Coordinator Rick McCallum- who is the only other person to ever portray the character on film.

042505 194

For the stunt when “Mr. Crowley” (Kane Hodder) breaks through the burning door with a hatchet and accidentally hits his now fully grown son “Victor” (Rick McCallum) in the face and kills him… Kane couldn’t possibly play both parts in the same shot. 042505 202One of the most defining moments in Kane’s career, he cites this scene in his autobiography as the one that opened far more doors to on-screen acting roles out of prosthetic make-up.

Someday perhaps there will be a book or a documentary or some other piece of media that truly tells the real story of how this cult slasher franchise found it’s way, but until then all I can do is say thank you to every single person who served time and stood with me on this crazy, crazy journey.  I might be the face of HATCHET as the creator and main driving creative force behind it, but it was the cast and crew of each film who really made it all possible.  Many of whom also returned again (and again) for the sequels which is quite rare for a slasher series.  But more so than anything, it was (and continues to be) the FANS worldwide who really made it all worth it.  The fans who carried us the whole way through and who continue to make HATCHET something bigger and more important than every single one of us who stood together on set that fateful first day of production 10 years ago.  They aren’t just fans, they are an army and no truer name has ever been bestowed upon a fan base.

armylogoThe greatest fans in the world.

To my cast and crew who spent such a huge portion of their lives working on HATCHET, congratulations on our 10th year anniversary of our first day of filming.  I mean, fuck… who would have ever thought??  I don’t even think “Victor Crowley” himself could have imagined what our efforts would produce.  But then again, he would probably have been too busy tearing us limb from limb to ever stop and think about what he would go on to mean to legions of horror fans around the world.

Will's pics 1472On the eve of shooting with the original 5 who put it all together and made HATCHET actually happen: Cory Neal, Sarah Elbert, Will Barratt, Me, and Scott Altomare.

So go on… put on your favorite HATCHET T-shirt and enjoy all three films in the trilogy today while dining on a “Moons Over My Hammy, yo”, some chicken and biscuits (and gravy), some of Reverend Zombie’s fancy Chips O’hoy cookies, or be a man and have a Twinkie.  Watch the various behind the scenes documentaries.  Listen to the various commentary tracks.  Reach out to any of the various films’ cast or crew members that you follow on social networking and let them hear your appreciation for all that they did.  But most of all, remember that anything is possible if you’re willing to dream, willing to work hard, willing to keep getting back up again no matter what, and willing to suffer a bit for what you believe in along the way.  From an 8 year old kid at summer camp with nothing but a Twisted Sister tape and a dream, to a handful of friends standing in a parking lot in Santa Clarita believing they could actually make a horror movie, to audiences of fans worldwide who embraced HATCHET with open slasher loving arms… Victor Crowley lives on today and forever more.

042505 101Living the surreal dream on that first night of shooting and every day since.

So heed Jack Cracker’s warnings and stay out of the swamp because with fans like the HATCHET ARMY Victor Crowley will never really die.  In fact, if you listen closely in the dead of the night tonight, I swear you’ll still hear him.  He’s still out there.  Still roaming the swamp.  Still crying for his daddy…


-Adam Green – Hollywood, CA.  April 25th, 2015.

Surviving My Own Marrow

THE MARROW has been dug up, the tour is wrapped, the press interviews are complete, the public appearances have all taken place, the traveling is over, the DVD/BLU-RAY is out in stores, and the finish line has been crossed.  It was an exhausting and bittersweet road as even though DIGGING UP THE MARROW is already one of our best reviewed and most successful endeavors in our 17 years as ArieScope Pictures (so far), the journey with this particular film saw so much “real life” happen that by the time it came out it had already become a weird time capsule of my personal life that feels like more of a surreal fantasy to me than any of the outrageous monsters depicted on the screen.  As incredibly proud as I am of the movie and of our team of artists, I’m also incredibly happy to see the journey end.  Make no mistake, this film was one of the greatest movie making experiences I’ve ever had.  From conception to the shoot to post-production, there was never a single bad day in the entire process of making the movie and I had the chance to work with some of the greatest and most inspiring individuals I’ve ever been lucky enough to work with.   But when I made the bold decision to use my real life as the grounding point for this fantasy story, I never took into consideration my real life isn’t actually the slightest bit within my screenwriting control and that no amount of rewrites, re-edits, or re-shoots could have saved me from what real life was going to throw my way.  In real life… shit happens.  And real life is completely out of your hands.  So I wound up living through some pretty serious shit over the 4 years that it took to make and properly promote DIGGING UP THE MARROW.   A movie that, while I might be insanely proud of it, also happens to be a movie that tore my heart out at every screening and during every interview, night after night after night.  But before I get into all of that (because man is it A LOT), I wanted to quickly mention our new original on-line series that many of you have already been enjoying… SCARY SLEEPOVER.

AGSS 104 6Derek Mears let me sleep in his hockey mask from FRIDAY THE 13th 2009.

SCARY SLEEPOVER is an on-line series that has various genre celebrities and artists joining me for a childlike slumber party at the ArieScope studio.  While THE MOVIE CRYPT podcast is much more serious and “technical” with it’s lengthy 2 or 3 hour-long passionately honest discussions about the struggles of the entertainment business, SCARY SLEEPOVER is a much more light hearted short form video show that is all about having fun.  The show allows fans to be a fly on the wall during an intimate social setting that pulls back the public curtain on some of their favorite artists.  More interesting than the games played, the copious amounts of junk food devoured, the funny personal stories told, the severe ball busting (usually at my expense), and the often times ridiculous pajamas put on display is that at a certain point in each episode my guest opens up and reveals what it is that they are actually scared of in their real life.  No bravado, no ego, no tough horror icon persona bullshit.  The honest answers in each episode will very likely surprise you as much as they have surprised me.

kane still 2  Kane Hodder revealed his greatest personal fear in a very rare and serious moment.

Just like the various films, TV shows, and other projects I make, I always think like a fan first in terms of “what do I want to see.”  I’m so fortunate that I’ve found myself becoming such close friends with so many artists that I admire and even more fortunate that they are so willing to come and play with me when called upon, no matter how weird the idea might be that I’m proposing to them at the time.  One of the best things about our genre is that whether you are a filmmaker or a fan, you’re an equal and integral part of the community and an accepted member of our culture.  So whenever I can, I like to do things that let the fans inside and share a little piece of what I am so lucky to have.  SCARY SLEEPOVER is shot very much off the cuff and the conversations go wherever they happen to go.  Sean Becker (SLEEPOVER’s fantastic director and editor) is the one faced with the difficult and monumental task of cutting down these slumber parties into tight 15 or 20 minute episodes (and then cutting them down even further into a 10 minute long, censored version for our Youtube channel) and to say that he’s been doing a phenomenal job would be a massive understatement.  Once we shoot each sleepover, I stay out of editing until Sean shows me a cut of the episode that he’s happiest with.  That way he decides what conversations stay in as he shapes the individual structure of each episode.  This first season will have 12 guests/episodes and potentially one or two bonus episodes of “outtakes” (stories or moments that were cut for time), but don’t hold me to that just yet.  For now the show is free to watch and made with our own money as a treat for the fans that so loyally support us and our films, so enjoy it and please continue to spread the word.   We won’t be able to do it this way forever, but for now we’re just doing our thing and seeing where it all goes.  You can watch it on our new “Original On-Line Series” page here.

danielle color option_1Danielle Harris was unimpressed with my record collection.

Alright, so back into THE MARROW.  With this film we hit the road hard with press and appearances.  In fact I did more interviews and press days for this movie than I have for any other project before.  I warmed up with a small screening of the movie at USC here in LA where Will Barratt and I took part in an extended Q&A with the audience.  The very next night I was off to San Francisco for the first night of a cross country tour where Alex Pardee and I (along with Patrick, our tour assistant and mustached guardian angel from ZERO FRIENDS) managed to hit 5 cities in all parts of the country in the span of like 6 or 7 days.  Carrying a pop-up art exhibit, the “Chicken” monster, and tons of merchandise with us… we dragged our asses from coast to coast and back again.  The tour was ambitious to say the least but despite so many things going wrong (mainly weather related as we had the unfortunate luck of going through Boston and New York right when the East coast was getting hit with yet another round of this year’s many blizzards) we made it to every city and every screening on time.  It was sorta like (cancelled) planes, (cancelled) trains, and (last minute) automobiles.  Though it may have been a grueling, sleepless journey from San Francisco to Boston to New York to Austin to Los Angeles- every audience was bigger and better than the last and every single night was a huge success.   We signed and took pictures with fans for hours after each event and every city made us feel way beyond welcomed and loved.  The very next night after the LA premiere, MARROW hit VOD and began its theatrical run in North Hollywood where we showed up at the theater for two more nights of appearances.  A few days later the film expanded to 9 more cities and I was off to Chicago for an appearance and Q&A with the audience there.  (FYI, Chicago may have actually been the loudest audience of them all.  Just sayin’.)   I flew home for about 48 hours or so before heading back to Austin for an incredible 5 hour long MOVIE CRYPT “live” event that included a special recording of the podcast with Lynch and I plus a double feature of MARROW and Joe’s new film EVERLY.  Then I went straight to New Jersey for a 3-day appearance at MonsterMania (my first actual convention appearance in almost 2 years) where the fans were absolutely incredible.  My line was so long that I didn’t sit down, eat, or even have a chance to run to the bathroom for all 3 days of the convention… and I loved every minute of it.  Best of all, while I was at MonsterMania I was able to take part in an annual charity auction that the convention does to benefit a local Yorkie rescue shelter.   Together we set a new record with over $7,000.00 donated!  I auctioned myself off for a date and also auctioned off a screen used hatchet from HATCHET 2 for a combined total donation of $2,400.00 which definitely helped the cause.  This past Tuesday I did my final appearance in support of the film when the cast and crew did an in-store signing at Dark Delicacies bookstore in Burbank, CA.  It was a perfect night and such an awesome way to cross the proverbial finish line for this film.

IMG_5803 IMG_5804 IMG_5805The tour was so much fun… when we weren’t sleeping in random airports.

Today (Friday March 27th) Moviemaker Magazine will be running excerpts from the below piece that I wrote for them about my experience making and surviving DIGGING UP THE MARROW.  Typically their “How They Did It” series focuses a bit more on the technical side of things but as the process of making MARROW was such a long and personal one… my piece wound up being, well… long and personal.  (If you’re a frequent reader of this blog, would you expect anything less?)  Though I could have written about the multitude of different cameras that we used or written about how we created the monsters, there’s a commentary track on the DVD/BLU-RAY for all of that stuff and Greg Aronowitz’s spectacular 30 minute-long “Monsters of the Marrow” documentary (included in the special features) covers the creature effects way better than mere words ever could.  The more interesting story about “how I did it” lies in the unique personal experience I went through making and promoting the film.  If you are a regular reader of my blog or if you listen to THE MOVIE CRYPT religiously some of the stuff in this piece about how MARROW originated may be information you already know inside and out.  But as this piece was written for a publication who’s audience has presumably not heard any of it before, I was extremely thorough.  Making DIGGING UP THE MARROW was an absolutely awesome experience.  The wonderful reception and response to the film has completely blown away all of us who were involved in making it.  But for me personally, that success came with a painful price tag.  This is the story of not just “How I Did It” but “How I Survived It”…

moviemakerlogo444Excerpts from the below piece will run on MovieMaker’s website today (3/27), but what follows below is the entirety of what I wrote for their “How They Did It” series.

How I turned paintings into cinema, used my real life as a story device, and survived my own true horror story making DIGGING UP THE MARROW.   By Adam Green.

For 17 years now, my production company ArieScope Pictures has created original genre films like the three HATCHET movies, SPIRAL, GRACE, and CHILLERAMA as well as a popular cult television sit-com called HOLLISTON.   These titles have been warmly embraced by a loyal and passionate worldwide culture of horror fans that have blessed us through their support with the ability to pursue every filmmaker’s dream; to do things our own way and to work almost exclusively with a tight knit family that we have held together since the very beginning.  ArieScope’s very existence is due entirely to the fans that truly go out of their way to rally behind our work, who drive hours to see our films in the select theaters that play them, who spread the good word when we don’t have the luxury of marketing or advertising to do that for us, and who pay their hard earned money to buy our DVDs or Blu-Rays as well as the various T-shirts, posters, and other merchandise that we offer on our website with all of the proceeds going right back into keeping our independent studio’s lights on.   This incredibly creative fan base often mails in everything from artwork to sculptures to deeply personal handwritten letters about what they are going through and how something I did is helping them get through it in some small way.  It’s truly amazing.

In February of 2010 we returned from the triumphant world premiere of our film FROZEN at the Sundance Film Festival to find a package at the studio from a fan claiming that “Victor Crowley” (the villain from HATCHET) was actually real and that I had not explained his mythology correctly in my film.   It included photographs of various swamps in New Orleans with areas circled that the fan was claiming to be Crowley’s actual birth place or the locations of his various killing sprees.  While some filmmakers may have found this kind of fan mail disturbing, I could see that it was merely creative fan fiction and done out of love for the character.  So I said to my business partners Will Barratt and Cory Neal, “What if we grabbed some cameras and went to New Orleans to have this guy try and prove what he’s claiming?  Even if it only wound up being a short film, it could still be funny, right?”  As fun as the idea sounded, with HATCHET 2 just seven months away from release we didn’t want to do anything involving the Crowley character or the universe of HATCHET.  Even more so, we didn’t want to find out the hard way if the guy who had mailed the package was indeed actually insane.  But the concept of using ourselves as subject matter and building a docu-style story around real life cult filmmakers who receive a package from someone with an outrageous claim was intriguing to all of us.   The concept seemed like a fresh and fun way to mix reality with fantasy and make a monster movie as realistically as possible by using our real lives and the documentary approach as our way in.  We just didn’t have the right guy or the right monsters so we went back to the drawing board with the concept.  Literally.

Two weeks later I was doing a signing at a Fangoria convention here in Los Angeles when a guy came through my line and handed me a little 14 page pamphlet on which he had inscribed, “Thanks for all of the inspiration you’ve given me.”  I thought nothing of it and added it to the pile of random gifts, short films, and other oddities that people so generously hand me at such appearances.   Later that night I opened the pamphlet, titled “Digging Up The Marrow: Excerpts From The Journals of Detective William Dekker.”  5 minutes later there were a million light bulbs going off in my head and I was texting my partners at ArieScope saying “I’ve got it.  I have the reality/fantasy movie figured out!”  Turns out that the random guy who came through my line was none other than artist Alex Pardee, someone who’s artwork I already knew and loved but someone who I had never seen in person before.  Had I known what Alex looked like I probably would have geeked out on him when I met him, but he’s such a humble and understated person that he just handed me his pamphlet of artwork and walked away.

MarrowBookletThe actual pamphlet that Alex Pardee handed me back in 2010.

Whenever Alex does an art exhibit it is way more than mere paintings on a gallery wall.  He goes far deeper than that and provides a story and a context for what you are looking at.  His 2009 exhibit “Digging Up The Marrow” was about a former police detective named “William Dekker” who had supposedly discovered a world beneath our feet where monsters live.  In the context of the art exhibit, Dekker had gone missing and Alex had found his journals and taken it upon himself to paint the crazy creatures that Dekker described in his writings.  Of course it was all made up and not an ounce of it was real, but looking through the pages of Alex’s artwork my hands began to sweat and I was wide awake and pacing my bedroom floor trying to make sense of the ideas flooding my head.  What if “Dekker” had reached out to a real cult filmmaker in the hopes that the filmmaker would tell his story to the world?  Forget the HATCHET fan letter I had received two weeks earlier, what if “Dekker” had sent me his supposed evidence instead?  What if “Dekker” actually delivered on his claims and brought me face to face with “real” monsters?  What if these creatures looked exactly like Alex Pardee’s artwork?  By using ourselves as subject matter we would ground the story in a very real world and then slowly introduce monsters as realistically as possible.  Everyone who would appear in the film would do so as themselves.  Or would they? 

The next step was to meet with Alex and see if he was into this crazy manipulated half real-half fake documentary idea.  After all, how could he not be?  The seeds for it were already all there in his art exhibit.   While I may have had a story, the characters, and an idea for a unique style of movie, Alex was the one who had the right world and the right monsters.  Thankfully it was love at first meeting and we were off and running almost immediately.  I think I had a very first draft presented to the team within 3 months of that first meeting.  We decided right from the start that because of the weird “part real/part fiction” aspect to this film that we wouldn’t let anyone in on what we were doing too early.  In fact, we knew that the less people knew about it the better that it would play.  So in order to be able to stay under the radar but not exactly have to hide the fact that we were working on something, we announced the film as “a documentary about monster art.”  Note to other filmmakers: If you ever want to stay under the radar and not have the media asking for set visits or casting news or still photos… just throw down the words “art documentary” and watch how little they pay attention to what you are doing.  Not only did we not want to frustrate our friends in the genre press by not allowing them to have any information, set visits, casting news, stills, etc… we also knew that DIGGING UP THE MARROW was going to take a very long time to complete.  To put it into perspective, during the 4 years that we made this film, ArieScope also made two HATCHET sequels, two television seasons of HOLLISTON, and an anthology movie called CHILLERAMA.  MARROW was going to be a very long production.

MARROW script pageVery little of DIGGING UP THE MARROW was improvised.  In fact, almost everything seen on screen in the finished film was meticulously scripted.

The first step was to get started on building the monsters.  By enlisting sculptor Greg Aronowitz we knew we’d be in good hands and that the creatures would look exactly like Alex’s artwork.  Too often in film you see concept art get changed around completely in the fabrication process simply because certain things don’t make sense.  The beauty of Alex’s art is that it isn’t “correct.”  Skin, bone structure, weight distribution… nothing is where it should naturally be on a living organism.  We wanted to keep Alex’s art intact and create creatures that no one had ever seen before and Greg was more than up for the task.  After each sculpture was finished, the giant clay creatures went off to FX artist Robert Pendergraft and his team at Aunt Dolly’s Garage where they faced the monumental task of bringing these things to life on screen practically.  As Robert put it, he aged about 20 years of thought upon first seeing Greg’s sculptures.  Very few of these creatures would be able to be made through typical prosthetics on actors.  There is an exceptional 30 minute documentary called “Monsters of the Marrow” on the DVD and Blu-Ray release (buy it here) that goes super in depth on the technical side of how the film’s monsters were created using puppets, tracks, garage door springs, tubes, ropes and other methods.   Suffice to say, it was a massive undertaking but in the end we successfully brought Alex’s artwork to three-dimensional life.

HarlequinDesign4SampleAlex’s concept art for “Harlequin” became…

Harlequin3Greg’s sculpture for “Harlequin”, which Robert and his crew then made into…


While all of this was taking place we faced another hurdle; who to cast as “William Dekker.”  While I may be more than capable of playing myself (I’ve had 40 years of practice) and while we knew our monsters would work on screen when called upon, what about the most important character in the story?  Who would we cast as the eccentric and mysterious enigma of a man who sends me his fantastical story?  For weeks we debated the pros and cons of casting an unknown actor versus hiring a recognizable character actor that most everyone would know upon first sight.  It was one of the most difficult choices in making the film but one that we made by carefully thinking many, many steps ahead to the eventual screenings and the release.  The problem with a concept like this is that we knew that with the documentary approach and everyone appearing as themselves that the majority of audiences would have their beliefs suspended almost too much.  We felt as if viewers may start to think that what they were watching was in fact real.  However, right at the end of the first act (the 30 minute mark of the film) when the first monster revealed itself, they would be thrown for a loop and start declaring “hoax!”  We had seen other films attempt this and suffer that unfortunate fate where the entire experience became about whether or not the film was in fact real or fake.   It would eventually become a huge pitfall for the film’s overall playability if we tried to pass “Dekker” off as real.  After all, at the end of the day we were making a monster movie and a scripted narrative feature.  It just so happens to be told in a highly unconventional way.

IMG_35272Enter Ray Wise.  Our pitch perfect “William Dekker.” 

Right around the time that we had collectively made up our minds that we would find a great, recognizable character actor to play “Dekker” I just so happened to get a phone call from Ray Wise.  Ray had acted in one of the segments of our anthology film CHILLERAMA… but not my segment.  We had never worked together before and after seeing my offering in CHILLERAMA (“The Diary Of Anne Frankenstein”) and even more recently watching a film I had co-directed with Joel David Moore called SPIRAL, Ray wanted to change that.  I have always been a huge fan of Ray’s.  He is an icon.  He’s been in some of the biggest films and television shows of all time.  I was thrilled to hear his voice on the other end of the line but even more than that, I was incredibly impressed.  Ray Wise works more consistently than most actors in Hollywood.  He doesn’t need to be pounding the pavement for jobs.  Jobs find him.   Yet there he was cold calling me?  It was fate.  Ray Wise had to be “William Dekker” and I wouldn’t accept anyone else.   We met for lunch at Mucho Mas in Burbank, I showed him Alex’s pamphlet, explained the odd reality/fantasy concept of what we were doing, and he said yes instantly.  Thankfully his excitement only deepened upon reading my script that same night.

IMG_2582The shoot itself was a director’s dream come true.

Though certain parts of the film had already been shot long before Ray came on board, it was mainly testimonial scenes from various artists discussing monsters and why they choose to believe in them or scenes of Will Barratt and I traveling to meet with “Dekker.”  The real meat of MARROW was shot over the summer of 2013, mainly in our real homes, the ArieScope studio, or out in the woods in Santa Clarita where we had created the cemetery set that would serve as the home to “Dekker’s” supposed entrance into the Marrow.  The shoot was one of the greatest times of my life.  As a director I had absolute creative control, as a producer I had the dream team of artists around me giving their crucial two cents, as an actor I was working opposite the great Ray Wise, and as a fan… I was hunting for monsters.  It’s important for any actor to believe in whatever part it is that they are playing, and man did I believe.  It was my greatest fantasy come to life, searching for monsters out in the woods late at night and actually coming face to face with a few.  Especially since our creatures were all practical and looked just as amazing up close as they did on camera.  Of course there were some visual effects added in post, but only enough to compliment what was already there in the “flesh.”   By August of that same summer we were well into editing.

JoshEditingEditor Josh Ethier hard at work.

This was where I first started to get cold feet on the entire concept of the film.  Though the “reality” aspect of MARROW was precisely what made the idea exciting to us… when it is your reality you can’t help but become overly sensitive to it.  Even though every single creative decision had been debated at length and even though we had all played devil’s advocate to every choice, I couldn’t help but begin to fear the obvious.  “They’re gonna say that the film is self indulgent.”  “It is one big advertisement for ArieScope, constantly seeing their studio, their crew T-shirts, their movie posters, etc.”  You name the possible personal attack, I was already saying it out loud in the edit bay.  Thankfully I have surrounded myself with honest people who have no fear in speaking up.  Our editor Josh Ethier was one of the most important voices in this process as he remained completely objective and constantly kept my fears in check by simply asking me “If this had been a fictional cult filmmaker, what information would need to be in the story to make that character three dimensional and believable?”  “If this story had been about a fake filmmaker who made fake movies at a fake studio with fake actors and who had fake fans who sent him fake fan mail… what would you keep in this cut?”   It not only helped, but it prevented me from potentially ruining my own movie simply to save myself from the obvious criticism that would be coming my way.  However, as with any film, you need to throw it out to the wolves and test it before you can even consider locking picture.

One by one, various filmmakers were invited to ArieScope, told absolutely nothing about what they were about to watch (remember, everyone thought we had been making an art documentary in our spare time), and we would press play.  As always, I received some fantastic opinions that helped us pick up the film’s pace and fix a few issues that we were too close to see by that point.  Note to other filmmakers: If you’re going to ask someone to give you their time and watch your film it should be because you respect their opinion, not because you’re fishing for praise.  Listen to what they say and even more importantly, try out their suggestions afterwards whether you instantly agree with them or not.  If you only want to hear how great your film is, don’t bother screening it for opinions.  Just show your mother.

JoelMARROWJoel David Moore, his girlfriend Ellen Monohan, and HOLLISTON’s Axl were among the first to screen MARROW for opinions and notes.  (NOTE: I was more terrified than they were.) 

Of course one filmmaker who’s opinion we all greatly respect had the note that we feared most.  “You’re biggest mistake was casting Ray Wise.  As brilliant as he is in this, the second I saw him I knew it wasn’t real.  You should have cast an unknown.”  I calmly replied, “So about 11 minutes later when the first monster showed up… you were still going to think this movie was actually real?”  His response?  “Oh.  Yeah.  You’re right.  Nah, Ray is perfect.  Great choice!”  But we weren’t ready to lock picture just yet.  The ultimate trial by fire isn’t showing filmmakers as even they can be too close to the process themselves to truly be objective.  We needed to show a real audience and I wanted to show the most opinionated audience that I could find.  I wanted to take the film to The Alamo Drafthouse in Austin, the home of Fantastic Fest and some of the most outspoken fans and brutally honest critics on the planet.  There simply is no audience like a Drafthouse audience.  I sent a screener to Harry Knowles of AIN’T IT COOL NEWS who’s annual 24-hour film festival Buttnumbathon was only a few short weeks away.  I trusted that if he didn’t like it that he wouldn’t go and post a negative review before the film was even finished.  I knew that he’d just tell me he didn’t like it and why.  But if he liked it enough just maybe DIGGING UP THE MARROW could test at Buttnumbathon.  Yeah, I’m kind of a masochist.  The next day Harry called.  “Can I play MAROW at Buttnumbathon, Adam?”  Masochism achievement unlocked.

bnat__span_hugeThe prestigious and world famous Alamo Drafthouse in Austin, TX.

Alex Pardee and I flew to Austin and settled into our seats for the long 24 hour cinematic haul.  The beauty of BNAT is not just that only Harry knows the secret line-up he’s going to play but that the unsuspecting audience is one of the most hardcore and discriminating audiences on the planet.  Like I told Alex, “If our movie survives this we can lock picture tomorrow and finish it.  If not… we’re kinda fucked.”  The films began to play.  The first ever screening of THE WOLF OF WALL STREET.  The first ever screening of THE HOBBIT: THE DESOLATION OF SMAUG.  THE AGONY AND THE ECSTASY (in glorious 70mm).  POPEYE.  Yeah, we were sweating pretty bad by the time 6am rolled around and our weird little movie started.  Not only was this not an audience comprised entirely of horror fans or of people who would necessarily be excited to see the latest “Adam Green joint”… they were also exhausted and falling asleep.  I feared the worst as Harry invited Alex and I up to introduce it.  We didn’t say much at all as we wanted the audience to see the film as cold as possible, but I did explain that the film was not yet finished.  That there were still no visual effects.  That the sound and score were temp.  That there was still no color correction and what they would be seeing were merely the dailies.  With that I asked for only one favor.  “Feel free to say if you liked or if you didn’t, but please don’t post anything publicly that says exactly what it is or review the film beat by beat and ruin what we’ve been keeping secret for so long.”  One thing you have to love about Texas… they take pride in sticking to their word.  Not a single person in that audience spoiled the film on-line or betrayed our trust.  Save for one exceptionally negative reaction posted on-line pretty much everything else was positive and even better, the film played like gangbusters.  Laughs, screams, jumps, and best of all… the discussions outside before the next film started were filled with people sharing their theories about the character of “Dekker” and the world of “the Marrow.”  They were creatively stimulated.  They were using their imaginations and believing in monsters again.  It was everything we could have hoped for and more.  We were picture locked.

PicturelockedAlex and I celebrate being picture locked. December 2013.

Then, about 3 months into the finishing process and right as the film was approaching absolute completion… my entire life fell apart and the very reality I used for my film became a disaster.

FullSizeRenderMarch 23, 2014

Dave Brockie passed away suddenly on March 23, 2014.  Most knew Dave as “Oderus Urungus”, the lead singer of the heavy metal band GWAR and my character’s imaginary alien friend on my TV series HOLLISTON.   But I knew Dave as one of my best friends.  I loved him dearly.  And there he is in the first five minutes of DIGGING UP THE MARROW, proudly wearing his “Oderus” get up backstage at San Diego Comic Con and declaring to the camera “I am a monster, I’ve always been a monster, and after I’m dead I’ll be a dead monster!”  I was devastated.  I wanted his scene cut out of the movie immediately.  I couldn’t look at it.  But the team around me carefully and compassionately talked me down off of the ledge.  Not because of the massive financial costs that suddenly changing the edit would hit us with but because they knew I was making the choice for my own personal comfort and not for the good of the film.  What finally made me see the light was when someone said, “I know that it’s hard for you to hear Dave say that, but why would you rob his fans of seeing the last thing he said on camera?  Especially when it was so fitting to his sense of humor that his last recorded appearance is him joking about his own demise?”  They were right.  Had I taken it out of the film it would have been completely personal and no one would have been more disappointed in me for acting so selfishly than Dave himself.  So I left the scene in, knowing all too well that it was going to be a kick in the balls at every screening I’d eventually have to endure.

3 weeks after Dave died my wife and I got divorced.  And while she may only appear in DIGGING UP THE MARROW for a total of 4 minutes or so and while the scenes were fully scripted just like the rest of the film, they are scenes that show us at home together.  Throughout the movie my “character” refers to “my wife.”  There is a shot of us kissing and a scene of us sleeping next to each other in bed.  I wanted to cut it all out of the film but once again the team around me talked me out of re-cutting the film only to address my own feelings.  “Those scenes are in there for exposition and story.  If you cut them out just because they’re painful for you to watch, then what happens to the story?  What about all of the times in the film that you mention your wife at home?  What about the final scene of the film?  Don’t ruin the movie just to make it easier for you.  It isn’t for you anymore.  It’s for the audience.”  And again… I listened and I stood down.

I don’t need to burden you with the “woe is me” details, but like any human being I took the divorce extremely hard. I was completely heart broken and it took me almost 5 months to get healthy and back on my feet and before I could begin admitting it to anyone outside of the small handful of friends who helped me through the worst of it.   At Dave’s public memorial that August I was describing what a terrible year it had been for me and I slipped and dropped the word “divorce” while delivering his eulogy to a crowd full of 4,000 GWAR and HOLLISTON fans.  Word was out and now I was going to have to deal with the court of public opinion, the gossip, and the questions or comments about it from my own fans.  I just wasn’t ready yet.  But as DIGGING UP THE MARROW was only 1 week away from world premiering at Fright Fest in London anyway, I had to get ready for what was coming.  I couldn’t hide from it forever.  I finally acknowledged the divorce on my weekly podcast THE MOVIE CRYPT that week and sincerely asked people to simply leave the subject alone.  I said that it had happened a long while back and that there was nothing to discuss or talk about.  I wore my heart on my sleeve and requested that people move on from it and refrain from tweeting me their condolences or asking me about it because I just couldn’t take it.  And with that I headed off to London for the world premiere of DIGGING UP THE MARROW.  My super personal movie that used my real life as subject matter and that just so happened to include scenes involving my now dead friend and my now ex-wife.  Put yourself in my shoes.  Yeah.

I doubt I can ever explain what the release of this film has been like for me.  A four year process that yielded both the most rewarding creative process I’ve ever experienced and one that also has become a bittersweet time capsule of my life that now feels more like a work of fiction than the actual reality it so boldly shows.  I’ve been asked about Dave or the divorce in almost every interview I have done about the movie, on several carpets that I’ve walked for it, and several times at every autograph signing or appearance I’ve done in support of the film.  These wounds took far too long to begin healing because at every step I was asked to open them up again, whether I wanted to or not.  I’ve toured with THE MARROW and relived the worst pain of my life night after night all while simultaneously being rewarded with laughs, cheers, screams, and louder applause than I’ve ever heard for one of my films before.  The response has been far beyond anything we ever could have hoped for and only one week into release the option of doing a sequel already looks like more than a sincere reality.  It’s surreal.  But this is MovieMaker Magazine and not People Magazine, so does all of this personal stuff really matter?  Do I really need to admit all of this heartache as part of “How I Did It?”  Well… yeah.  Because that’s how I did it.

TearsPress Day #2.  Though journalists had every right to ask me about my deceased friend or my ex-wife since both are featured in the film, despite my ability to sound happy to be doing the interviews… on the other end of the phone line I was miserable.  

As filmmakers and storytellers we all wear our hearts on our sleeves.  Perhaps not every filmmaker will choose to put themselves so fully out there in their work like I do, but we all put our hearts on the line with every project in one way or another.   With MARROW, my heart just happens to be sitting out there naked and shivering for the whole world to see all because I made the “exciting and bold” choice to use my real life as the basis for a fantasy story.  Fuck me.

I share all of this so honestly not to discourage anyone else from attempting to do what I did, but to instead encourage you. Try something different like this.  Take your real life heartbreak and own it.  Use it to empower you, not to disenchant you.  Because when all is said and done, if you don’t put your entire soul into every frame of every story that you tell, then you shouldn’t be making movies in the first place.  Just be prepared to bleed a little for the things you love.  Be prepared to bleed for cinema.  It’s a wonderful thing.

IMG_5288Healthy and strong again at the triumphant Los Angeles premiere. 

In the end, when I went digging up the “Marrow” I found way more than just fantastical monsters.  During this long experience I found the love again for what it is that I do with my life.  I learned to believe in the impossible again.  I learned to think outside the box again.  I learned that nothing can stop me unless I let it.  I learned that I truly do work with the greatest people on the planet.  I learned how to create, to imagine, and to love as honestly and fearlessly as a child again.  All because I allowed a pamphlet of artwork to inspire me and take me to dark and wonderful places.  All because I didn’t quit when my life went to shit and when promoting this film became unbearably hard on a personal level.  I hope that when you go digging up your own “Marrow” that you come out with the same perspective that this amazing journey has given me.  Try something different.  Make something that doesn’t make sense.  Take risks, fall down, and get hurt a bunch on the way.  You’ll heal and it will be OK.  In the end you just might find yourself holding the best thing you’ve ever created in your very hands because it is within your own pain that the stories worth telling actually exist.

Oh, and that one exceptionally negative reaction from Buttnumbathon that I mentioned earlier?  It said that my film was “criminally self indulgent” and that “Adam Green sure is in the Adam Green business.” You’re damn fucking right and there’s no business I’d rather be in.   I don’t make movies for the paychecks or for the fame or for the glory.  I don’t make them for critics.  I make them for an audience that has learned to expect nothing less than for me to always put my entire heart and soul into each and every project I commit to.  Being me is all I can be and all I ever will be.  That’s what makes my movies my movies.  My willingness to dig deep and expose my true self is exactly what makes each one of my films worth watching.

So keep digging up your own “Marrow”.  There’s nothing to be afraid of.  Trust me.  I’ve been down there and I lived to tell about it.  You will, too.

Marrow holeDown in my “Marrow” hole …and back again.

-Adam Green  (March 2015)